{
  "contents": [
    {
      "role": "user",
      "parts": [
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          "text": "Actual high-bitrate local A/B/C comparison: attachment1 English Targ,2 preserved Ukrainian version1,3 NEW MASTER CANDIDATE. Local seconds restart; parent ranges on each attachment. These are corresponding story blocks with overlap, not identical clock offsets. Inspect EVERY supplied assigned Ukrainian phrase in attachment3. Expected text below is a checklist only: do not echo it as heard if unclear. Report missing/extra words, stress shifts, name phonetics and uncertainty. Do not count syllable matches as art. Current goal: sharp speech-derived SUNG word shapes, selective melodic question play, clear consonant releases, musical answers and distinct transitions; no nonstop text flood, compulsory softness or all-staccato rule. Source coda ONLY contains brand/link invitation; local form/payment/return terms are Ukrainian product adaptation, never original English facts.\nReturn ONLY JSON <=3000words with mediaAccess true/false,audioAccess true/false,actualAccessChecks:[{attachment,heardBeginning,heardEnd}],phraseFindings:[one per assigned phrase EXACT id order, {phraseId,heardWordsWithStress,wordAndStressVerdict:clear/uncertain/defect,issues,actualWordAnchor,heardAttack,heardVowelAndRelease,densityObservation,comparisonToPreviousAndSource}],heardMusicalPhrases:[{plannedPhraseIds,semanticFocus,contourRhythm,release,holdBreathOrResponse,arrangement,boundaryCue,planDeviation}],heardTransitions:[{beforeWords,afterWords,actualResponse,sharpOrSmoothed,uncertainty}],sourceCorrespondence:{wordShapes,selectiveMelodicPlay,repeatedCells,arrangementTurns,causality,localDensity},concreteRegressionOrBlockingDefects,remainingGap,limits.\nGroup actual heard musical clauses, not automatically one group per checklist row. Each assigned phrase must occur exactly once in musical groups, in order; overlap outside the assigned list is context only. For ambiguity quote competing heard readings. Recognized orthographic variants усмі́шка and predicative шко́да are not automatically wrong; grammatical мене́ is final stress here. Six is a meaningful hold, not empty silence; Stop may have accent/decay. Product is cosmetic fictional neck story, no guaranteed cure or injury claims. Report honest deviations from intentions and where the source is still better. [{\"id\": \"p47\", \"expected\": \"Че́рвень. Конце́рт до́ньчиного кла́су.\"}, {\"id\": \"p48\", \"expected\": \"До́нька гра́ла на піані́но.\"}, {\"id\": \"p49\", \"expected\": \"Дружи́на Андрі́я сі́ла по́руч.\"}, {\"id\": \"p50\", \"expected\": \"Гля́нула зно́в. Не жа́лість. Не співчуття́. Розгу́блена.\"}, {\"id\": \"p51\", \"expected\": \"Підійшла́ пі́сля конце́рту: «До ре́чі, ти́ чудо́во вигляда́єш».\"}, {\"id\": \"p52\", \"expected\": \"Та са́ма. Навесні́ пі́сля не́ї я́ сиді́ла в авто́.\"}, {\"id\": \"p53\", \"expected\": \"Я́ щи́ро: «Дя́кую». Та́к і відчува́ю.\"}, {\"id\": \"p54\", \"expected\": \"Не тому́, що її́ ду́мка важли́ва.\"}, {\"id\": \"p55\", \"expected\": \"А тому́, що свою́ я́ наре́шті ціну́ю.\"}, {\"id\": \"p56\", \"expected\": \"Ґо́у П’ю́р — мі́й кре́м.\"}, {\"id\": \"p57\", \"expected\": \"Зали́ш ім'я́ й но́мер у фо́рмі.\"}, {\"id\": \"p58\", \"expected\": \"О́гляд на по́шті. Опла́та — пі́сля о́гляду.\"}, {\"id\": \"p59\", \"expected\": \"Шістдеся́т дні́в на пове́рнення.\"}, {\"id\": \"p60\", \"expected\": \"Якщо́ тобі́ потрі́бно — посила́ння внизу́.\"}]\nMandatory auditory scope: actual-word-shape; selective-melodic-play; continuous-text-pressure; musical-responses-and-transitions. The following are WRITTEN INTENTIONS, never proof of what was sung. Use the actual attached audio to distinguish attack, vowel motion/hold, release and instrumental answer. Report deviations and uncertainty; do not award a score for short words, field counts, loudness or softness. Do not infer a pause from punctuation or mistake a held note for silence. Compare the development of the supplied full form separately from local clips.