{
  "contents": [
    {
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          "text": "Actual high-bitrate local A/B/C comparison: attachment1 English Targ,2 preserved Ukrainian version1,3 NEW MASTER CANDIDATE. Local seconds restart; parent ranges on each attachment. These are corresponding story blocks with overlap, not identical clock offsets. Inspect EVERY supplied assigned Ukrainian phrase in attachment3. Expected text below is a checklist only: do not echo it as heard if unclear. Report missing/extra words, stress shifts, name phonetics and uncertainty. Do not count syllable matches as art. Current goal: sharp speech-derived SUNG word shapes, selective melodic question play, clear consonant releases, musical answers and distinct transitions; no nonstop text flood, compulsory softness or all-staccato rule. Source coda ONLY contains brand/link invitation; local form/payment/return terms are Ukrainian product adaptation, never original English facts.\nReturn ONLY JSON <=3000words with mediaAccess true/false,audioAccess true/false,actualAccessChecks:[{attachment,heardBeginning,heardEnd}],phraseFindings:[one per assigned phrase EXACT id order, {phraseId,heardWordsWithStress,wordAndStressVerdict:clear/uncertain/defect,issues,actualWordAnchor,heardAttack,heardVowelAndRelease,densityObservation,comparisonToPreviousAndSource}],heardMusicalPhrases:[{plannedPhraseIds,semanticFocus,contourRhythm,release,holdBreathOrResponse,arrangement,boundaryCue,planDeviation}],heardTransitions:[{beforeWords,afterWords,actualResponse,sharpOrSmoothed,uncertainty}],sourceCorrespondence:{wordShapes,selectiveMelodicPlay,repeatedCells,arrangementTurns,causality,localDensity},concreteRegressionOrBlockingDefects,remainingGap,limits.\nGroup actual heard musical clauses, not automatically one group per checklist row. Each assigned phrase must occur exactly once in musical groups, in order; overlap outside the assigned list is context only. For ambiguity quote competing heard readings. Recognized orthographic variants усмі́шка and predicative шко́да are not automatically wrong; grammatical мене́ is final stress here. Six is a meaningful hold, not empty silence; Stop may have accent/decay. Product is cosmetic fictional neck story, no guaranteed cure or injury claims. Report honest deviations from intentions and where the source is still better. [{\"id\": \"p01\", \"expected\": \"Зустрі́ла в крамни́ці дружи́ну коли́шнього.\"}, {\"id\": \"p02\", \"expected\": \"Ї́й — три́дцять чоти́ри.\"}, {\"id\": \"p03\", \"expected\": \"По́гляд — на́че ї́й мене́ шко́да.\"}, {\"id\": \"p04\", \"expected\": \"Бу́в бе́резень.\"}, {\"id\": \"p05\", \"expected\": \"Ми́ з Андрі́єм — шістна́дцять ро́ків у шлю́бі.\"}, {\"id\": \"p06\", \"expected\": \"Ві́н пішо́в до коле́ги.\"}, {\"id\": \"p07\", \"expected\": \"Бана́льно. Зна́ю.\"}, {\"id\": \"p08\", \"expected\": \"Га́рна без зуси́ль. Ще́ ча́с не торкну́вся.\"}, {\"id\": \"p09\", \"expected\": \"А я́ за пі́в ро́ку — на п'я́ть лі́т ста́рша.\"}, {\"id\": \"p10\", \"expected\": \"Стре́с лиша́є слі́д.\"}, {\"id\": \"p11\", \"expected\": \"Нічні́ сльо́зи лиша́ють слі́д.\"}, {\"id\": \"p12\", \"expected\": \"Ді́тям бу́ти опо́рою — те́ж лиша́є слі́д.\"}, {\"id\": \"p13\", \"expected\": \"Субо́та. Лоси́ни. Пучо́к. Без косме́тики.\"}, {\"id\": \"p14\", \"expected\": \"Зно́в кре́м. Сті́льки про́б — усе́ ма́рно.\"}, {\"id\": \"p15\", \"expected\": \"З-за ря́ду — її́ го́лос. Впізна́ла.\"}, {\"id\": \"p16\", \"expected\": \"Вона́ ви́йшла. По́гляд ковзну́в по ши́ї.\"}, {\"id\": \"p17\", \"expected\": \"Дві́ секу́нди. Усмі́шка.\"}]\nMandatory auditory scope: actual-word-shape; selective-melodic-play; continuous-text-pressure; musical-responses-and-transitions. The following are WRITTEN INTENTIONS, never proof of what was sung. Use the actual attached audio to distinguish attack, vowel motion/hold, release and instrumental answer. Report deviations and uncertainty; do not award a score for short words, field counts, loudness or softness. Do not infer a pause from punctuation or mistake a held note for silence. Compare the development of the supplied full form separately from local clips.