{
  "mediaAccess": true,
  "audioAccess": true,
  "clips": [
    {
      "attachment": 2,
      "verbatim": "...тирі. Погляд, наче їй мене шкода, бу...",
      "heardStress": "їй: stressed [jij]; мене: stressed on the 1st syllable, heard as 'мЕ́не' [ˈmɛ.nɛ]",
      "pronounLocalRange": "їй: 2.05s - 2.25s; мене: 2.25s - 2.65s (ме-: 2.25s - 2.45s, -не: 2.45s - 2.65s)",
      "vowelProminenceEvidence": "For 'їй' (2.05-2.25s), the vowel is clear, sustained, and dynamically prominent. For 'мене' (2.25-2.65s), the first syllable 'ме-' is attacked with higher dynamic intensity, greater loudness, and higher melodic pitch (~F#4). The second syllable '-не' drops audibly in pitch (~E4) and energy, decaying rapidly toward 'шкода'. This produces a distinct trochaic auditory prominence [ˈmɛnɛ].",
      "lexicallyNatural": false,
      "uncertainty": "Low uncertainty on stress placement; clip boundaries begin mid-word at [tɪˈrʲi] and terminate mid-syllable at [bu]."
    },
    {
      "attachment": 3,
      "verbatim": "...тирі. Погляд, наче їй мене шкода, бу...",
      "heardStress": "їй: stressed [jij]; мене: stressed on the 2nd syllable, heard as 'ме-нЕ́' [mɛ.ˈnɛ]",
      "pronounLocalRange": "їй: 2.05s - 2.25s; мене: 2.25s - 2.65s (ме-: 2.25s - 2.45s, -не: 2.45s - 2.68s)",
      "vowelProminenceEvidence": "For 'їй' (2.05-2.25s), the vowel is focused and sustained. For 'мене' (2.25-2.65s), the first syllable 'ме-' is delivered as a lighter, unaccented rhythmic pick-up with lower vocal weight. The second syllable '-не' receives the target metric accent, longer duration, and dynamic prominence leading into 'шкода', creating an auditory iambic contour [mɛˈnɛ].",
      "lexicallyNatural": true,
      "uncertainty": "Low uncertainty; the second syllable '-не' clearly carries the perceived prosodic prominence."
    },
    {
      "attachment": 4,
      "verbatim": "...тирі. Глянула так, наче їй мене шкода, був...",
      "heardStress": "їй: stressed [jij]; мене: stressed on the 2nd syllable, heard as 'ме-нЕ́' [mɛ.ˈnɛ]",
      "pronounLocalRange": "їй: 1.60s - 1.80s; мене: 1.85s - 2.20s (ме-: 1.85s - 2.02s, -не: 2.02s - 2.20s)",
      "vowelProminenceEvidence": "The pronoun 'їй' is held with steady melodic weight. In 'мене', the first syllable 'ме-' is a brief, lower-pitch transition; the second syllable '-не' is higher in pitch and carries clear vocal intensity, duration, and metric stress, exhibiting standard oxytone prominence [mɛˈnɛ].",
      "lexicallyNatural": true,
      "uncertainty": "Low uncertainty; note lexical phrasing differs from Takes A/B ('Глянула так' vs 'Погляд') and phrase tail resolves fully on 'був'."
    }
  ],
  "candidateA_vs_B": {
    "whichPronounIsMoreNatural": "Take B (Attachment 3)",
    "reason": "Standard Ukrainian 1st-person singular object pronoun 'мене' has fixed lexical oxytone stress on the second syllable (менЕ́ [mɛˈnɛ]). Take A (Attachment 2) places acoustic weight, higher pitch, and dynamic force onto the first syllable ('мЕ́не' [ˈmɛnɛ]), which sounds unnatural and Anglicized. Take B (Attachment 3) articulates 'ме-' as an unaccented upbeat and places dynamic and rhythmic prominence on '-нЕ́' [mɛˈnɛ], matching natural Ukrainian lexical stress.",
    "canBServeAsShortUnretimedDonor": true,
    "voiceAndRhythmCompatibilityLimits": "Takes A and B follow nearly identical musical tempo and backing track alignment, placing 'мене' in the same local time window (~2.25s to ~2.65s), allowing an unretimed donor splice of the pronoun without time-compression. However, compatibility is bounded by: (1) crossfade boundaries at the [j]-[m] onset and [-n]-[ʃk] offset to prevent transient clicks; (2) subtle micro-pitch and formant differences between vocal takes; and (3) phrase-tail boundary truncation at 'бу...', restricting donor utility strictly to the internal pronoun/pity segment."
  },
  "limits": "Auditory findings are based entirely on audible acoustic tokens from the clips without exact laboratory phoneme boundary measurements or assumptions of withheld lyric sheets. No assertion is made regarding whether the takes share the same real singer. Analysis accounts for boundary truncations in raw clips, and the preserved comparator is evaluated on its acoustic reality rather than granted an automatic pass."
}