{
  "contents": [
    {
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          "text": "Actual high-bitrate local A/B/C comparison: attachment1 English Targ,2 preserved Ukrainian version1,3 NEW MASTER CANDIDATE. Local seconds restart; parent ranges on each attachment. These are corresponding story blocks with overlap, not identical clock offsets. Inspect EVERY supplied assigned Ukrainian phrase in attachment3. Expected text below is a checklist only: do not echo it as heard if unclear. Report missing/extra words, stress shifts, name phonetics and uncertainty. Do not count syllable matches as art. Current goal: sharp speech-derived SUNG word shapes, selective melodic question play, clear consonant releases, musical answers and distinct transitions; no nonstop text flood, compulsory softness or all-staccato rule. Source coda ONLY contains brand/link invitation; local form/payment/return terms are Ukrainian product adaptation, never original English facts.\nReturn ONLY JSON <=3000words with mediaAccess true/false,audioAccess true/false,actualAccessChecks:[{attachment,heardBeginning,heardEnd}],phraseFindings:[one per assigned phrase EXACT id order, {phraseId,heardWordsWithStress,wordAndStressVerdict:clear/uncertain/defect,issues,actualWordAnchor,heardAttack,heardVowelAndRelease,densityObservation,comparisonToPreviousAndSource}],heardMusicalPhrases:[{plannedPhraseIds,semanticFocus,contourRhythm,release,holdBreathOrResponse,arrangement,boundaryCue,planDeviation}],heardTransitions:[{beforeWords,afterWords,actualResponse,sharpOrSmoothed,uncertainty}],sourceCorrespondence:{wordShapes,selectiveMelodicPlay,repeatedCells,arrangementTurns,causality,localDensity},concreteRegressionOrBlockingDefects,remainingGap,limits.\nGroup actual heard musical clauses, not automatically one group per checklist row. Each assigned phrase must occur exactly once in musical groups, in order; overlap outside the assigned list is context only. For ambiguity quote competing heard readings. Recognized orthographic variants усмі́шка and predicative шко́да are not automatically wrong; grammatical мене́ is final stress here. Six is a meaningful hold, not empty silence; Stop may have accent/decay. Product is cosmetic fictional neck story, no guaranteed cure or injury claims. Report honest deviations from intentions and where the source is still better. [{\"id\": \"p31\", \"expected\": \"Насту́пного дня́ Лари́са дала́ мені́ ба́нку.\"}, {\"id\": \"p32\", \"expected\": \"Фіоле́тову. Про це́й кре́м ще́ не чу́ла.\"}, {\"id\": \"p33\", \"expected\": \"«На чи́сту ши́ю — то́нко, вго́ру. Щове́чора.\"}, {\"id\": \"p34\", \"expected\": \"Не міня́й усе́ зно́ву».\"}, {\"id\": \"p35\", \"expected\": \"Купуасу́. Гіалуро́н. Жи́влення і воло́га.\"}, {\"id\": \"p36\", \"expected\": \"Оли́вні ліпі́ди. Кофеї́н. Мі́й до́гляд.\"}, {\"id\": \"p37\", \"expected\": \"Кри́шку зняла́. Кре́м на па́лець. По ши́ї — вго́ру.\"}, {\"id\": \"p38\", \"expected\": \"Без печі́ння. Без лу́щення. Комфо́ртно.\"}, {\"id\": \"p39\", \"expected\": \"Три́ ти́жні. Спини́лась бі́ля дзе́ркала.\"}, {\"id\": \"p40\", \"expected\": \"Сму́ги вже́ ме́нш помі́тні.\"}, {\"id\": \"p41\", \"expected\": \"До́нька: «Ма́мо, ти́ іна́кша.\"}, {\"id\": \"p42\", \"expected\": \"Га́рно іна́кша. На́че світлі́ша».\"}, {\"id\": \"p43\", \"expected\": \"А за ші́сть — не пові́рила!\"}, {\"id\": \"p44\", \"expected\": \"Ши́я гладе́нька. Ні́ сму́г, ні́ зало́мів.\"}, {\"id\": \"p45\", \"expected\": \"Де́сять ро́ків тако́ї рі́вної шкі́ри не було́.\"}, {\"id\": \"p46\", \"expected\": \"Я́ ви́йшла з відкри́тою ши́єю.\"}]\nMandatory auditory scope: actual-word-shape; selective-melodic-play; continuous-text-pressure; musical-responses-and-transitions. The following are WRITTEN INTENTIONS, never proof of what was sung. Use the actual attached audio to distinguish attack, vowel motion/hold, release and instrumental answer. Report deviations and uncertainty; do not award a score for short words, field counts, loudness or softness. Do not infer a pause from punctuation or mistake a held note for silence. Compare the development of the supplied full form separately from local clips.