\n{\"intendedPhraseWork\": [{\"phraseId\": \"p01\", \"text\": \"Зустрі́ла в крамни́ці дружи́ну коли́шнього.\", \"attackAnchor\": \"Зустріла\", \"releaseAnchor\": \"колишнього\", \"sourceActionIds\": [\"a01\"], \"sourceWordAnchor\": \"I ran into my ex husband's new wife at Target\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Sung encounter verb attacks immediately; name relationship clearly, close its last vowel without a decorative run.\", \"musicalReason\": \"collision / Sung encounter verb attacks immediately; name relationship clearly, close its last vowel without a decorative run.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p02\", \"text\": \"Ї́й — три́дцять чоти́ри.\", \"attackAnchor\": \"тридцять чотири\", \"releaseAnchor\": \"чотири\", \"sourceActionIds\": [\"a02\"], \"sourceWordAnchor\": \"She was thirty four\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Separate age fact: accented number, short final ри and room for the chord to answer.\", \"musicalReason\": \"fact / Separate age fact: accented number, short final ри and room for the chord to answer.\", \"deliveryMode\": \"clipped-sung\", \"holds\": []}, {\"phraseId\": \"p03\", \"text\": \"По́гляд — на́че ї́й мене́ шко́да.\", \"attackAnchor\": \"шкода\", \"releaseAnchor\": \"шкода\", \"sourceActionIds\": [\"a03\"], \"sourceWordAnchor\": \"She looked at me like she felt sorry for me\", \"lexicalDecision\": \"Rewritten from: Глянула так, наче їй мене шкода.\", \"vowelAndReleaseIntent\": \"Change the contour from factual age into her imagined pity; мене has final stress and no trailing vocal flourish.\", \"musicalReason\": \"reveal / Change the contour from factual age into her imagined pity; мене has final stress and no trailing vocal flourish.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p04\", \"text\": \"Бу́в бе́резень.\", \"attackAnchor\": \"березень\", \"releaseAnchor\": \"березень\", \"sourceActionIds\": [\"a04\"], \"sourceWordAnchor\": \"That was in March\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Dry time stamp on a small pitched gesture; consonant ending closes the aside.\", \"musicalReason\": \"time / Dry time stamp on a small pitched gesture; consonant ending closes the aside.\", \"deliveryMode\": \"clipped-sung\", \"holds\": []}, {\"phraseId\": \"p05\", \"text\": \"Ми́ з Андрі́єм — шістна́дцять ро́ків у шлю́бі.\", \"attackAnchor\": \"шістнадцять\", \"releaseAnchor\": \"шлюбі\", \"sourceActionIds\": [\"a05\"], \"sourceWordAnchor\": \"Mark and I were married sixteen years\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Keep the essential duration and named husband; release бі before the betrayal arrives, not a joined narrative run.\", \"musicalReason\": \"duration / Keep the essential duration and named husband; release бі before the betrayal arrives, not a joined narrative run.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p06\", \"text\": \"Ві́н пішо́в до коле́ги.\", \"attackAnchor\": \"пішов\", \"releaseAnchor\": \"колеги\", \"sourceActionIds\": [\"a06\"], \"sourceWordAnchor\": \"Then he left for someone from his office Cliché,\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Direct action: punch пішов, release the destination lightly.\", \"musicalReason\": \"fact / Direct action: punch пішов, release the destination lightly.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p07\", \"text\": \"Бана́льно. Зна́ю.\", \"attackAnchor\": \"Банально\", \"releaseAnchor\": \"Знаю\", \"sourceActionIds\": [\"a06\", \"a07\"], \"sourceWordAnchor\": \"Then he left for someone from his office Cliché,\", \"lexicalDecision\": \"Rewritten from: Банально, я знаю.