{
  "contents": [
    {
      "role": "user",
      "parts": [
        {
          "text": "Listen to all FOUR COMPLETE audio files:1 English Targ sole creative source;2 preserved Ukrainian version1 (203.241s);3 new experiment A;4 new experiment B. Each file includes its entire ending, no retiming, constant gain matched. This is model-mediated listening, not a human review. Owner requests clearer cutting word shape, fewer elongated routine words, selective playful melodic dialogue, flexible sections and music that breathes. Do NOT select merely the softest/pleasantest version. Do NOT mistake dry monotone recitation or nonstop rapid text for successful sharper singing. Preserve the same story and full goPure neck-care offer. Current lexical changes: забрала доньку з танців; Лариса. Ми бачились там щодня; Що за догляд; question after laugh/neck glance. The intended text is supplied below as intent, not proof. Audit actual sound.\nReturn ONLY JSON <=2300words: mediaAccess boolean,audioAccess boolean,accessChecks [{attachment,actualBeginning,actualEnd,distinctiveMiddleWords}],sourceWholeForm,preservedStrengthsAndOwnerGap,takeA and takeB EACH {firstSungWordAndIntro,actualPickupWordShape,dialogueMelodicPlay,causalRefrainAndMusicalAnswers,firstPityAndSecondGaze,continuousTextPressure,transitionDifferences,actualInstrumentalResponses:[{roughTime,heardBefore,heardAfter,response}],completeCausalSequence,jarDonorAndNeckPayoff,brandAndEveryOrderCondition,wholeEndingHierarchy,lexicalStressOrMissingWords:[{heard,expected,roughTime,confidence}],remainingGaps,blockingDefects},preferredForFurtherQA A/B/neither,comparativeReason,limitations.\nGive observed words for claims and distinguish uncertainty. Do not invent precise rests, note counts, BPM, clinical damage, source silence or a score. Targ95–98 is dialogue inflection; later Stop is surrounding context, not inside that3s window. Six may be held, Stop has band accent/decay; both earlier codas sung and her/own already present. Ukrainian cosmetics story has Larysa/purple jar/neck, not Korean casting/pink tube/face injury. At final emotional close do not require softness. Coda is a new sung referral after it, with name/number form, post inspection then payment,60day return,optional link.\n[Instant SUNG hook; crisp short facts; dry aside; guitar replies after finished clauses]\nЗустрі́ла в крамни́ці дружи́ну коли́шнього.\nЇ́й — три́дцять чоти́ри.\nПо́гляд — на́че ї́й мене́ шко́да.\nБу́в бе́резень.\nМи́ з Андрі́єм — шістна́дцять ро́ків у шлю́бі.\nВі́н пішо́в до коле́ги.\nБана́льно. Зна́ю.\nГа́рна без зуси́ль. Ще́ ча́с не торкну́вся.\nА я́ за пі́в ро́ку — на п'я́ть лі́т ста́рша.\n[Same short causal cadence three times; bass answers each; separated store facts]\nСтре́с лиша́є слі́д.\n[Instrumental answer; voice releases]\nНічні́ сльо́зи лиша́ють слі́д.\n[Instrumental answer; voice releases]\nДі́тям бу́ти опо́рою — те́ж лиша́є слі́д.\nСубо́та. Лоси́ни. Пучо́к. Без косме́тики.\nЗно́в кре́м. Сті́льки про́б — усе́ ма́рно.\nЗ-за ря́ду — її́ го́лос. Впізна́ла.\nВона́ ви́йшла. По́гляд ковзну́в по ши́ї.\nДві́ секу́нди. Усмі́шка.\n[Not anger. Worse. Pity; distinct sung attacks; inner thought opens then band hinge]\nНе злі́сть. Ні́, ще́ гі́рше. Жа́лість.\n[Instrumental answer; voice releases]\nНа́че я́ — коли́шня ве́рсія тіє́ї, яку́ ві́н люби́в пе́ршою.\nДійшла́ до авто́. П'ятна́дцять хвили́н сиджу́.\nЗлі́сть не на не́ї. На себе́ в дзе́ркалі.\nНа ши́ї — су́хість, сму́ги та зало́ми.\nНі́би сві́тло всере́дині зга́сло.\n[Clipped dance pickup; playful PITCHED questions; short list; SUNG Stop and band decay]\nТого́ ти́жня забра́ла до́ньку з та́нців.\n[Instrumental answer; voice releases]\nЛари́са. Ми́ ба́чились та́м щодня́.\nЇ́й п'ятдеся́т п'я́ть. А ши́я — гладе́нька.\nПита́ю: «Що за до́гляд?»\nЗасмія́лась. Гля́нула на ши́ю: «А ти́ що нано́сиш?»\n«Кисло́ти. Сиро́ватки. Кре́ми. Все́ міня́ю».\n«Сті́й. Не все́ підря́д. Догляда́й щодня́».\n[Instrumental answer; voice releases]\n[Sung practical gestures; separate names; ku-pu-a-SU; leave guitar space between actions]\nНасту́пного дня́ Лари́са дала́ мені́ ба́нку.\nФіоле́тову. Про це́й кре́м ще́ не чу́ла.\n«На чи́сту ши́ю — то́нко, вго́ру. Щове́чора.\nНе міня́й усе́ зно́ву».\nКупуасу́. Гіалуро́н. Жи́влення і воло́га.\nОли́вні ліпі́ди. Кофеї́н. Мі́й до́гляд.\nКри́шку зняла́. Кре́м на па́лець. По ши́ї — вго́ру.\nБез печі́ння. Без лу́щення. Комфо́ртно.\n[Instrumental answer; voice releases]\n[Time jumps; child melodic surprise; hold six purposefully then release; exposed neck payoff]\nТри́ ти́жні. Спини́лась бі́ля дзе́ркала.\nСму́ги вже́ ме́нш помі́тні.\nДо́нька: «Ма́мо, ти́ іна́кша.\nГа́рно іна́кша. На́че світлі́ша».\nА за ші́сть — не пові́рила!\n[Instrumental answer; voice releases]\nШи́я гладе́нька. Ні́ сму́г, ні́ зало́мів.\nДе́сять ро́ків тако́ї рі́вної шкі́ри не було́.\nЯ́ ви́йшла з відкри́тою ши́єю.\n[New entry; earlier gaze cell returns as confusion; separate negations; direct compliment]\nЧе́рвень. Конце́рт до́ньчиного кла́су.\nДо́нька гра́ла на піані́но.\nДружи́на Андрі́я сі́ла по́руч.