\n{\"intendedPhraseWork\": [{\"phraseId\": \"p31\", \"text\": \"Насту́пного дня́ Лари́са дала́ мені́ ба́нку.\", \"attackAnchor\": \"Лариса дала мені\", \"releaseAnchor\": \"банку\", \"sourceActionIds\": [\"a25\"], \"sourceWordAnchor\": \"Next day she put a pink tube in my hand Korean writing, something I'd never tried Use this every night\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Keep named donor, completed transfer and recipient; land банку then release, no loss of actor for shorter phrasing.\", \"musicalReason\": \"handoff / Keep named donor, completed transfer and recipient; land банку then release, no loss of actor for shorter phrasing.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p32\", \"text\": \"Фіоле́тову. Про це́й кре́м ще́ не чу́ла.\", \"attackAnchor\": \"ще не чула\", \"releaseAnchor\": \"чула\", \"sourceActionIds\": [\"a25\"], \"sourceWordAnchor\": \"Next day she put a pink tube in my hand Korean writing, something I'd never tried Use this every night\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Color fact and unfamiliarity aside are separate sung gestures. Keep supported packaging and product discovery.\", \"musicalReason\": \"unfamiliar-object / Color fact and unfamiliarity aside are separate sung gestures. Keep supported packaging and product discovery.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p33\", \"text\": \"«На чи́сту ши́ю — то́нко, вго́ру. Щове́чора.\", \"attackAnchor\": \"тонко, вгору\", \"releaseAnchor\": \"Щовечора\", \"sourceActionIds\": [\"a26\"], \"sourceWordAnchor\": \"something I'd never tried Use this every night Throw the rest aside\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Action instructions in short comprehensible pulses, then distinct daily schedule. No compressed checklist over a crowded band.\", \"musicalReason\": \"ritual / Action instructions in short comprehensible pulses, then distinct daily schedule. No compressed checklist over a crowded band.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p34\", \"text\": \"Не міня́й усе́ зно́ву».\", \"attackAnchor\": \"Не міняй\", \"releaseAnchor\": \"знову\", \"sourceActionIds\": [\"a26\"], \"sourceWordAnchor\": \"something I'd never tried Use this every night Throw the rest aside\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Short prohibition answers the earlier product swapping; stop the vowel and let accompaniment connect to ingredients.\", \"musicalReason\": \"habit-reset / Short prohibition answers the earlier product swapping; stop the vowel and let accompaniment connect to ingredients.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p35\", \"text\": \"Купуасу́. Гіалуро́н. Жи́влення і воло́га.\", \"attackAnchor\": \"Купуасу\", \"releaseAnchor\": \"волога\", \"sourceActionIds\": [\"a26\"], \"sourceWordAnchor\": \"something I'd never tried Use this every night Throw the rest aside\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Four complete ku-pu-a-SU syllables, then separate hyaluron name; measured nourishing/moisture nouns, no swallowed ingredients.\", \"musicalReason\": \"ingredient-functions / Four complete ku-pu-a-SU syllables, then separate hyaluron name; measured nourishing/moisture nouns, no swallowed ingredients.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p36\", \"text\": \"Оли́вні ліпі́ди. Кофеї́н. Мі́й до́гляд.\", \"attackAnchor\": \"Оливні ліпіди\", \"releaseAnchor\": \"догляд\", \"sourceActionIds\": [\"a26\"], \"sourceWordAnchor\": \"something I'd never tried Use this every night Throw the rest aside\", \"lexicalDecision\": \"Rewritten from: Оливні ліпіди й кофеїн — у моєму догляді.\", \"vowelAndReleaseIntent\": \"Three compact sung units replace the long continuous list ending; claim is care only, close догляд firmly.