\", \"vowelAndReleaseIntent\": \"Two dry sung asides with an audible pitch change, not a long apologetic line.\", \"musicalReason\": \"aside / Two dry sung asides with an audible pitch change, not a long apologetic line.\", \"deliveryMode\": \"clipped-sung\", \"holds\": []}, {\"phraseId\": \"p08\", \"text\": \"Га́рна без зуси́ль. Ще́ ча́с не торкну́вся.\", \"attackAnchor\": \"без зусиль\", \"releaseAnchor\": \"торкнувся\", \"sourceActionIds\": [\"a07\"], \"sourceWordAnchor\": \"I know She's the kind of pretty that doesn't have to try yet Because time hadn't shown up yet\", \"lexicalDecision\": \"Rewritten from: Вона гарна без зусиль — ще час не торкнувся.\", \"vowelAndReleaseIntent\": \"First clipped assessment closes on ль; the time aside follows separately and ends without a melisma.\", \"musicalReason\": \"observation / First clipped assessment closes on ль; the time aside follows separately and ends without a melisma.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p09\", \"text\": \"А я́ за пі́в ро́ку — на п'я́ть лі́т ста́рша.\", \"attackAnchor\": \"А я\", \"releaseAnchor\": \"старша\", \"sourceActionIds\": [\"a08\"], \"sourceWordAnchor\": \"By March I wasn't fine I looked like I had aged five years in six months Stress will do that Crying every night\", \"lexicalDecision\": \"Rewritten from: А я за пів року немов на п'ять літ постаріла.\", \"vowelAndReleaseIntent\": \"Contrast self with her; shortened syntax retains both numerical ages of change, close ша then let the groove reset.\", \"musicalReason\": \"contrast / Contrast self with her; shortened syntax retains both numerical ages of change, close ша then let the groove reset.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p10\", \"text\": \"Стре́с лиша́є слі́д.\", \"attackAnchor\": \"Стрес\", \"releaseAnchor\": \"слід\", \"sourceActionIds\": [\"a09\"], \"sourceWordAnchor\": \"five years in six months Stress will do that Crying every night will do that Holding your kids together will do that\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Sharp стрес then recurring short descending слід cadence; accompaniment answers the completed consequence.\", \"musicalReason\": \"cell-one / Sharp стрес then recurring short descending слід cadence; accompaniment answers the completed consequence.\", \"deliveryMode\": \"clipped-sung\", \"holds\": []}, {\"phraseId\": \"p11\", \"text\": \"Нічні́ сльо́зи лиша́ють слі́д.\", \"attackAnchor\": \"Нічні сльози\", \"releaseAnchor\": \"слід\", \"sourceActionIds\": [\"a09\"], \"sourceWordAnchor\": \"five years in six months Stress will do that Crying every night will do that Holding your kids together will do that\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Keep the same recognizable consequence cell, vary the longer cause without stretching слід to fill a bar.\", \"musicalReason\": \"cell-two / Keep the same recognizable consequence cell, vary the longer cause without stretching слід to fill a bar.\", \"deliveryMode\": \"clipped-sung\", \"holds\": []}, {\"phraseId\": \"p12\", \"text\": \"Ді́тям бу́ти опо́рою — те́ж лиша́є слі́д.\", \"attackAnchor\": \"опорою\", \"releaseAnchor\": \"слід\", \"sourceActionIds\": [\"a09\"], \"sourceWordAnchor\": \"five years in six months Stress will do that Crying every night will do that Holding your kids together will do that\", \"lexicalDecision\": \"Rewritten from: Коли дітям ти опора — це теж лишає слід.\", \"vowelAndReleaseIntent\": \"Support for children stays explicit; the third return enlarges the cause, then ends firmly on the same слід.\", \"musicalReason\": \"cell-three / Support for children stays explicit; the third return enlarges the cause, then ends firmly on the same слід.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p13\", \"text\": \"Субо́та. Лоси́ни. Пучо́к. Без косме́тики.