\nГля́нула зно́в. Не жа́лість. Не співчуття́. Розгу́блена.\nПідійшла́ пі́сля конце́рту: «До ре́чі, ти́ чудо́во вигляда́єш».\nТа са́ма. Навесні́ пі́сля не́ї я́ сиді́ла в авто́.\n[Sung HER versus OWN; complete personal cadence; let instruments answer before coda]\nЯ́ щи́ро: «Дя́кую». Та́к і відчува́ю.\nНе тому́, що її́ ду́мка важли́ва.\nА тому́, що свою́ я́ наре́шті ціну́ю.\n[Instrumental answer; voice releases]\n[New SUNG coda; voiced GOH PYUR; measured conditions with releases; optional invitation; resolved ending]\nҐо́у П’ю́р — мі́й кре́м.\nЗали́ш ім'я́ й но́мер у фо́рмі.\nО́гляд на по́шті. Опла́та — пі́сля о́гляду.\nШістдеся́т дні́в на пове́рнення.\n[Instrumental answer; voice releases]\nЯкщо́ тобі́ потрі́бно — посила́ння внизу́.\n\nMandatory auditory scope: actual-word-shape; selective-melodic-play; continuous-text-pressure; musical-responses-and-transitions. The following are WRITTEN INTENTIONS, never proof of what was sung. Use the actual attached audio to distinguish attack, vowel motion/hold, release and instrumental answer. Report deviations and uncertainty; do not award a score for short words, field counts, loudness or softness. Do not infer a pause from punctuation or mistake a held note for silence. Compare the development of the supplied full form separately from local clips.\n{\"intendedPhraseWork\": [{\"phraseId\": \"p01\", \"text\": \"Зустрі́ла в крамни́ці дружи́ну коли́шнього.\", \"attackAnchor\": \"Зустріла\", \"releaseAnchor\": \"колишнього\", \"sourceActionIds\": [\"a01\"], \"sourceWordAnchor\": \"I ran into my ex husband's new wife at Target\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Sung encounter verb attacks immediately; name relationship clearly, close its last vowel without a decorative run.\", \"musicalReason\": \"collision / Sung encounter verb attacks immediately; name relationship clearly, close its last vowel without a decorative run.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p02\", \"text\": \"Ї́й — три́дцять чоти́ри.\", \"attackAnchor\": \"тридцять чотири\", \"releaseAnchor\": \"чотири\", \"sourceActionIds\": [\"a02\"], \"sourceWordAnchor\": \"She was thirty four\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Separate age fact: accented number, short final ри and room for the chord to answer.\", \"musicalReason\": \"fact / Separate age fact: accented number, short final ри and room for the chord to answer.\", \"deliveryMode\": \"clipped-sung\", \"holds\": []}, {\"phraseId\": \"p03\", \"text\": \"По́гляд — на́че ї́й мене́ шко́да.\", \"attackAnchor\": \"шкода\", \"releaseAnchor\": \"шкода\", \"sourceActionIds\": [\"a03\"], \"sourceWordAnchor\": \"She looked at me like she felt sorry for me\", \"lexicalDecision\": \"Rewritten from: Глянула так, наче їй мене шкода.\", \"vowelAndReleaseIntent\": \"Change the contour from factual age into her imagined pity; мене has final stress and no trailing vocal flourish.\", \"musicalReason\": \"reveal / Change the contour from factual age into her imagined pity; мене has final stress and no trailing vocal flourish.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p04\", \"text\": \"Бу́в бе́резень.\", \"attackAnchor\": \"березень\", \"releaseAnchor\": \"березень\", \"sourceActionIds\": [\"a04\"], \"sourceWordAnchor\": \"That was in March\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Dry time stamp on a small pitched gesture; consonant ending closes the aside.\", \"musicalReason\": \"time / Dry time stamp on a small pitched gesture; consonant ending closes the aside.\", \"deliveryMode\": \"clipped-sung\", \"holds\": []}, {\"phraseId\": \"p05\", \"text\": \"Ми́ з Андрі́єм — шістна́дцять ро́ків у шлю́бі.\", \"attackAnchor\": \"шістнадцять\", \"releaseAnchor\": \"шлюбі\", \"sourceActionIds\": [\"a05\"], \"sourceWordAnchor\": \"Mark and I were married sixteen years\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Keep the essential duration and named husband; release бі before the betrayal arrives, not a joined narrative run.\", \"musicalReason\": \"duration / Keep the essential duration and named husband; release бі before the betrayal arrives, not a joined narrative run.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p06\", \"text\": \"Ві́н пішо́в до коле́ги.\", \"attackAnchor\": \"пішов\", \"releaseAnchor\": \"колеги\", \"sourceActionIds\": [\"a06\"], \"sourceWordAnchor\": \"Then he left for someone from his office Cliché,\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Direct action: punch пішов, release the destination lightly.\", \"musicalReason\": \"fact / Direct action: punch пішов, release the destination lightly.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p07\", \"text\": \"Бана́льно. Зна́ю.\", \"attackAnchor\": \"Банально\", \"releaseAnchor\": \"Знаю\", \"sourceActionIds\": [\"a06\", \"a07\"], \"sourceWordAnchor\": \"Then he left for someone from his office Cliché,\", \"lexicalDecision\": \"Rewritten from: Банально, я знаю.\", \"vowelAndReleaseIntent\": \"Two dry sung asides with an audible pitch change, not a long apologetic line.