\", \"musicalReason\": \"ingredient-list / Three compact sung units replace the long continuous list ending; claim is care only, close догляд firmly.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p37\", \"text\": \"Кри́шку зняла́. Кре́м на па́лець. По ши́ї — вго́ру.\", \"attackAnchor\": \"По шиї\", \"releaseAnchor\": \"вгору\", \"sourceActionIds\": [\"a27\"], \"sourceWordAnchor\": \"I squeezed some out and it felt right No peeling, no sting\", \"lexicalDecision\": \"Rewritten from: Кришку відкрила. На пальці — крем, по шиї вгору.\", \"vowelAndReleaseIntent\": \"Three concrete enacted actions with short releases; the last direction has an intentional upward contour, not an extra lyric run.\", \"musicalReason\": \"application / Three concrete enacted actions with short releases; the last direction has an intentional upward contour, not an extra lyric run.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p38\", \"text\": \"Без печі́ння. Без лу́щення. Комфо́ртно.\", \"attackAnchor\": \"Комфортно\", \"releaseAnchor\": \"Комфортно\", \"sourceActionIds\": [\"a27\"], \"sourceWordAnchor\": \"I squeezed some out and it felt right No peeling, no sting\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Paired negative sensations then positive personal experience; answer musically before the weeks jump, no universal tolerance guarantee.\", \"musicalReason\": \"felt-result / Paired negative sensations then positive personal experience; answer musically before the weeks jump, no universal tolerance guarantee.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p39\", \"text\": \"Три́ ти́жні. Спини́лась бі́ля дзе́ркала.\", \"attackAnchor\": \"Три тижні\", \"releaseAnchor\": \"дзеркала\", \"sourceActionIds\": [\"a28\"], \"sourceWordAnchor\": \"Three weeks later I looked in the mirror and stopped The patches on my cheeks were lighter\", \"lexicalDecision\": \"Rewritten from: За три тижні спинилась біля дзеркала.\", \"vowelAndReleaseIntent\": \"Time jump and sudden stop separated; preserve mirror inspection without adding filler syllables to the lead-in.\", \"musicalReason\": \"partial-surprise / Time jump and sudden stop separated; preserve mirror inspection without adding filler syllables to the lead-in.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p40\", \"text\": \"Сму́ги вже́ ме́нш помі́тні.\", \"attackAnchor\": \"менш помітні\", \"releaseAnchor\": \"помітні\", \"sourceActionIds\": [\"a28\"], \"sourceWordAnchor\": \"Three weeks later I looked in the mirror and stopped The patches on my cheeks were lighter\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Partial result stays partial, one clear descending phrase rather than a premature complete-resolution climax.\", \"musicalReason\": \"partial-result / Partial result stays partial, one clear descending phrase rather than a premature complete-resolution climax.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p41\", \"text\": \"До́нька: «Ма́мо, ти́ іна́кша.\", \"attackAnchor\": \"Мамо\", \"releaseAnchor\": \"інакша\", \"sourceActionIds\": [\"a29\"], \"sourceWordAnchor\": \"My daughter came home and said Mom you look different, good different, brighter\", \"lexicalDecision\": \"Rewritten from: Донька каже: «Мамо, ти інакша.\", \"vowelAndReleaseIntent\": \"Daughter addresses mother directly, short tender melodic surprise, not narration over her dialogue.\", \"musicalReason\": \"child-observation / Daughter addresses mother directly, short tender melodic surprise, not narration over her dialogue.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p42\", \"text\": \"Га́рно іна́кша. На́че світлі́ша».\", \"attackAnchor\": \"Гарно інакша\", \"releaseAnchor\": \"світліша\", \"sourceActionIds\": [\"a29\"], \"sourceWordAnchor\": \"My daughter came home and said Mom you look different, good different, brighter\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Keep the corrective good-different turn and selective pitched brightness; do not flatten every word into staccato.