\", \"attackAnchor\": \"Без косметики\", \"releaseAnchor\": \"косметики\", \"sourceActionIds\": [\"a10\"], \"sourceWordAnchor\": \"I was at Target that Saturday Leggings, no makeup, hair in a bun Staring at another cream\", \"lexicalDecision\": \"Rewritten from: У суботу: крамниця, лосини, пучок. Без косметики.\", \"vowelAndReleaseIntent\": \"Discrete wardrobe and vulnerability details, three small pitched attacks rather than a uniform legato chain.\", \"musicalReason\": \"scene / Discrete wardrobe and vulnerability details, three small pitched attacks rather than a uniform legato chain.\", \"deliveryMode\": \"clipped-sung\", \"holds\": []}, {\"phraseId\": \"p14\", \"text\": \"Зно́в кре́м. Сті́льки про́б — усе́ ма́рно.\", \"attackAnchor\": \"марно\", \"releaseAnchor\": \"марно\", \"sourceActionIds\": [\"a11\"], \"sourceWordAnchor\": \"no makeup, hair in a bun Staring at another cream that wouldn't work I had already tried every single one\", \"lexicalDecision\": \"Rewritten from: Знов дивлюсь на крем. Стільки проб — і все марно.\", \"vowelAndReleaseIntent\": \"New cream attempt then exhausted verdict; keep the final но short and let accompaniment expose frustration.\", \"musicalReason\": \"failed-search / New cream attempt then exhausted verdict; keep the final но short and let accompaniment expose frustration.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p15\", \"text\": \"З-за ря́ду — її́ го́лос. Впізна́ла.\", \"attackAnchor\": \"її голос\", \"releaseAnchor\": \"Впізнала\", \"sourceActionIds\": [\"a12\"], \"sourceWordAnchor\": \"Then I heard her voice one aisle over Knew it was her before she came around She saw me\", \"lexicalDecision\": \"Rewritten from: Із сусіднього ряду її голос впізнала.\", \"vowelAndReleaseIntent\": \"Voice recognition comes before her appearance; separate the heard noun from the completed recognition verb.\", \"musicalReason\": \"recognition / Voice recognition comes before her appearance; separate the heard noun from the completed recognition verb.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p16\", \"text\": \"Вона́ ви́йшла. По́гляд ковзну́в по ши́ї.\", \"attackAnchor\": \"по шиї\", \"releaseAnchor\": \"шиї\", \"sourceActionIds\": [\"a13\"], \"sourceWordAnchor\": \"it was her before she came around She saw me And I watched her face do the thing Forehead, cheeks, jaw Two second scan, that sting\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Two agent-bound actions; short вийшла release, then directional scan with a firm lexical accent шиї.\", \"musicalReason\": \"scan / Two agent-bound actions; short вийшла release, then directional scan with a firm lexical accent шиї.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p17\", \"text\": \"Дві́ секу́нди. Усмі́шка.\", \"attackAnchor\": \"Усмішка\", \"releaseAnchor\": \"Усмішка\", \"sourceActionIds\": [\"a13\"], \"sourceWordAnchor\": \"it was her before she came around She saw me And I watched her face do the thing Forehead, cheeks, jaw Two second scan, that sting\", \"lexicalDecision\": \"Rewritten from: Дві секунди — і усмішка.\", \"vowelAndReleaseIntent\": \"The number describes her look, not mandatory audio silence. Let the smile word be a short reveal.\", \"musicalReason\": \"scan-result / The number describes her look, not mandatory audio silence. Let the smile word be a short reveal.\", \"deliveryMode\": \"clipped-sung\", \"holds\": []}], \"intendedTransitions\": [{\"id\": \"tr1\", \"fromSection\": \"s1\", \"toSection\": \"s2\", \"afterPhraseId\": \"p09\", \"beforePhraseId\": \"p10\", \"voiceRelease\": \"Contrast self with her; shortened syntax retains both numerical ages of change, close ша then let the groove reset.\", \"musicalResponse\": \"Dry facts finish; bass/guitar sets the recurring cost cell.\", \"newEntry\": \"Sharp стрес then recurring short descending слід cadence; accompaniment answers the completed consequence.