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          "text": "Actual high-bitrate local A/B/C comparison: attachment1 English Targ,2 preserved Ukrainian version1,3 NEW MASTER CANDIDATE. Local seconds restart; parent ranges on each attachment. These are corresponding story blocks with overlap, not identical clock offsets. All groups must cover the entire assigned phrase list; do not omit later phrases to save tokens. mediaAccess and audioAccess MUST be JSON true/false booleans. Inspect EVERY supplied assigned Ukrainian phrase in attachment3. Expected text below is a checklist only: do not echo it as heard if unclear. Report missing/extra words, stress shifts, name phonetics and uncertainty. Do not count syllable matches as art. Current goal: sharp speech-derived SUNG word shapes, selective melodic question play, clear consonant releases, musical answers and distinct transitions; no nonstop text flood, compulsory softness or all-staccato rule. Source coda ONLY contains brand/link invitation; local form/payment/return terms are Ukrainian product adaptation, never original English facts.\nReturn ONLY JSON <=4200words with mediaAccess true/false,audioAccess true/false,actualAccessChecks:[{attachment,heardBeginning,heardEnd}],phraseFindings:[one per assigned phrase EXACT id order, {phraseId,heardWordsWithStress,wordAndStressVerdict:clear/uncertain/defect,issues,actualWordAnchor (LITERAL UKRAINIAN WORD, never timestamp),heardAttack,heardVowelAndRelease,densityObservation,comparisonToPreviousAndSource}],heardMusicalPhrases:[{plannedPhraseIds,semanticFocus,contourRhythm,release,holdBreathOrResponse,arrangement,boundaryCue,planDeviation}],heardTransitions:[{beforeWords,afterWords,actualResponse,sharpOrSmoothed,uncertainty}],sourceCorrespondence:{wordShapes,selectiveMelodicPlay,repeatedCells,arrangementTurns,causality,localDensity},concreteRegressionOrBlockingDefects,remainingGap,limits.\nGroup actual heard musical clauses, not automatically one group per checklist row. Each assigned phrase must occur exactly once in musical groups, in order; overlap outside the assigned list is context only. For ambiguity quote competing heard readings. Recognized orthographic variants усмі́шка and predicative шко́да are not automatically wrong; No first-pity pronoun remains in current lyrics. Six is a meaningful hold, not empty silence; Stop may have accent/decay. Product is cosmetic fictional neck story, no guaranteed cure or injury claims. Report honest deviations from intentions and where the source is still better. [{\"id\": \"p18\", \"expected\": \"Не злі́сть. Ні́, ще́ гі́рше. Жа́лість.\"}, {\"id\": \"p19\", \"expected\": \"На́че я́ — коли́шня ве́рсія тіє́ї, яку́ ві́н люби́в пе́ршою.\"}, {\"id\": \"p20\", \"expected\": \"Дійшла́ до авто́. П'ятна́дцять хвили́н сиджу́.\"}, {\"id\": \"p21\", \"expected\": \"Злі́сть не на не́ї. На себе́ в дзе́ркалі.\"}, {\"id\": \"p22\", \"expected\": \"На ши́ї — су́хість, сму́ги та зало́ми.\"}, {\"id\": \"p23\", \"expected\": \"Ні́би сві́тло всере́дині зга́сло.\"}, {\"id\": \"p24\", \"expected\": \"Того́ ти́жня забра́ла до́ньку з та́нців.\"}, {\"id\": \"p25\", \"expected\": \"Лари́са. Ми́ ба́чились та́м щодня́.\"}, {\"id\": \"p26\", \"expected\": \"Ї́й п'ятдеся́т п'я́ть. А ши́я — гладе́нька.\"}, {\"id\": \"p27\", \"expected\": \"Пита́ю: «Що за до́гляд?»\"}, {\"id\": \"p28\", \"expected\": \"Засмія́лась. Гля́нула на ши́ю: «А ти́ що нано́сиш?»\"}, {\"id\": \"p29\", \"expected\": \"«Кисло́ти. Сиро́ватки. Кре́ми. Все́ міня́ю».\"}, {\"id\": \"p30\", \"expected\": \"«Сті́й. Не все́ підря́д. Догляда́й щодня́».\"}]\nOutput contract: mediaAccess and audioAccess must be JSON booleans true or false, never strings such as \"audible\" or descriptive prose. Use true only for actually accessed/heard attachments. Put access observations in a separate accessEvidence field. This format is not proof of quality or permission to guess inaudible words.