\", \"musicalReason\": \"child-clarification / Keep the corrective good-different turn and selective pitched brightness; do not flatten every word into staccato.\", \"deliveryMode\": \"selective-hold\", \"holds\": [{\"word\": \"інакша\", \"purpose\": \"Keep the corrective good-different turn and selective pitched brightness; do not flatten every word into staccato.\", \"releaseOrResponse\": \"Resolve the specified thought and hand space to accompaniment; not an arbitrary silence duration.\"}]}, {\"phraseId\": \"p43\", \"text\": \"А за ші́сть — не пові́рила!\", \"attackAnchor\": \"шість\", \"releaseAnchor\": \"повірила\", \"sourceActionIds\": [\"a30\"], \"sourceWordAnchor\": \"By week six I was in shock The melasma was almost gone\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Meaningful hold on stressed шість earns expectancy, release into disbelief then breathe; held vowel is not empty silence.\", \"musicalReason\": \"wait-and-reveal / Meaningful hold on stressed шість earns expectancy, release into disbelief then breathe; held vowel is not empty silence.\", \"deliveryMode\": \"selective-hold\", \"holds\": [{\"word\": \"шість\", \"purpose\": \"Meaningful hold on stressed шість earns expectancy, release into disbelief then breathe; held vowel is not empty silence.\", \"releaseOrResponse\": \"Resolve the specified thought and hand space to accompaniment; not an arbitrary silence duration.\"}]}, {\"phraseId\": \"p44\", \"text\": \"Ши́я гладе́нька. Ні́ сму́г, ні́ зало́мів.\", \"attackAnchor\": \"Ні смуг\", \"releaseAnchor\": \"заломів\", \"sourceActionIds\": [\"a30\"], \"sourceWordAnchor\": \"By week six I was in shock The melasma was almost gone\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Complete defined cosmetic resolution in this fictional story, with two distinct clear clauses. Do not trade words for a high note.\", \"musicalReason\": \"complete-result / Complete defined cosmetic resolution in this fictional story, with two distinct clear clauses. Do not trade words for a high note.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p45\", \"text\": \"Де́сять ро́ків тако́ї рі́вної шкі́ри не було́.\", \"attackAnchor\": \"Десять років\", \"releaseAnchor\": \"було\", \"sourceActionIds\": [\"a31\"], \"sourceWordAnchor\": \"My skin more even than it had in a decade No foundation on\", \"lexicalDecision\": \"Rewritten from: Десять років шкіра такою рівною не була.\", \"vowelAndReleaseIntent\": \"Retain ten-year comparison; reorder so було can close briefly instead of a long feminine ending была-like drift.\", \"musicalReason\": \"comparison / Retain ten-year comparison; reorder so було can close briefly instead of a long feminine ending была-like drift.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p46\", \"text\": \"Я́ ви́йшла з відкри́тою ши́єю.\", \"attackAnchor\": \"відкритою шиєю\", \"releaseAnchor\": \"шиєю\", \"sourceActionIds\": [\"a31\"], \"sourceWordAnchor\": \"My skin more even than it had in a decade No foundation on\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"The practical payoff explicitly concerns the neck. A modest expressive contour can resolve here before the return scene.\", \"musicalReason\": \"neck-payoff / The practical payoff explicitly concerns the neck. A modest expressive contour can resolve here before the return scene.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}], \"intendedTransitions\": [{\"id\": \"tr1\", \"fromSection\": \"s1\", \"toSection\": \"s2\", \"afterPhraseId\": \"p09\", \"beforePhraseId\": \"p10\", \"voiceRelease\": \"Contrast self with her; shortened syntax retains both numerical ages of change, close ша then let the groove reset.\", \"musicalResponse\": \"Dry facts finish; bass/guitar sets the recurring cost cell.