\", \"musicalReason\": \"aside / Two dry sung asides with an audible pitch change, not a long apologetic line.\", \"deliveryMode\": \"clipped-sung\", \"holds\": []}, {\"phraseId\": \"p08\", \"text\": \"Га́рна без зуси́ль. Ще́ ча́с не торкну́вся.\", \"attackAnchor\": \"без зусиль\", \"releaseAnchor\": \"торкнувся\", \"sourceActionIds\": [\"a07\"], \"sourceWordAnchor\": \"I know She's the kind of pretty that doesn't have to try yet Because time hadn't shown up yet\", \"lexicalDecision\": \"Rewritten from: Вона гарна без зусиль — ще час не торкнувся.\", \"vowelAndReleaseIntent\": \"First clipped assessment closes on ль; the time aside follows separately and ends without a melisma.\", \"musicalReason\": \"observation / First clipped assessment closes on ль; the time aside follows separately and ends without a melisma.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p09\", \"text\": \"А я́ за пі́в ро́ку — на п'я́ть лі́т ста́рша.\", \"attackAnchor\": \"А я\", \"releaseAnchor\": \"старша\", \"sourceActionIds\": [\"a08\"], \"sourceWordAnchor\": \"By March I wasn't fine I looked like I had aged five years in six months Stress will do that Crying every night\", \"lexicalDecision\": \"Rewritten from: А я за пів року немов на п'ять літ постаріла.\", \"vowelAndReleaseIntent\": \"Contrast self with her; shortened syntax retains both numerical ages of change, close ша then let the groove reset.\", \"musicalReason\": \"contrast / Contrast self with her; shortened syntax retains both numerical ages of change, close ша then let the groove reset.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p10\", \"text\": \"Стре́с лиша́є слі́д.\", \"attackAnchor\": \"Стрес\", \"releaseAnchor\": \"слід\", \"sourceActionIds\": [\"a09\"], \"sourceWordAnchor\": \"five years in six months Stress will do that Crying every night will do that Holding your kids together will do that\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Sharp стрес then recurring short descending слід cadence; accompaniment answers the completed consequence.\", \"musicalReason\": \"cell-one / Sharp стрес then recurring short descending слід cadence; accompaniment answers the completed consequence.\", \"deliveryMode\": \"clipped-sung\", \"holds\": []}, {\"phraseId\": \"p11\", \"text\": \"Нічні́ сльо́зи лиша́ють слі́д.\", \"attackAnchor\": \"Нічні сльози\", \"releaseAnchor\": \"слід\", \"sourceActionIds\": [\"a09\"], \"sourceWordAnchor\": \"five years in six months Stress will do that Crying every night will do that Holding your kids together will do that\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Keep the same recognizable consequence cell, vary the longer cause without stretching слід to fill a bar.\", \"musicalReason\": \"cell-two / Keep the same recognizable consequence cell, vary the longer cause without stretching слід to fill a bar.\", \"deliveryMode\": \"clipped-sung\", \"holds\": []}, {\"phraseId\": \"p12\", \"text\": \"Ді́тям бу́ти опо́рою — те́ж лиша́є слі́д.\", \"attackAnchor\": \"опорою\", \"releaseAnchor\": \"слід\", \"sourceActionIds\": [\"a09\"], \"sourceWordAnchor\": \"five years in six months Stress will do that Crying every night will do that Holding your kids together will do that\", \"lexicalDecision\": \"Rewritten from: Коли дітям ти опора — це теж лишає слід.\", \"vowelAndReleaseIntent\": \"Support for children stays explicit; the third return enlarges the cause, then ends firmly on the same слід.\", \"musicalReason\": \"cell-three / Support for children stays explicit; the third return enlarges the cause, then ends firmly on the same слід.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p13\", \"text\": \"Субо́та. Лоси́ни. Пучо́к. Без косме́тики.\", \"attackAnchor\": \"Без косметики\", \"releaseAnchor\": \"косметики\", \"sourceActionIds\": [\"a10\"], \"sourceWordAnchor\": \"I was at Target that Saturday Leggings, no makeup, hair in a bun Staring at another cream\", \"lexicalDecision\": \"Rewritten from: У суботу: крамниця, лосини, пучок. Без косметики.\", \"vowelAndReleaseIntent\": \"Discrete wardrobe and vulnerability details, three small pitched attacks rather than a uniform legato chain.\", \"musicalReason\": \"scene / Discrete wardrobe and vulnerability details, three small pitched attacks rather than a uniform legato chain.\", \"deliveryMode\": \"clipped-sung\", \"holds\": []}, {\"phraseId\": \"p14\", \"text\": \"Зно́в кре́м. Сті́льки про́б — усе́ ма́рно.\", \"attackAnchor\": \"марно\", \"releaseAnchor\": \"марно\", \"sourceActionIds\": [\"a11\"], \"sourceWordAnchor\": \"no makeup, hair in a bun Staring at another cream that wouldn't work I had already tried every single one\", \"lexicalDecision\": \"Rewritten from: Знов дивлюсь на крем. Стільки проб — і все марно.\", \"vowelAndReleaseIntent\": \"New cream attempt then exhausted verdict; keep the final но short and let accompaniment expose frustration.\", \"musicalReason\": \"failed-search / New cream attempt then exhausted verdict; keep the final но short and let accompaniment expose frustration.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p15\", \"text\": \"З-за ря́ду — її́ го́лос. Впізна́ла.