\n\nMandatory auditory scope: actual-word-shape; selective-melodic-play; continuous-text-pressure; musical-responses-and-transitions. The following are WRITTEN INTENTIONS, never proof of what was sung. Use the actual attached audio to distinguish attack, vowel motion/hold, release and instrumental answer. Report deviations and uncertainty; do not award a score for short words, field counts, loudness or softness. Do not infer a pause from punctuation or mistake a held note for silence. Compare the development of the supplied full form separately from local clips.\n{\"intendedPhraseWork\": [{\"phraseId\": \"p18\", \"text\": \"Не злі́сть. Ні́, ще́ гі́рше. Жа́лість.\", \"attackAnchor\": \"Жалість\", \"releaseAnchor\": \"Жалість\", \"sourceActionIds\": [\"a14\"], \"sourceWordAnchor\": \"Then she smiled And it wasn't mean, it was worse Sympathetic Like she was looking\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Three sharply different sung gestures; expectation, rejection, exposed pity. Give the final noun a deliberate release and band reply.\", \"musicalReason\": \"gaze-first / Three sharply different sung gestures; expectation, rejection, exposed pity. Give the final noun a deliberate release and band reply.\", \"deliveryMode\": \"clipped-sung\", \"holds\": []}, {\"phraseId\": \"p19\", \"text\": \"На́че я́ — коли́шня ве́рсія тіє́ї, яку́ ві́н люби́в пе́ршою.\", \"attackAnchor\": \"колишня версія\", \"releaseAnchor\": \"першою\", \"sourceActionIds\": [\"a15\"], \"sourceWordAnchor\": \"at the before version of the woman her husband loved first\", \"lexicalDecision\": \"Rewritten from: Наче я — колишня версія жінки, яку він любив першою.\", \"vowelAndReleaseIntent\": \"Keep the difficult inner comparison complete. One purposeful longer melodic thought earns its space after the clipped reveal.\", \"musicalReason\": \"identity-wound / Keep the difficult inner comparison complete. One purposeful longer melodic thought earns its space after the clipped reveal.\", \"deliveryMode\": \"selective-hold\", \"holds\": [{\"word\": \"першою\", \"purpose\": \"Keep the difficult inner comparison complete. One purposeful longer melodic thought earns its space after the clipped reveal.\", \"releaseOrResponse\": \"Resolve the specified thought and hand space to accompaniment; not an arbitrary silence duration.\"}]}, {\"phraseId\": \"p20\", \"text\": \"Дійшла́ до авто́. П'ятна́дцять хвили́н сиджу́.\", \"attackAnchor\": \"П'ятнадцять хвилин\", \"releaseAnchor\": \"сиджу\", \"sourceActionIds\": [\"a16\"], \"sourceWordAnchor\": \"I walked to my car and sat there for fifteen\", \"lexicalDecision\": \"Rewritten from: До авто дійшла. П'ятнадцять хвилин сиділа.\", \"vowelAndReleaseIntent\": \"Completed walk, then vivid present sitting. Release авто before the duration; do not turn сиджу into an ornamental climax.\", \"musicalReason\": \"consequence / Completed walk, then vivid present sitting. Release авто before the duration; do not turn сиджу into an ornamental climax.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p21\", \"text\": \"Злі́сть не на не́ї. На себе́ в дзе́ркалі.\", \"attackAnchor\": \"не на неї\", \"releaseAnchor\": \"дзеркалі\", \"sourceActionIds\": [\"a17\"], \"sourceWordAnchor\": \"I wasn't angry at her I was angry at what\", \"lexicalDecision\": \"Rewritten from: Не на неї злилась — на те, що в дзеркалі бачила.\", \"vowelAndReleaseIntent\": \"Two contrasted targets of anger; no accelerating through the period.\", \"musicalReason\": \"anger-turn / Two contrasted targets of anger; no accelerating through the period.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p22\", \"text\": \"На ши́ї — су́хість, сму́ги та зало́ми.\", \"attackAnchor\": \"На шиї\", \"releaseAnchor\": \"заломи\", \"sourceActionIds\": [\"a18\"], \"sourceWordAnchor\": \"I'd seen Melasma on my cheeks Patches on my forehead and lip Like the light had\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Concrete defined neck problem, three separately articulated nouns; preserve all symptoms.