\n{\"intendedPhraseWork\": [{\"phraseId\": \"p47\", \"text\": \"Че́рвень. Конце́рт до́ньчиного кла́су.\", \"attackAnchor\": \"Червень\", \"releaseAnchor\": \"класу\", \"sourceActionIds\": [\"a32\"], \"sourceWordAnchor\": \"Then June happened Piano recital for my daughter's class\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"New time stamp and public setting with separate attacks; a changed accompaniment entry marks the return.\", \"musicalReason\": \"return-time / New time stamp and public setting with separate attacks; a changed accompaniment entry marks the return.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p48\", \"text\": \"До́нька гра́ла на піані́но.\", \"attackAnchor\": \"піаніно\", \"releaseAnchor\": \"піаніно\", \"sourceActionIds\": [\"a32\"], \"sourceWordAnchor\": \"Then June happened Piano recital for my daughter's class\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Concrete child action, simple sung fact. Complete the noun without swallowing syllables or adding a decorative run.\", \"musicalReason\": \"recital / Concrete child action, simple sung fact. Complete the noun without swallowing syllables or adding a decorative run.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p49\", \"text\": \"Дружи́на Андрі́я сі́ла по́руч.\", \"attackAnchor\": \"поруч\", \"releaseAnchor\": \"поруч\", \"sourceActionIds\": [\"a33\"], \"sourceWordAnchor\": \"Mark's wife sat down a few seats from me She looked at me Not pity, not sympathy Just confused\", \"lexicalDecision\": \"Rewritten from: Дружина Андрія сіла неподалік.\", \"vowelAndReleaseIntent\": \"Shorter spatial destination closes on ч; same recurring wife returns near the narrator.\", \"musicalReason\": \"return-encounter / Shorter spatial destination closes on ч; same recurring wife returns near the narrator.\", \"deliveryMode\": \"clipped-sung\", \"holds\": []}, {\"phraseId\": \"p50\", \"text\": \"Гля́нула зно́в. Не жа́лість. Не співчуття́. Розгу́блена.\", \"attackAnchor\": \"Розгублена\", \"releaseAnchor\": \"Розгублена\", \"sourceActionIds\": [\"a33\"], \"sourceWordAnchor\": \"Mark's wife sat down a few seats from me She looked at me Not pity, not sympathy Just confused\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Recall the earlier gaze/negation cell, but delayed resolution is confusion. Do not join the three interpretations into one legato wash.\", \"musicalReason\": \"gaze-return / Recall the earlier gaze/negation cell, but delayed resolution is confusion. Do not join the three interpretations into one legato wash.\", \"deliveryMode\": \"clipped-sung\", \"holds\": []}, {\"phraseId\": \"p51\", \"text\": \"Підійшла́ пі́сля конце́рту: «До ре́чі, ти́ чудо́во вигляда́єш».\", \"attackAnchor\": \"До речі\", \"releaseAnchor\": \"виглядаєш\", \"sourceActionIds\": [\"a34\"], \"sourceWordAnchor\": \"After the recital she walked up to me Said you look really good by the way\", \"lexicalDecision\": \"Rewritten from: Після концерту підійшла: «До речі, ти дуже гарно виглядаєш».\", \"vowelAndReleaseIntent\": \"Keep public-event aftermath and direct compliment. Conversational pitched aside changes into genuine surprise; the approach remains explicitly sung.\", \"musicalReason\": \"compliment / Keep public-event aftermath and direct compliment. Conversational pitched aside changes into genuine surprise; the approach remains explicitly sung.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p52\", \"text\": \"Та са́ма. Навесні́ пі́сля не́ї я́ сиді́ла в авто́.\", \"attackAnchor\": \"Та сама\", \"releaseAnchor\": \"авто\", \"sourceActionIds\": [\"a35\"], \"sourceWordAnchor\": \"same woman who made me sit in my car that day\", \"lexicalDecision\": \"Rewritten from: Та сама, після якої в машині сиділа я навесні.