\", \"attackAnchor\": \"її голос\", \"releaseAnchor\": \"Впізнала\", \"sourceActionIds\": [\"a12\"], \"sourceWordAnchor\": \"Then I heard her voice one aisle over Knew it was her before she came around She saw me\", \"lexicalDecision\": \"Rewritten from: Із сусіднього ряду її голос впізнала.\", \"vowelAndReleaseIntent\": \"Voice recognition comes before her appearance; separate the heard noun from the completed recognition verb.\", \"musicalReason\": \"recognition / Voice recognition comes before her appearance; separate the heard noun from the completed recognition verb.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p16\", \"text\": \"Вона́ ви́йшла. По́гляд ковзну́в по ши́ї.\", \"attackAnchor\": \"по шиї\", \"releaseAnchor\": \"шиї\", \"sourceActionIds\": [\"a13\"], \"sourceWordAnchor\": \"it was her before she came around She saw me And I watched her face do the thing Forehead, cheeks, jaw Two second scan, that sting\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Two agent-bound actions; short вийшла release, then directional scan with a firm lexical accent шиї.\", \"musicalReason\": \"scan / Two agent-bound actions; short вийшла release, then directional scan with a firm lexical accent шиї.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p17\", \"text\": \"Дві́ секу́нди. Усмі́шка.\", \"attackAnchor\": \"Усмішка\", \"releaseAnchor\": \"Усмішка\", \"sourceActionIds\": [\"a13\"], \"sourceWordAnchor\": \"it was her before she came around She saw me And I watched her face do the thing Forehead, cheeks, jaw Two second scan, that sting\", \"lexicalDecision\": \"Rewritten from: Дві секунди — і усмішка.\", \"vowelAndReleaseIntent\": \"The number describes her look, not mandatory audio silence. Let the smile word be a short reveal.\", \"musicalReason\": \"scan-result / The number describes her look, not mandatory audio silence. Let the smile word be a short reveal.\", \"deliveryMode\": \"clipped-sung\", \"holds\": []}, {\"phraseId\": \"p18\", \"text\": \"Не злі́сть. Ні́, ще́ гі́рше. Жа́лість.\", \"attackAnchor\": \"Жалість\", \"releaseAnchor\": \"Жалість\", \"sourceActionIds\": [\"a14\"], \"sourceWordAnchor\": \"Then she smiled And it wasn't mean, it was worse Sympathetic Like she was looking\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Three sharply different sung gestures; expectation, rejection, exposed pity. Give the final noun a deliberate release and band reply.\", \"musicalReason\": \"gaze-first / Three sharply different sung gestures; expectation, rejection, exposed pity. Give the final noun a deliberate release and band reply.\", \"deliveryMode\": \"clipped-sung\", \"holds\": []}, {\"phraseId\": \"p19\", \"text\": \"На́че я́ — коли́шня ве́рсія тіє́ї, яку́ ві́н люби́в пе́ршою.\", \"attackAnchor\": \"колишня версія\", \"releaseAnchor\": \"першою\", \"sourceActionIds\": [\"a15\"], \"sourceWordAnchor\": \"at the before version of the woman her husband loved first\", \"lexicalDecision\": \"Rewritten from: Наче я — колишня версія жінки, яку він любив першою.\", \"vowelAndReleaseIntent\": \"Keep the difficult inner comparison complete. One purposeful longer melodic thought earns its space after the clipped reveal.\", \"musicalReason\": \"identity-wound / Keep the difficult inner comparison complete. One purposeful longer melodic thought earns its space after the clipped reveal.\", \"deliveryMode\": \"selective-hold\", \"holds\": [{\"word\": \"першою\", \"purpose\": \"Keep the difficult inner comparison complete. One purposeful longer melodic thought earns its space after the clipped reveal.\", \"releaseOrResponse\": \"Resolve the specified thought and hand space to accompaniment; not an arbitrary silence duration.\"}]}, {\"phraseId\": \"p20\", \"text\": \"Дійшла́ до авто́. П'ятна́дцять хвили́н сиджу́.\", \"attackAnchor\": \"П'ятнадцять хвилин\", \"releaseAnchor\": \"сиджу\", \"sourceActionIds\": [\"a16\"], \"sourceWordAnchor\": \"I walked to my car and sat there for fifteen\", \"lexicalDecision\": \"Rewritten from: До авто дійшла. П'ятнадцять хвилин сиділа.\", \"vowelAndReleaseIntent\": \"Completed walk, then vivid present sitting. Release авто before the duration; do not turn сиджу into an ornamental climax.\", \"musicalReason\": \"consequence / Completed walk, then vivid present sitting. Release авто before the duration; do not turn сиджу into an ornamental climax.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p21\", \"text\": \"Злі́сть не на не́ї. На себе́ в дзе́ркалі.\", \"attackAnchor\": \"не на неї\", \"releaseAnchor\": \"дзеркалі\", \"sourceActionIds\": [\"a17\"], \"sourceWordAnchor\": \"I wasn't angry at her I was angry at what\", \"lexicalDecision\": \"Rewritten from: Не на неї злилась — на те, що в дзеркалі бачила.\", \"vowelAndReleaseIntent\": \"Two contrasted targets of anger; no accelerating through the period.\", \"musicalReason\": \"anger-turn / Two contrasted targets of anger; no accelerating through the period.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p22\", \"text\": \"На ши́ї — су́хість, сму́ги та зало́ми.