\", \"musicalReason\": \"problem / Concrete defined neck problem, three separately articulated nouns; preserve all symptoms.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p23\", \"text\": \"Ні́би сві́тло всере́дині зга́сло.\", \"attackAnchor\": \"згасло\", \"releaseAnchor\": \"згасло\", \"sourceActionIds\": [\"a19\"], \"sourceWordAnchor\": \"and lip Like the light had gone out from inside\", \"lexicalDecision\": \"Rewritten from: Ніби світло моє погасло всередині.\", \"vowelAndReleaseIntent\": \"This image earns a selective melodic fall; complete the feeling and leave an instrumental hinge into the next scene.\", \"musicalReason\": \"inner-image / This image earns a selective melodic fall; complete the feeling and leave an instrumental hinge into the next scene.\", \"deliveryMode\": \"selective-hold\", \"holds\": [{\"word\": \"згасло\", \"purpose\": \"This image earns a selective melodic fall; complete the feeling and leave an instrumental hinge into the next scene.\", \"releaseOrResponse\": \"Resolve the specified thought and hand space to accompaniment; not an arbitrary silence duration.\"}]}, {\"phraseId\": \"p24\", \"text\": \"Того́ ти́жня забра́ла до́ньку з та́нців.\", \"attackAnchor\": \"забрала\", \"releaseAnchor\": \"танців\", \"sourceActionIds\": [\"a20\"], \"sourceWordAnchor\": \"That week at my daughter's dance pickup There's this Korean woman I'd see every day\", \"lexicalDecision\": \"Rewritten from: Того тижня з танців доньку забирала.\", \"vowelAndReleaseIntent\": \"Shorter completed забрала sits inside the clause; finish on consonantal танців, no stretching рала as the destination. Groove answer before the peer.\", \"musicalReason\": \"new-scene / Shorter completed забрала sits inside the clause; finish on consonantal танців, no stretching рала as the destination. Groove answer before the peer.\", \"deliveryMode\": \"clipped-sung\", \"holds\": []}, {\"phraseId\": \"p25\", \"text\": \"Лари́са. Ми́ ба́чились та́м щодня́.\", \"attackAnchor\": \"Лариса\", \"releaseAnchor\": \"щодня\", \"sourceActionIds\": [\"a20\"], \"sourceWordAnchor\": \"That week at my daughter's dance pickup There's this Korean woman I'd see every day\", \"lexicalDecision\": \"Rewritten from: Ларису там щодня зустрічала.\", \"vowelAndReleaseIntent\": \"Name first, then recurring relationship as a second small gesture; avoid the previous rhyming забирала/зустрічала tails.\", \"musicalReason\": \"familiar-person / Name first, then recurring relationship as a second small gesture; avoid the previous rhyming забирала/зустрічала tails.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p26\", \"text\": \"Ї́й п'ятдеся́т п'я́ть. А ши́я — гладе́нька.\", \"attackAnchor\": \"А шия\", \"releaseAnchor\": \"гладенька\", \"sourceActionIds\": [\"a21\"], \"sourceWordAnchor\": \"Mid fifties with flawless skin I had to say What do you use, your skin is a dream\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Separate age fact and visible contrast; preserve full age and resolved neck, short final ка.\", \"musicalReason\": \"credible-contrast / Separate age fact and visible contrast; preserve full age and resolved neck, short final ка.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p27\", \"text\": \"Пита́ю: «Що за до́гляд?»\", \"attackAnchor\": \"Що за догляд\", \"releaseAnchor\": \"догляд\", \"sourceActionIds\": [\"a21\"], \"sourceWordAnchor\": \"Mid fifties with flawless skin I had to say What do you use, your skin is a dream\", \"lexicalDecision\": \"Rewritten from: Питаю: «Чим ти користуєшся?»\", \"vowelAndReleaseIntent\": \"Short direct sung inquiry opens a playful rising contour and stops on д; not a monotone spoken question.\", \"musicalReason\": \"question / Short direct sung inquiry opens a playful rising contour and stops on д; not a monotone spoken question.