\", \"reasonNotSmoothed\": \"Dry facts finish; bass/guitar sets the recurring cost cell.\", \"sourceActionIds\": [\"a08\", \"a09\"]}, {\"id\": \"tr2\", \"fromSection\": \"s2\", \"toSection\": \"s3\", \"afterPhraseId\": \"p17\", \"beforePhraseId\": \"p18\", \"voiceRelease\": \"The number describes her look, not mandatory audio silence. Let the smile word be a short reveal.\", \"musicalResponse\": \"The superficial smile finishes; expose the delayed pity reveal with a changed band accent.\", \"newEntry\": \"Three sharply different sung gestures; expectation, rejection, exposed pity. Give the final noun a deliberate release and band reply.\", \"reasonNotSmoothed\": \"The superficial smile finishes; expose the delayed pity reveal with a changed band accent.\", \"sourceActionIds\": [\"a13\", \"a14\"]}, {\"id\": \"tr3\", \"fromSection\": \"s3\", \"toSection\": \"s4\", \"afterPhraseId\": \"p23\", \"beforePhraseId\": \"p24\", \"voiceRelease\": \"This image earns a selective melodic fall; complete the feeling and leave an instrumental hinge into the next scene.\", \"musicalResponse\": \"Inner light metaphor resolves; a perceptible rhythmic pickup starts the practical dance scene.\", \"newEntry\": \"Shorter completed забрала sits inside the clause; finish on consonantal танців, no stretching рала as the destination. Groove answer before the peer.\", \"reasonNotSmoothed\": \"Inner light metaphor resolves; a perceptible rhythmic pickup starts the practical dance scene.\", \"sourceActionIds\": [\"a19\", \"a20\"]}, {\"id\": \"tr4\", \"fromSection\": \"s4\", \"toSection\": \"s5\", \"afterPhraseId\": \"p30\", \"beforePhraseId\": \"p31\", \"voiceRelease\": \"Sung command hits with the band, its decay remains audible. Advice restarts after the interruption as a different action, not a crossfaded vocal line.\", \"musicalResponse\": \"Command/advice ends; accompaniment answers before the next-day handoff.\", \"newEntry\": \"Keep named donor, completed transfer and recipient; land банку then release, no loss of actor for shorter phrasing.\", \"reasonNotSmoothed\": \"Command/advice ends; accompaniment answers before the next-day handoff.\", \"sourceActionIds\": [\"a24\", \"a25\"]}, {\"id\": \"tr5\", \"fromSection\": \"s5\", \"toSection\": \"s6\", \"afterPhraseId\": \"p38\", \"beforePhraseId\": \"p39\", \"voiceRelease\": \"Paired negative sensations then positive personal experience; answer musically before the weeks jump, no universal tolerance guarantee.\", \"musicalResponse\": \"Comfort statement releases; music carries elapsed weeks before mirror surprise.\", \"newEntry\": \"Time jump and sudden stop separated; preserve mirror inspection without adding filler syllables to the lead-in.\", \"reasonNotSmoothed\": \"Comfort statement releases; music carries elapsed weeks before mirror surprise.\", \"sourceActionIds\": [\"a27\", \"a28\"]}, {\"id\": \"tr6\", \"fromSection\": \"s6\", \"toSection\": \"s7\", \"afterPhraseId\": \"p46\", \"beforePhraseId\": \"p47\", \"voiceRelease\": \"The practical payoff explicitly concerns the neck. A modest expressive contour can resolve here before the return scene.\", \"musicalResponse\": \"Exposed neck payoff lands; new instrumental entry signals the public return in June.\", \"newEntry\": \"New time stamp and public setting with separate attacks; a changed accompaniment entry marks the return.\", \"reasonNotSmoothed\": \"Exposed neck payoff lands; new instrumental entry signals the public return in June.\", \"sourceActionIds\": [\"a31\", \"a32\"]}, {\"id\": \"tr7\", \"fromSection\": \"s7\", \"toSection\": \"s8\", \"afterPhraseId\": \"p52\", \"beforePhraseId\": \"p53\", \"voiceRelease\": \"Short recognition hit then causal return to the car; retain the link, close авто without melismatic expansion.\", \"musicalResponse\": \"Recognition of the same woman resolves; accompaniment clears for sincere thanks and self-worth.