\", \"attackAnchor\": \"На шиї\", \"releaseAnchor\": \"заломи\", \"sourceActionIds\": [\"a18\"], \"sourceWordAnchor\": \"I'd seen Melasma on my cheeks Patches on my forehead and lip Like the light had\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Concrete defined neck problem, three separately articulated nouns; preserve all symptoms.\", \"musicalReason\": \"problem / Concrete defined neck problem, three separately articulated nouns; preserve all symptoms.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p23\", \"text\": \"Ні́би сві́тло всере́дині зга́сло.\", \"attackAnchor\": \"згасло\", \"releaseAnchor\": \"згасло\", \"sourceActionIds\": [\"a19\"], \"sourceWordAnchor\": \"and lip Like the light had gone out from inside\", \"lexicalDecision\": \"Rewritten from: Ніби світло моє погасло всередині.\", \"vowelAndReleaseIntent\": \"This image earns a selective melodic fall; complete the feeling and leave an instrumental hinge into the next scene.\", \"musicalReason\": \"inner-image / This image earns a selective melodic fall; complete the feeling and leave an instrumental hinge into the next scene.\", \"deliveryMode\": \"selective-hold\", \"holds\": [{\"word\": \"згасло\", \"purpose\": \"This image earns a selective melodic fall; complete the feeling and leave an instrumental hinge into the next scene.\", \"releaseOrResponse\": \"Resolve the specified thought and hand space to accompaniment; not an arbitrary silence duration.\"}]}, {\"phraseId\": \"p24\", \"text\": \"Того́ ти́жня забра́ла до́ньку з та́нців.\", \"attackAnchor\": \"забрала\", \"releaseAnchor\": \"танців\", \"sourceActionIds\": [\"a20\"], \"sourceWordAnchor\": \"That week at my daughter's dance pickup There's this Korean woman I'd see every day\", \"lexicalDecision\": \"Rewritten from: Того тижня з танців доньку забирала.\", \"vowelAndReleaseIntent\": \"Shorter completed забрала sits inside the clause; finish on consonantal танців, no stretching рала as the destination. Groove answer before the peer.\", \"musicalReason\": \"new-scene / Shorter completed забрала sits inside the clause; finish on consonantal танців, no stretching рала as the destination. Groove answer before the peer.\", \"deliveryMode\": \"clipped-sung\", \"holds\": []}, {\"phraseId\": \"p25\", \"text\": \"Лари́са. Ми́ ба́чились та́м щодня́.\", \"attackAnchor\": \"Лариса\", \"releaseAnchor\": \"щодня\", \"sourceActionIds\": [\"a20\"], \"sourceWordAnchor\": \"That week at my daughter's dance pickup There's this Korean woman I'd see every day\", \"lexicalDecision\": \"Rewritten from: Ларису там щодня зустрічала.\", \"vowelAndReleaseIntent\": \"Name first, then recurring relationship as a second small gesture; avoid the previous rhyming забирала/зустрічала tails.\", \"musicalReason\": \"familiar-person / Name first, then recurring relationship as a second small gesture; avoid the previous rhyming забирала/зустрічала tails.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p26\", \"text\": \"Ї́й п'ятдеся́т п'я́ть. А ши́я — гладе́нька.\", \"attackAnchor\": \"А шия\", \"releaseAnchor\": \"гладенька\", \"sourceActionIds\": [\"a21\"], \"sourceWordAnchor\": \"Mid fifties with flawless skin I had to say What do you use, your skin is a dream\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Separate age fact and visible contrast; preserve full age and resolved neck, short final ка.\", \"musicalReason\": \"credible-contrast / Separate age fact and visible contrast; preserve full age and resolved neck, short final ка.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p27\", \"text\": \"Пита́ю: «Що за до́гляд?»\", \"attackAnchor\": \"Що за догляд\", \"releaseAnchor\": \"догляд\", \"sourceActionIds\": [\"a21\"], \"sourceWordAnchor\": \"Mid fifties with flawless skin I had to say What do you use, your skin is a dream\", \"lexicalDecision\": \"Rewritten from: Питаю: «Чим ти користуєшся?»\", \"vowelAndReleaseIntent\": \"Short direct sung inquiry opens a playful rising contour and stops on д; not a monotone spoken question.\", \"musicalReason\": \"question / Short direct sung inquiry opens a playful rising contour and stops on д; not a monotone spoken question.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p28\", \"text\": \"Засмія́лась. Гля́нула на ши́ю: «А ти́ що нано́сиш?»\", \"attackAnchor\": \"А ти\", \"releaseAnchor\": \"наносиш\", \"sourceActionIds\": [\"a22\"], \"sourceWordAnchor\": \"She laughed then looked at my face Said honey, what are you using I told her Tri-Luma,\", \"lexicalDecision\": \"Rewritten from: Вона засміялась, на шию глянула: «А ти що наносиш?»\", \"vowelAndReleaseIntent\": \"Three changing gestures: light laugh lift, lower inspecting aside, elastic pitched counter-question. Selective melody is the point here; release шиш cleanly.\", \"musicalReason\": \"counter-question / Three changing gestures: light laugh lift, lower inspecting aside, elastic pitched counter-question. Selective melody is the point here; release шиш cleanly.