\", \"newEntry\": \"Sharp стрес then recurring short descending слід cadence; accompaniment answers the completed consequence.\", \"reasonNotSmoothed\": \"Dry facts finish; bass/guitar sets the recurring cost cell.\", \"sourceActionIds\": [\"a08\", \"a09\"]}, {\"id\": \"tr2\", \"fromSection\": \"s2\", \"toSection\": \"s3\", \"afterPhraseId\": \"p17\", \"beforePhraseId\": \"p18\", \"voiceRelease\": \"The number describes her look, not mandatory audio silence. Let the smile word be a short reveal.\", \"musicalResponse\": \"The superficial smile finishes; expose the delayed pity reveal with a changed band accent.\", \"newEntry\": \"Three sharply different sung gestures; expectation, rejection, exposed pity. Give the final noun a deliberate release and band reply.\", \"reasonNotSmoothed\": \"The superficial smile finishes; expose the delayed pity reveal with a changed band accent.\", \"sourceActionIds\": [\"a13\", \"a14\"]}, {\"id\": \"tr3\", \"fromSection\": \"s3\", \"toSection\": \"s4\", \"afterPhraseId\": \"p23\", \"beforePhraseId\": \"p24\", \"voiceRelease\": \"This image earns a selective melodic fall; complete the feeling and leave an instrumental hinge into the next scene.\", \"musicalResponse\": \"Inner light metaphor resolves; a perceptible rhythmic pickup starts the practical dance scene.\", \"newEntry\": \"Shorter completed забрала sits inside the clause; finish on consonantal танців, no stretching рала as the destination. Groove answer before the peer.\", \"reasonNotSmoothed\": \"Inner light metaphor resolves; a perceptible rhythmic pickup starts the practical dance scene.\", \"sourceActionIds\": [\"a19\", \"a20\"]}, {\"id\": \"tr4\", \"fromSection\": \"s4\", \"toSection\": \"s5\", \"afterPhraseId\": \"p30\", \"beforePhraseId\": \"p31\", \"voiceRelease\": \"Sung command hits with the band, its decay remains audible. Advice restarts after the interruption as a different action, not a crossfaded vocal line.\", \"musicalResponse\": \"Command/advice ends; accompaniment answers before the next-day handoff.\", \"newEntry\": \"Keep named donor, completed transfer and recipient; land банку then release, no loss of actor for shorter phrasing.\", \"reasonNotSmoothed\": \"Command/advice ends; accompaniment answers before the next-day handoff.\", \"sourceActionIds\": [\"a24\", \"a25\"]}, {\"id\": \"tr5\", \"fromSection\": \"s5\", \"toSection\": \"s6\", \"afterPhraseId\": \"p38\", \"beforePhraseId\": \"p39\", \"voiceRelease\": \"Paired negative sensations then positive personal experience; answer musically before the weeks jump, no universal tolerance guarantee.\", \"musicalResponse\": \"Comfort statement releases; music carries elapsed weeks before mirror surprise.\", \"newEntry\": \"Time jump and sudden stop separated; preserve mirror inspection without adding filler syllables to the lead-in.\", \"reasonNotSmoothed\": \"Comfort statement releases; music carries elapsed weeks before mirror surprise.\", \"sourceActionIds\": [\"a27\", \"a28\"]}, {\"id\": \"tr6\", \"fromSection\": \"s6\", \"toSection\": \"s7\", \"afterPhraseId\": \"p46\", \"beforePhraseId\": \"p47\", \"voiceRelease\": \"The practical payoff explicitly concerns the neck. A modest expressive contour can resolve here before the return scene.\", \"musicalResponse\": \"Exposed neck payoff lands; new instrumental entry signals the public return in June.\", \"newEntry\": \"New time stamp and public setting with separate attacks; a changed accompaniment entry marks the return.\", \"reasonNotSmoothed\": \"Exposed neck payoff lands; new instrumental entry signals the public return in June.\", \"sourceActionIds\": [\"a31\", \"a32\"]}, {\"id\": \"tr7\", \"fromSection\": \"s7\", \"toSection\": \"s8\", \"afterPhraseId\": \"p52\", \"beforePhraseId\": \"p53\", \"voiceRelease\": \"Short recognition hit then causal return to the car; retain the link, close авто without melismatic expansion.