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p28\", \"text\": \"Засмія́лась. Гля́нула на ши́ю: «А ти́ що нано́сиш?»\", \"attackAnchor\": \"А ти\", \"releaseAnchor\": \"наносиш\", \"sourceActionIds\": [\"a22\"], \"sourceWordAnchor\": \"She laughed then looked at my face Said honey, what are you using I told her Tri-Luma,\", \"lexicalDecision\": \"Rewritten from: Вона засміялась, на шию глянула: «А ти що наносиш?»\", \"vowelAndReleaseIntent\": \"Three changing gestures: light laugh lift, lower inspecting aside, elastic pitched counter-question. Selective melody is the point here; release шиш cleanly.\", \"musicalReason\": \"counter-question / Three changing gestures: light laugh lift, lower inspecting aside, elastic pitched counter-question. Selective melody is the point here; release шиш cleanly.\", \"deliveryMode\": \"selective-hold\", \"holds\": [{\"word\": \"А ти\", \"purpose\": \"Three changing gestures: light laugh lift, lower inspecting aside, elastic pitched counter-question. Selective melody is the point here; release шиш cleanly.\", \"releaseOrResponse\": \"Resolve the specified thought and hand space to accompaniment; not an arbitrary silence duration.\"}]}, {\"phraseId\": \"p29\", \"text\": \"«Кисло́ти. Сиро́ватки. Кре́ми. Все́ міня́ю».\", \"attackAnchor\": \"Все міняю\", \"releaseAnchor\": \"міняю\", \"sourceActionIds\": [\"a23\"], \"sourceWordAnchor\": \"what are you using I told her Tri-Luma, vitamin C, retinol, all the rest She said stop,\", \"lexicalDecision\": \"Rewritten from: «Кислоти, сироватки, креми — усе міняю».\", \"vowelAndReleaseIntent\": \"Local percussive catalogue only; each item is distinct, changing everything is audible, no continuous rap outside this contrast.\", \"musicalReason\": \"confession / Local percussive catalogue only; each item is distinct, changing everything is audible, no continuous rap outside this contrast.\", \"deliveryMode\": \"clipped-sung\", \"holds\": []}, {\"phraseId\": \"p30\", \"text\": \"«Сті́й. Не все́ підря́д. Догляда́й щодня́».\", \"attackAnchor\": \"Стій\", \"releaseAnchor\": \"щодня\", \"sourceActionIds\": [\"a24\"], \"sourceWordAnchor\": \"vitamin C, retinol, all the rest She said stop, all of that is making it worse\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Sung command hits with the band, its decay remains audible. Advice restarts after the interruption as a different action, not a crossfaded vocal line.\", \"musicalReason\": \"advice-pivot / Sung command hits with the band, its decay remains audible. Advice restarts after the interruption as a different action, not a crossfaded vocal line.\", \"deliveryMode\": \"clipped-sung\", \"holds\": []}], \"intendedTransitions\": [{\"id\": \"tr1\", \"fromSection\": \"s1\", \"toSection\": \"s2\", \"afterPhraseId\": \"p09\", \"beforePhraseId\": \"p10\", \"voiceRelease\": \"Contrast self with her; shortened syntax retains both numerical ages of change, close ша then let the groove reset.\", \"musicalResponse\": \"Dry facts finish; bass/guitar sets the recurring cost cell.\", \"newEntry\": \"Sharp стрес then recurring short descending слід cadence; accompaniment answers the completed consequence.\", \"reasonNotSmoothed\": \"Dry facts finish; bass/guitar sets the recurring cost cell.\", \"sourceActionIds\": [\"a08\", \"a09\"]}, {\"id\": \"tr2\", \"fromSection\": \"s2\", \"toSection\": \"s3\", \"afterPhraseId\": \"p17\", \"beforePhraseId\": \"p18\", \"voiceRelease\": \"The number describes her look, not mandatory audio silence. Let the smile word be a short reveal.\", \"musicalResponse\": \"The superficial smile finishes; expose the delayed pity reveal with a changed band accent.\", \"newEntry\": \"Three sharply different sung gestures; expectation, rejection, exposed pity. Give the final noun a deliberate release and band reply.\", \"reasonNotSmoothed\": \"The superficial smile finishes; expose the delayed pity reveal with a changed band accent.