\", \"deliveryMode\": \"selective-hold\", \"holds\": [{\"word\": \"А ти\", \"purpose\": \"Three changing gestures: light laugh lift, lower inspecting aside, elastic pitched counter-question. Selective melody is the point here; release шиш cleanly.\", \"releaseOrResponse\": \"Resolve the specified thought and hand space to accompaniment; not an arbitrary silence duration.\"}]}, {\"phraseId\": \"p29\", \"text\": \"«Кисло́ти. Сиро́ватки. Кре́ми. Все́ міня́ю».\", \"attackAnchor\": \"Все міняю\", \"releaseAnchor\": \"міняю\", \"sourceActionIds\": [\"a23\"], \"sourceWordAnchor\": \"what are you using I told her Tri-Luma, vitamin C, retinol, all the rest She said stop,\", \"lexicalDecision\": \"Rewritten from: «Кислоти, сироватки, креми — усе міняю».\", \"vowelAndReleaseIntent\": \"Local percussive catalogue only; each item is distinct, changing everything is audible, no continuous rap outside this contrast.\", \"musicalReason\": \"confession / Local percussive catalogue only; each item is distinct, changing everything is audible, no continuous rap outside this contrast.\", \"deliveryMode\": \"clipped-sung\", \"holds\": []}, {\"phraseId\": \"p30\", \"text\": \"«Сті́й. Не все́ підря́д. Догляда́й щодня́».\", \"attackAnchor\": \"Стій\", \"releaseAnchor\": \"щодня\", \"sourceActionIds\": [\"a24\"], \"sourceWordAnchor\": \"vitamin C, retinol, all the rest She said stop, all of that is making it worse\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Sung command hits with the band, its decay remains audible. Advice restarts after the interruption as a different action, not a crossfaded vocal line.\", \"musicalReason\": \"advice-pivot / Sung command hits with the band, its decay remains audible. Advice restarts after the interruption as a different action, not a crossfaded vocal line.\", \"deliveryMode\": \"clipped-sung\", \"holds\": []}, {\"phraseId\": \"p31\", \"text\": \"Насту́пного дня́ Лари́са дала́ мені́ ба́нку.\", \"attackAnchor\": \"Лариса дала мені\", \"releaseAnchor\": \"банку\", \"sourceActionIds\": [\"a25\"], \"sourceWordAnchor\": \"Next day she put a pink tube in my hand Korean writing, something I'd never tried Use this every night\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Keep named donor, completed transfer and recipient; land банку then release, no loss of actor for shorter phrasing.\", \"musicalReason\": \"handoff / Keep named donor, completed transfer and recipient; land банку then release, no loss of actor for shorter phrasing.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p32\", \"text\": \"Фіоле́тову. Про це́й кре́м ще́ не чу́ла.\", \"attackAnchor\": \"ще не чула\", \"releaseAnchor\": \"чула\", \"sourceActionIds\": [\"a25\"], \"sourceWordAnchor\": \"Next day she put a pink tube in my hand Korean writing, something I'd never tried Use this every night\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Color fact and unfamiliarity aside are separate sung gestures. Keep supported packaging and product discovery.\", \"musicalReason\": \"unfamiliar-object / Color fact and unfamiliarity aside are separate sung gestures. Keep supported packaging and product discovery.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p33\", \"text\": \"«На чи́сту ши́ю — то́нко, вго́ру. Щове́чора.\", \"attackAnchor\": \"тонко, вгору\", \"releaseAnchor\": \"Щовечора\", \"sourceActionIds\": [\"a26\"], \"sourceWordAnchor\": \"something I'd never tried Use this every night Throw the rest aside\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Action instructions in short comprehensible pulses, then distinct daily schedule. No compressed checklist over a crowded band.\", \"musicalReason\": \"ritual / Action instructions in short comprehensible pulses, then distinct daily schedule. No compressed checklist over a crowded band.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p34\", \"text\": \"Не міня́й усе́ зно́ву».\", \"attackAnchor\": \"Не міняй\", \"releaseAnchor\": \"знову\", \"sourceActionIds\": [\"a26\"], \"sourceWordAnchor\": \"something I'd never tried Use this every night Throw the rest aside\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Short prohibition answers the earlier product swapping; stop the vowel and let accompaniment connect to ingredients.\", \"musicalReason\": \"habit-reset / Short prohibition answers the earlier product swapping; stop the vowel and let accompaniment connect to ingredients.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p35\", \"text\": \"Купуасу́. Гіалуро́н. Жи́влення і воло́га.\", \"attackAnchor\": \"Купуасу\", \"releaseAnchor\": \"волога\", \"sourceActionIds\": [\"a26\"], \"sourceWordAnchor\": \"something I'd never tried Use this every night Throw the rest aside\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Four complete ku-pu-a-SU syllables, then separate hyaluron name; measured nourishing/moisture nouns, no swallowed ingredients.\", \"musicalReason\": \"ingredient-functions / Four complete ku-pu-a-SU syllables, then separate hyaluron name; measured nourishing/moisture nouns, no swallowed ingredients.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p36\", \"text\": \"Оли́вні ліпі́ди. Кофеї́н. Мі́й до́гляд.