\", \"vowelAndReleaseIntent\": \"Short recognition hit then causal return to the car; retain the link, close авто without melismatic expansion.\", \"musicalReason\": \"memory-return / Short recognition hit then causal return to the car; retain the link, close авто without melismatic expansion.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p53\", \"text\": \"Я́ щи́ро: «Дя́кую». Та́к і відчува́ю.\", \"attackAnchor\": \"Дякую\", \"releaseAnchor\": \"відчуваю\", \"sourceActionIds\": [\"a36\"], \"sourceWordAnchor\": \"I said thank you And I meant it too\", \"lexicalDecision\": \"Rewritten from: Я щиро сказала: «Дякую». І справді так відчувала.\", \"vowelAndReleaseIntent\": \"Sincere thanks and internal agreement are two melodic gestures; the cadence starts settling rather than rushing to commerce.\", \"musicalReason\": \"sincere-response / Sincere thanks and internal agreement are two melodic gestures; the cadence starts settling rather than rushing to commerce.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p54\", \"text\": \"Не тому́, що її́ ду́мка важли́ва.\", \"attackAnchor\": \"її\", \"releaseAnchor\": \"важлива\", \"sourceActionIds\": [\"a37\"], \"sourceWordAnchor\": \"Not because her opinion mattered But because mine finally did\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Contrast HER judgment clearly; no need to invent missing її in preserved versions.\", \"musicalReason\": \"external-negation / Contrast HER judgment clearly; no need to invent missing її in preserved versions.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p55\", \"text\": \"А тому́, що свою́ я́ наре́шті ціну́ю.\", \"attackAnchor\": \"свою\", \"releaseAnchor\": \"ціную\", \"sourceActionIds\": [\"a37\"], \"sourceWordAnchor\": \"Not because her opinion mattered But because mine finally did\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"OWN judgment gets the answering contour and purposeful final melodic resolution; no compulsory softness, leave music to close the personal arc.\", \"musicalReason\": \"self-worth / OWN judgment gets the answering contour and purposeful final melodic resolution; no compulsory softness, leave music to close the personal arc.\", \"deliveryMode\": \"selective-hold\", \"holds\": [{\"word\": \"ціную\", \"purpose\": \"OWN judgment gets the answering contour and purposeful final melodic resolution; no compulsory softness, leave music to close the personal arc.\", \"releaseOrResponse\": \"Resolve the specified thought and hand space to accompaniment; not an arbitrary silence duration.\"}]}, {\"phraseId\": \"p56\", \"text\": \"Ґо́у П’ю́р — мі́й кре́м.\", \"attackAnchor\": \"Ґоу П’юр\", \"releaseAnchor\": \"крем\", \"sourceActionIds\": [\"a38\"], \"sourceWordAnchor\": \"The cream is called Seora\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Distinct voiced GOH PYUR sung name after the personal cadence, then brief cream identification. Clear, casual new coda entrance.\", \"musicalReason\": \"brand / Distinct voiced GOH PYUR sung name after the personal cadence, then brief cream identification. Clear, casual new coda entrance.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p57\", \"text\": \"Зали́ш ім'я́ й но́мер у фо́рмі.\", \"attackAnchor\": \"ім'я й номер\", \"releaseAnchor\": \"формі\", \"sourceActionIds\": [\"a39\"], \"sourceWordAnchor\": \"The link's below If you need it\", \"lexicalDecision\": \"Rewritten from: Ім'я й номер у формі внизу залиш.\", \"vowelAndReleaseIntent\": \"Keep the actual form instruction complete in one measured sung clause; do not rush a long end-of-song checklist.\", \"musicalReason\": \"order / Keep the actual form instruction complete in one measured sung clause; do not rush a long end-of-song checklist.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p58\", \"text\": \"О́гляд на по́шті. Опла́та — пі́сля о́гляду.