\", \"sourceActionIds\": [\"a13\", \"a14\"]}, {\"id\": \"tr3\", \"fromSection\": \"s3\", \"toSection\": \"s4\", \"afterPhraseId\": \"p23\", \"beforePhraseId\": \"p24\", \"voiceRelease\": \"This image earns a selective melodic fall; complete the feeling and leave an instrumental hinge into the next scene.\", \"musicalResponse\": \"Inner light metaphor resolves; a perceptible rhythmic pickup starts the practical dance scene.\", \"newEntry\": \"Shorter completed забрала sits inside the clause; finish on consonantal танців, no stretching рала as the destination. Groove answer before the peer.\", \"reasonNotSmoothed\": \"Inner light metaphor resolves; a perceptible rhythmic pickup starts the practical dance scene.\", \"sourceActionIds\": [\"a19\", \"a20\"]}, {\"id\": \"tr4\", \"fromSection\": \"s4\", \"toSection\": \"s5\", \"afterPhraseId\": \"p30\", \"beforePhraseId\": \"p31\", \"voiceRelease\": \"Sung command hits with the band, its decay remains audible. Advice restarts after the interruption as a different action, not a crossfaded vocal line.\", \"musicalResponse\": \"Command/advice ends; accompaniment answers before the next-day handoff.\", \"newEntry\": \"Keep named donor, completed transfer and recipient; land банку then release, no loss of actor for shorter phrasing.\", \"reasonNotSmoothed\": \"Command/advice ends; accompaniment answers before the next-day handoff.\", \"sourceActionIds\": [\"a24\", \"a25\"]}, {\"id\": \"tr5\", \"fromSection\": \"s5\", \"toSection\": \"s6\", \"afterPhraseId\": \"p38\", \"beforePhraseId\": \"p39\", \"voiceRelease\": \"Paired negative sensations then positive personal experience; answer musically before the weeks jump, no universal tolerance guarantee.\", \"musicalResponse\": \"Comfort statement releases; music carries elapsed weeks before mirror surprise.\", \"newEntry\": \"Time jump and sudden stop separated; preserve mirror inspection without adding filler syllables to the lead-in.\", \"reasonNotSmoothed\": \"Comfort statement releases; music carries elapsed weeks before mirror surprise.\", \"sourceActionIds\": [\"a27\", \"a28\"]}, {\"id\": \"tr6\", \"fromSection\": \"s6\", \"toSection\": \"s7\", \"afterPhraseId\": \"p46\", \"beforePhraseId\": \"p47\", \"voiceRelease\": \"The practical payoff explicitly concerns the neck. A modest expressive contour can resolve here before the return scene.\", \"musicalResponse\": \"Exposed neck payoff lands; new instrumental entry signals the public return in June.\", \"newEntry\": \"New time stamp and public setting with separate attacks; a changed accompaniment entry marks the return.\", \"reasonNotSmoothed\": \"Exposed neck payoff lands; new instrumental entry signals the public return in June.\", \"sourceActionIds\": [\"a31\", \"a32\"]}, {\"id\": \"tr7\", \"fromSection\": \"s7\", \"toSection\": \"s8\", \"afterPhraseId\": \"p52\", \"beforePhraseId\": \"p53\", \"voiceRelease\": \"Short recognition hit then causal return to the car; retain the link, close авто without melismatic expansion.\", \"musicalResponse\": \"Recognition of the same woman resolves; accompaniment clears for sincere thanks and self-worth.\", \"newEntry\": \"Sincere thanks and internal agreement are two melodic gestures; the cadence starts settling rather than rushing to commerce.\", \"reasonNotSmoothed\": \"Recognition of the same woman resolves; accompaniment clears for sincere thanks and self-worth.\", \"sourceActionIds\": [\"a35\", \"a36\"]}, {\"id\": \"tr8\", \"fromSection\": \"s8\", \"toSection\": \"s9\", \"afterPhraseId\": \"p55\", \"beforePhraseId\": \"p56\", \"voiceRelease\": \"OWN judgment gets the answering contour and purposeful final melodic resolution; no compulsory softness, leave music to close the personal arc.\", \"musicalResponse\": \"Complete personal cadence and instrumental answer, then distinct casual sung brand referral.\", \"newEntry\": \"Distinct voiced GOH PYUR sung name after the personal cadence, then brief cream identification. Clear, casual new coda entrance.