\", \"attackAnchor\": \"Оливні ліпіди\", \"releaseAnchor\": \"догляд\", \"sourceActionIds\": [\"a26\"], \"sourceWordAnchor\": \"something I'd never tried Use this every night Throw the rest aside\", \"lexicalDecision\": \"Rewritten from: Оливні ліпіди й кофеїн — у моєму догляді.\", \"vowelAndReleaseIntent\": \"Three compact sung units replace the long continuous list ending; claim is care only, close догляд firmly.\", \"musicalReason\": \"ingredient-list / Three compact sung units replace the long continuous list ending; claim is care only, close догляд firmly.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p37\", \"text\": \"Кри́шку зняла́. Кре́м на па́лець. По ши́ї — вго́ру.\", \"attackAnchor\": \"По шиї\", \"releaseAnchor\": \"вгору\", \"sourceActionIds\": [\"a27\"], \"sourceWordAnchor\": \"I squeezed some out and it felt right No peeling, no sting\", \"lexicalDecision\": \"Rewritten from: Кришку відкрила. На пальці — крем, по шиї вгору.\", \"vowelAndReleaseIntent\": \"Three concrete enacted actions with short releases; the last direction has an intentional upward contour, not an extra lyric run.\", \"musicalReason\": \"application / Three concrete enacted actions with short releases; the last direction has an intentional upward contour, not an extra lyric run.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p38\", \"text\": \"Без печі́ння. Без лу́щення. Комфо́ртно.\", \"attackAnchor\": \"Комфортно\", \"releaseAnchor\": \"Комфортно\", \"sourceActionIds\": [\"a27\"], \"sourceWordAnchor\": \"I squeezed some out and it felt right No peeling, no sting\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Paired negative sensations then positive personal experience; answer musically before the weeks jump, no universal tolerance guarantee.\", \"musicalReason\": \"felt-result / Paired negative sensations then positive personal experience; answer musically before the weeks jump, no universal tolerance guarantee.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p39\", \"text\": \"Три́ ти́жні. Спини́лась бі́ля дзе́ркала.\", \"attackAnchor\": \"Три тижні\", \"releaseAnchor\": \"дзеркала\", \"sourceActionIds\": [\"a28\"], \"sourceWordAnchor\": \"Three weeks later I looked in the mirror and stopped The patches on my cheeks were lighter\", \"lexicalDecision\": \"Rewritten from: За три тижні спинилась біля дзеркала.\", \"vowelAndReleaseIntent\": \"Time jump and sudden stop separated; preserve mirror inspection without adding filler syllables to the lead-in.\", \"musicalReason\": \"partial-surprise / Time jump and sudden stop separated; preserve mirror inspection without adding filler syllables to the lead-in.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p40\", \"text\": \"Сму́ги вже́ ме́нш помі́тні.\", \"attackAnchor\": \"менш помітні\", \"releaseAnchor\": \"помітні\", \"sourceActionIds\": [\"a28\"], \"sourceWordAnchor\": \"Three weeks later I looked in the mirror and stopped The patches on my cheeks were lighter\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Partial result stays partial, one clear descending phrase rather than a premature complete-resolution climax.\", \"musicalReason\": \"partial-result / Partial result stays partial, one clear descending phrase rather than a premature complete-resolution climax.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p41\", \"text\": \"До́нька: «Ма́мо, ти́ іна́кша.\", \"attackAnchor\": \"Мамо\", \"releaseAnchor\": \"інакша\", \"sourceActionIds\": [\"a29\"], \"sourceWordAnchor\": \"My daughter came home and said Mom you look different, good different, brighter\", \"lexicalDecision\": \"Rewritten from: Донька каже: «Мамо, ти інакша.\", \"vowelAndReleaseIntent\": \"Daughter addresses mother directly, short tender melodic surprise, not narration over her dialogue.\", \"musicalReason\": \"child-observation / Daughter addresses mother directly, short tender melodic surprise, not narration over her dialogue.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p42\", \"text\": \"Га́рно іна́кша. На́че світлі́ша».\", \"attackAnchor\": \"Гарно інакша\", \"releaseAnchor\": \"світліша\", \"sourceActionIds\": [\"a29\"], \"sourceWordAnchor\": \"My daughter came home and said Mom you look different, good different, brighter\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Keep the corrective good-different turn and selective pitched brightness; do not flatten every word into staccato.\", \"musicalReason\": \"child-clarification / Keep the corrective good-different turn and selective pitched brightness; do not flatten every word into staccato.\", \"deliveryMode\": \"selective-hold\", \"holds\": [{\"word\": \"інакша\", \"purpose\": \"Keep the corrective good-different turn and selective pitched brightness; do not flatten every word into staccato.\", \"releaseOrResponse\": \"Resolve the specified thought and hand space to accompaniment; not an arbitrary silence duration.\"}]}, {\"phraseId\": \"p43\", \"text\": \"А за ші́сть — не пові́рила!