\", \"attackAnchor\": \"після огляду\", \"releaseAnchor\": \"огляду\", \"sourceActionIds\": [\"a39\"], \"sourceWordAnchor\": \"The link's below If you need it\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Inspection then payment remain explicitly ordered, two released noun clauses, supported by spare accompaniment.\", \"musicalReason\": \"payment-condition / Inspection then payment remain explicitly ordered, two released noun clauses, supported by spare accompaniment.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p59\", \"text\": \"Шістдеся́т дні́в на пове́рнення.\", \"attackAnchor\": \"Шістдесят\", \"releaseAnchor\": \"повернення\", \"sourceActionIds\": [\"a39\"], \"sourceWordAnchor\": \"The link's below If you need it\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Keep the exact sixty-day return condition clear, then an instrumental breath before the final invitation.\", \"musicalReason\": \"return-condition / Keep the exact sixty-day return condition clear, then an instrumental breath before the final invitation.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p60\", \"text\": \"Якщо́ тобі́ потрі́бно — посила́ння внизу́.\", \"attackAnchor\": \"Якщо тобі потрібно\", \"releaseAnchor\": \"внизу\", \"sourceActionIds\": [\"a39\"], \"sourceWordAnchor\": \"The link's below If you need it\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Personal optional referral is the last sung thought. Intentional melody resolves the song; audible instrumental decay completes it without a rigid silence rule.\", \"musicalReason\": \"optional-coda / Personal optional referral is the last sung thought. Intentional melody resolves the song; audible instrumental decay completes it without a rigid silence rule.\", \"deliveryMode\": \"selective-hold\", \"holds\": [{\"word\": \"потрібно\", \"purpose\": \"Personal optional referral is the last sung thought. Intentional melody resolves the song; audible instrumental decay completes it without a rigid silence rule.\", \"releaseOrResponse\": \"Resolve the specified thought and hand space to accompaniment; not an arbitrary silence duration.\"}]}], \"intendedTransitions\": [{\"id\": \"tr1\", \"fromSection\": \"s1\", \"toSection\": \"s2\", \"afterPhraseId\": \"p09\", \"beforePhraseId\": \"p10\", \"voiceRelease\": \"Contrast self with her; shortened syntax retains both numerical ages of change, close ша then let the groove reset.\", \"musicalResponse\": \"Dry facts finish; bass/guitar sets the recurring cost cell.\", \"newEntry\": \"Sharp стрес then recurring short descending слід cadence; accompaniment answers the completed consequence.\", \"reasonNotSmoothed\": \"Dry facts finish; bass/guitar sets the recurring cost cell.\", \"sourceActionIds\": [\"a08\", \"a09\"]}, {\"id\": \"tr2\", \"fromSection\": \"s2\", \"toSection\": \"s3\", \"afterPhraseId\": \"p17\", \"beforePhraseId\": \"p18\", \"voiceRelease\": \"The number describes her look, not mandatory audio silence. Let the smile word be a short reveal.\", \"musicalResponse\": \"The superficial smile finishes; expose the delayed pity reveal with a changed band accent.\", \"newEntry\": \"Three sharply different sung gestures; expectation, rejection, exposed pity. Give the final noun a deliberate release and band reply.\", \"reasonNotSmoothed\": \"The superficial smile finishes; expose the delayed pity reveal with a changed band accent.\", \"sourceActionIds\": [\"a13\", \"a14\"]}, {\"id\": \"tr3\", \"fromSection\": \"s3\", \"toSection\": \"s4\", \"afterPhraseId\": \"p23\", \"beforePhraseId\": \"p24\", \"voiceRelease\": \"This image earns a selective melodic fall; complete the feeling and leave an instrumental hinge into the next scene.\", \"musicalResponse\": \"Inner light metaphor resolves; a perceptible rhythmic pickup starts the practical dance scene.