\", \"newEntry\": \"Sincere thanks and internal agreement are two melodic gestures; the cadence starts settling rather than rushing to commerce.\", \"reasonNotSmoothed\": \"Recognition of the same woman resolves; accompaniment clears for sincere thanks and self-worth.\", \"sourceActionIds\": [\"a35\", \"a36\"]}, {\"id\": \"tr8\", \"fromSection\": \"s8\", \"toSection\": \"s9\", \"afterPhraseId\": \"p55\", \"beforePhraseId\": \"p56\", \"voiceRelease\": \"OWN judgment gets the answering contour and purposeful final melodic resolution; no compulsory softness, leave music to close the personal arc.\", \"musicalResponse\": \"Complete personal cadence and instrumental answer, then distinct casual sung brand referral.\", \"newEntry\": \"Distinct voiced GOH PYUR sung name after the personal cadence, then brief cream identification. Clear, casual new coda entrance.\", \"reasonNotSmoothed\": \"Complete personal cadence and instrumental answer, then distinct casual sung brand referral.\", \"sourceActionIds\": [\"a37\", \"a38\"]}], \"intendedMusicAnswers\": [{\"id\": \"breath1\", \"afterPhraseId\": \"p10\", \"beforePhraseId\": \"p11\", \"response\": \"Bass/guitar answers the first causal conclusion; next cause returns the same cell.\", \"reason\": \"Bass/guitar answers the first causal conclusion; next cause returns the same cell.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath2\", \"afterPhraseId\": \"p11\", \"beforePhraseId\": \"p12\", \"response\": \"Second answer, then increased caregiving cause; no repeated-line blur.\", \"reason\": \"Second answer, then increased caregiving cause; no repeated-line blur.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath3\", \"afterPhraseId\": \"p18\", \"beforePhraseId\": \"p19\", \"response\": \"Let revealed pity land over ensemble decay before the longer inner metaphor.\", \"reason\": \"Let revealed pity land over ensemble decay before the longer inner metaphor.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath4\", \"afterPhraseId\": \"p24\", \"beforePhraseId\": \"p25\", \"response\": \"Release танців and hear the groove before naming the peer.\", \"reason\": \"Release танців and hear the groove before naming the peer.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath5\", \"afterPhraseId\": \"p30\", \"beforePhraseId\": \"p31\", \"response\": \"Advice has changed action; instrumental response precedes the next-day jar transfer.\", \"reason\": \"Advice has changed action; instrumental response precedes the next-day jar transfer.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath6\", \"afterPhraseId\": \"p38\", \"beforePhraseId\": \"p39\", \"response\": \"Care experience ends; accompaniment marks the jump into weeks of waiting.\", \"reason\": \"Care experience ends; accompaniment marks the jump into weeks of waiting.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath7\", \"afterPhraseId\": \"p43\", \"beforePhraseId\": \"p44\", \"response\": \"Held six/disbelief resolves into a breath before the complete neck result.\", \"reason\": \"Held six/disbelief resolves into a breath before the complete neck result.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath8\", \"afterPhraseId\": \"p55\", \"beforePhraseId\": \"p56\", \"response\": \"Finish self-worth cadence and musical answer before changing to a product referral.\", \"reason\": \"Finish self-worth cadence and musical answer before changing to a product referral.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath9\", \"afterPhraseId\": \"p59\", \"beforePhraseId\": \"p60\", \"response\": \"Return condition ends; music makes room for the final personal invitation.\", \"reason\": \"Return condition ends; music makes room for the final personal invitation.\", \"timingIntent\": \"flexible-until-heard\"}]}"
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