\", \"musicalResponse\": \"Recognition of the same woman resolves; accompaniment clears for sincere thanks and self-worth.\", \"newEntry\": \"Sincere thanks and internal agreement are two melodic gestures; the cadence starts settling rather than rushing to commerce.\", \"reasonNotSmoothed\": \"Recognition of the same woman resolves; accompaniment clears for sincere thanks and self-worth.\", \"sourceActionIds\": [\"a35\", \"a36\"]}, {\"id\": \"tr8\", \"fromSection\": \"s8\", \"toSection\": \"s9\", \"afterPhraseId\": \"p55\", \"beforePhraseId\": \"p56\", \"voiceRelease\": \"OWN judgment gets the answering contour and purposeful final melodic resolution; no compulsory softness, leave music to close the personal arc.\", \"musicalResponse\": \"Complete personal cadence and instrumental answer, then distinct casual sung brand referral.\", \"newEntry\": \"Distinct voiced GOH PYUR sung name after the personal cadence, then brief cream identification. Clear, casual new coda entrance.\", \"reasonNotSmoothed\": \"Complete personal cadence and instrumental answer, then distinct casual sung brand referral.\", \"sourceActionIds\": [\"a37\", \"a38\"]}], \"intendedMusicAnswers\": [{\"id\": \"breath1\", \"afterPhraseId\": \"p10\", \"beforePhraseId\": \"p11\", \"response\": \"Bass/guitar answers the first causal conclusion; next cause returns the same cell.\", \"reason\": \"Bass/guitar answers the first causal conclusion; next cause returns the same cell.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath2\", \"afterPhraseId\": \"p11\", \"beforePhraseId\": \"p12\", \"response\": \"Second answer, then increased caregiving cause; no repeated-line blur.\", \"reason\": \"Second answer, then increased caregiving cause; no repeated-line blur.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath3\", \"afterPhraseId\": \"p18\", \"beforePhraseId\": \"p19\", \"response\": \"Let revealed pity land over ensemble decay before the longer inner metaphor.\", \"reason\": \"Let revealed pity land over ensemble decay before the longer inner metaphor.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath4\", \"afterPhraseId\": \"p24\", \"beforePhraseId\": \"p25\", \"response\": \"Release танців and hear the groove before naming the peer.\", \"reason\": \"Release танців and hear the groove before naming the peer.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath5\", \"afterPhraseId\": \"p30\", \"beforePhraseId\": \"p31\", \"response\": \"Advice has changed action; instrumental response precedes the next-day jar transfer.\", \"reason\": \"Advice has changed action; instrumental response precedes the next-day jar transfer.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath6\", \"afterPhraseId\": \"p38\", \"beforePhraseId\": \"p39\", \"response\": \"Care experience ends; accompaniment marks the jump into weeks of waiting.\", \"reason\": \"Care experience ends; accompaniment marks the jump into weeks of waiting.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath7\", \"afterPhraseId\": \"p43\", \"beforePhraseId\": \"p44\", \"response\": \"Held six/disbelief resolves into a breath before the complete neck result.\", \"reason\": \"Held six/disbelief resolves into a breath before the complete neck result.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath8\", \"afterPhraseId\": \"p55\", \"beforePhraseId\": \"p56\", \"response\": \"Finish self-worth cadence and musical answer before changing to a product referral.\", \"reason\": \"Finish self-worth cadence and musical answer before changing to a product referral.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath9\", \"afterPhraseId\": \"p59\", \"beforePhraseId\": \"p60\", \"response\": \"Return condition ends; music makes room for the final personal invitation.\", \"reason\": \"Return condition ends; music makes room for the final personal invitation.\", \"timingIntent\": \"flexible-until-heard\"}]}"
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