\", \"newEntry\": \"Shorter completed забрала sits inside the clause; finish on consonantal танців, no stretching рала as the destination. Groove answer before the peer.\", \"reasonNotSmoothed\": \"Inner light metaphor resolves; a perceptible rhythmic pickup starts the practical dance scene.\", \"sourceActionIds\": [\"a19\", \"a20\"]}, {\"id\": \"tr4\", \"fromSection\": \"s4\", \"toSection\": \"s5\", \"afterPhraseId\": \"p30\", \"beforePhraseId\": \"p31\", \"voiceRelease\": \"Sung command hits with the band, its decay remains audible. Advice restarts after the interruption as a different action, not a crossfaded vocal line.\", \"musicalResponse\": \"Command/advice ends; accompaniment answers before the next-day handoff.\", \"newEntry\": \"Keep named donor, completed transfer and recipient; land банку then release, no loss of actor for shorter phrasing.\", \"reasonNotSmoothed\": \"Command/advice ends; accompaniment answers before the next-day handoff.\", \"sourceActionIds\": [\"a24\", \"a25\"]}, {\"id\": \"tr5\", \"fromSection\": \"s5\", \"toSection\": \"s6\", \"afterPhraseId\": \"p38\", \"beforePhraseId\": \"p39\", \"voiceRelease\": \"Paired negative sensations then positive personal experience; answer musically before the weeks jump, no universal tolerance guarantee.\", \"musicalResponse\": \"Comfort statement releases; music carries elapsed weeks before mirror surprise.\", \"newEntry\": \"Time jump and sudden stop separated; preserve mirror inspection without adding filler syllables to the lead-in.\", \"reasonNotSmoothed\": \"Comfort statement releases; music carries elapsed weeks before mirror surprise.\", \"sourceActionIds\": [\"a27\", \"a28\"]}, {\"id\": \"tr6\", \"fromSection\": \"s6\", \"toSection\": \"s7\", \"afterPhraseId\": \"p46\", \"beforePhraseId\": \"p47\", \"voiceRelease\": \"The practical payoff explicitly concerns the neck. A modest expressive contour can resolve here before the return scene.\", \"musicalResponse\": \"Exposed neck payoff lands; new instrumental entry signals the public return in June.\", \"newEntry\": \"New time stamp and public setting with separate attacks; a changed accompaniment entry marks the return.\", \"reasonNotSmoothed\": \"Exposed neck payoff lands; new instrumental entry signals the public return in June.\", \"sourceActionIds\": [\"a31\", \"a32\"]}, {\"id\": \"tr7\", \"fromSection\": \"s7\", \"toSection\": \"s8\", \"afterPhraseId\": \"p52\", \"beforePhraseId\": \"p53\", \"voiceRelease\": \"Short recognition hit then causal return to the car; retain the link, close авто without melismatic expansion.\", \"musicalResponse\": \"Recognition of the same woman resolves; accompaniment clears for sincere thanks and self-worth.\", \"newEntry\": \"Sincere thanks and internal agreement are two melodic gestures; the cadence starts settling rather than rushing to commerce.\", \"reasonNotSmoothed\": \"Recognition of the same woman resolves; accompaniment clears for sincere thanks and self-worth.\", \"sourceActionIds\": [\"a35\", \"a36\"]}, {\"id\": \"tr8\", \"fromSection\": \"s8\", \"toSection\": \"s9\", \"afterPhraseId\": \"p55\", \"beforePhraseId\": \"p56\", \"voiceRelease\": \"OWN judgment gets the answering contour and purposeful final melodic resolution; no compulsory softness, leave music to close the personal arc.\", \"musicalResponse\": \"Complete personal cadence and instrumental answer, then distinct casual sung brand referral.\", \"newEntry\": \"Distinct voiced GOH PYUR sung name after the personal cadence, then brief cream identification. Clear, casual new coda entrance.\", \"reasonNotSmoothed\": \"Complete personal cadence and instrumental answer, then distinct casual sung brand referral.\", \"sourceActionIds\": [\"a37\", \"a38\"]}], \"intendedMusicAnswers\": [{\"id\": \"breath1\", \"afterPhraseId\": \"p10\", \"beforePhraseId\": \"p11\", \"response\": \"Bass/guitar answers the first causal conclusion; next cause returns the same cell.