\", \"reasonNotSmoothed\": \"Complete personal cadence and instrumental answer, then distinct casual sung brand referral.\", \"sourceActionIds\": [\"a37\", \"a38\"]}], \"intendedMusicAnswers\": [{\"id\": \"breath1\", \"afterPhraseId\": \"p10\", \"beforePhraseId\": \"p11\", \"response\": \"Bass/guitar answers the first causal conclusion; next cause returns the same cell.\", \"reason\": \"Bass/guitar answers the first causal conclusion; next cause returns the same cell.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath2\", \"afterPhraseId\": \"p11\", \"beforePhraseId\": \"p12\", \"response\": \"Second answer, then increased caregiving cause; no repeated-line blur.\", \"reason\": \"Second answer, then increased caregiving cause; no repeated-line blur.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath3\", \"afterPhraseId\": \"p18\", \"beforePhraseId\": \"p19\", \"response\": \"Let revealed pity land over ensemble decay before the longer inner metaphor.\", \"reason\": \"Let revealed pity land over ensemble decay before the longer inner metaphor.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath4\", \"afterPhraseId\": \"p24\", \"beforePhraseId\": \"p25\", \"response\": \"Release танців and hear the groove before naming the peer.\", \"reason\": \"Release танців and hear the groove before naming the peer.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath5\", \"afterPhraseId\": \"p30\", \"beforePhraseId\": \"p31\", \"response\": \"Advice has changed action; instrumental response precedes the next-day jar transfer.\", \"reason\": \"Advice has changed action; instrumental response precedes the next-day jar transfer.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath6\", \"afterPhraseId\": \"p38\", \"beforePhraseId\": \"p39\", \"response\": \"Care experience ends; accompaniment marks the jump into weeks of waiting.\", \"reason\": \"Care experience ends; accompaniment marks the jump into weeks of waiting.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath7\", \"afterPhraseId\": \"p43\", \"beforePhraseId\": \"p44\", \"response\": \"Held six/disbelief resolves into a breath before the complete neck result.\", \"reason\": \"Held six/disbelief resolves into a breath before the complete neck result.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath8\", \"afterPhraseId\": \"p55\", \"beforePhraseId\": \"p56\", \"response\": \"Finish self-worth cadence and musical answer before changing to a product referral.\", \"reason\": \"Finish self-worth cadence and musical answer before changing to a product referral.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath9\", \"afterPhraseId\": \"p59\", \"beforePhraseId\": \"p60\", \"response\": \"Return condition ends; music makes room for the final personal invitation.\", \"reason\": \"Return condition ends; music makes room for the final personal invitation.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath10\", \"afterPhraseId\": \"p34\", \"beforePhraseId\": \"p35\", \"response\": \"Direct cream advice releases before first complete ingredient name.\", \"reason\": \"Direct cream advice releases before first complete ingredient name.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath11\", \"afterPhraseId\": \"p35\", \"beforePhraseId\": \"p36\", \"response\": \"Separate full names and general benefit before the olive/caffeine clause; internal name replies also explicit in provider lyric tags.\", \"reason\": \"Separate full names and general benefit before the olive/caffeine clause; internal name replies also explicit in provider lyric tags.\", \"timingIntent\": \"flexible-until-heard\"}]}"
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  "generationConfig": {
    "thinkingConfig": {
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      "thinkingLevel": "high"
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}