\", \"reason\": \"Bass/guitar answers the first causal conclusion; next cause returns the same cell.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath2\", \"afterPhraseId\": \"p11\", \"beforePhraseId\": \"p12\", \"response\": \"Second answer, then increased caregiving cause; no repeated-line blur.\", \"reason\": \"Second answer, then increased caregiving cause; no repeated-line blur.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath3\", \"afterPhraseId\": \"p18\", \"beforePhraseId\": \"p19\", \"response\": \"Let revealed pity land over ensemble decay before the longer inner metaphor.\", \"reason\": \"Let revealed pity land over ensemble decay before the longer inner metaphor.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath4\", \"afterPhraseId\": \"p24\", \"beforePhraseId\": \"p25\", \"response\": \"Release танців and hear the groove before naming the peer.\", \"reason\": \"Release танців and hear the groove before naming the peer.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath5\", \"afterPhraseId\": \"p30\", \"beforePhraseId\": \"p31\", \"response\": \"Advice has changed action; instrumental response precedes the next-day jar transfer.\", \"reason\": \"Advice has changed action; instrumental response precedes the next-day jar transfer.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath6\", \"afterPhraseId\": \"p38\", \"beforePhraseId\": \"p39\", \"response\": \"Care experience ends; accompaniment marks the jump into weeks of waiting.\", \"reason\": \"Care experience ends; accompaniment marks the jump into weeks of waiting.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath7\", \"afterPhraseId\": \"p43\", \"beforePhraseId\": \"p44\", \"response\": \"Held six/disbelief resolves into a breath before the complete neck result.\", \"reason\": \"Held six/disbelief resolves into a breath before the complete neck result.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath8\", \"afterPhraseId\": \"p55\", \"beforePhraseId\": \"p56\", \"response\": \"Finish self-worth cadence and musical answer before changing to a product referral.\", \"reason\": \"Finish self-worth cadence and musical answer before changing to a product referral.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath9\", \"afterPhraseId\": \"p59\", \"beforePhraseId\": \"p60\", \"response\": \"Return condition ends; music makes room for the final personal invitation.\", \"reason\": \"Return condition ends; music makes room for the final personal invitation.\", \"timingIntent\": \"flexible-until-heard\"}]}"
        },
        {
          "text": "Attachment 1: Attachment 1; parent targ.mp4; EXACT parent range [145.8, 194.488934]; local audio starts0. Use attachment number and local seconds, never concatenate timestamps. Fixed gain, no retiming."
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        {
          "inlineData": {
            "mimeType": "audio/mpeg",
            "data": "[base64 of frozen bytes; see inputs.json]"
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        {
          "inlineData": {
            "mimeType": "audio/mpeg",
            "data": "[base64 of frozen bytes; see inputs.json]"
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        {
          "text": "Attachment 3: Attachment 3; parent gopure-targ-uk-master.wav; EXACT parent range [152.01999999999998, 209.932993]; local audio starts0. Use attachment number and local seconds, never concatenate timestamps. Fixed gain, no retiming."
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            "mimeType": "audio/mpeg",
            "data": "[base64 of frozen bytes; see inputs.json]"
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  ],
  "stream": true,
  "generationConfig": {
    "thinkingConfig": {
      "includeThoughts": false,
      "thinkingLevel": "high"
    }
  }
}