\", \"attackAnchor\": \"шість\", \"releaseAnchor\": \"повірила\", \"sourceActionIds\": [\"a30\"], \"sourceWordAnchor\": \"By week six I was in shock The melasma was almost gone\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Meaningful hold on stressed шість earns expectancy, release into disbelief then breathe; held vowel is not empty silence.\", \"musicalReason\": \"wait-and-reveal / Meaningful hold on stressed шість earns expectancy, release into disbelief then breathe; held vowel is not empty silence.\", \"deliveryMode\": \"selective-hold\", \"holds\": [{\"word\": \"шість\", \"purpose\": \"Meaningful hold on stressed шість earns expectancy, release into disbelief then breathe; held vowel is not empty silence.\", \"releaseOrResponse\": \"Resolve the specified thought and hand space to accompaniment; not an arbitrary silence duration.\"}]}, {\"phraseId\": \"p44\", \"text\": \"Ши́я гладе́нька. Ні́ сму́г, ні́ зало́мів.\", \"attackAnchor\": \"Ні смуг\", \"releaseAnchor\": \"заломів\", \"sourceActionIds\": [\"a30\"], \"sourceWordAnchor\": \"By week six I was in shock The melasma was almost gone\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Complete defined cosmetic resolution in this fictional story, with two distinct clear clauses. Do not trade words for a high note.\", \"musicalReason\": \"complete-result / Complete defined cosmetic resolution in this fictional story, with two distinct clear clauses. Do not trade words for a high note.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p45\", \"text\": \"Де́сять ро́ків тако́ї рі́вної шкі́ри не було́.\", \"attackAnchor\": \"Десять років\", \"releaseAnchor\": \"було\", \"sourceActionIds\": [\"a31\"], \"sourceWordAnchor\": \"My skin more even than it had in a decade No foundation on\", \"lexicalDecision\": \"Rewritten from: Десять років шкіра такою рівною не була.\", \"vowelAndReleaseIntent\": \"Retain ten-year comparison; reorder so було can close briefly instead of a long feminine ending была-like drift.\", \"musicalReason\": \"comparison / Retain ten-year comparison; reorder so було can close briefly instead of a long feminine ending была-like drift.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p46\", \"text\": \"Я́ ви́йшла з відкри́тою ши́єю.\", \"attackAnchor\": \"відкритою шиєю\", \"releaseAnchor\": \"шиєю\", \"sourceActionIds\": [\"a31\"], \"sourceWordAnchor\": \"My skin more even than it had in a decade No foundation on\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"The practical payoff explicitly concerns the neck. A modest expressive contour can resolve here before the return scene.\", \"musicalReason\": \"neck-payoff / The practical payoff explicitly concerns the neck. A modest expressive contour can resolve here before the return scene.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p47\", \"text\": \"Че́рвень. Конце́рт до́ньчиного кла́су.\", \"attackAnchor\": \"Червень\", \"releaseAnchor\": \"класу\", \"sourceActionIds\": [\"a32\"], \"sourceWordAnchor\": \"Then June happened Piano recital for my daughter's class\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"New time stamp and public setting with separate attacks; a changed accompaniment entry marks the return.\", \"musicalReason\": \"return-time / New time stamp and public setting with separate attacks; a changed accompaniment entry marks the return.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p48\", \"text\": \"До́нька гра́ла на піані́но.\", \"attackAnchor\": \"піаніно\", \"releaseAnchor\": \"піаніно\", \"sourceActionIds\": [\"a32\"], \"sourceWordAnchor\": \"Then June happened Piano recital for my daughter's class\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Concrete child action, simple sung fact. Complete the noun without swallowing syllables or adding a decorative run.\", \"musicalReason\": \"recital / Concrete child action, simple sung fact. Complete the noun without swallowing syllables or adding a decorative run.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p49\", \"text\": \"Дружи́на Андрі́я сі́ла по́руч.\", \"attackAnchor\": \"поруч\", \"releaseAnchor\": \"поруч\", \"sourceActionIds\": [\"a33\"], \"sourceWordAnchor\": \"Mark's wife sat down a few seats from me She looked at me Not pity, not sympathy Just confused\", \"lexicalDecision\": \"Rewritten from: Дружина Андрія сіла неподалік.\", \"vowelAndReleaseIntent\": \"Shorter spatial destination closes on ч; same recurring wife returns near the narrator.\", \"musicalReason\": \"return-encounter / Shorter spatial destination closes on ч; same recurring wife returns near the narrator.\", \"deliveryMode\": \"clipped-sung\", \"holds\": []}, {\"phraseId\": \"p50\", \"text\": \"Гля́нула зно́в. Не жа́лість. Не співчуття́. Розгу́блена.\", \"attackAnchor\": \"Розгублена\", \"releaseAnchor\": \"Розгублена\", \"sourceActionIds\": [\"a33\"], \"sourceWordAnchor\": \"Mark's wife sat down a few seats from me She looked at me Not pity, not sympathy Just confused\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Recall the earlier gaze/negation cell, but delayed resolution is confusion. Do not join the three interpretations into one legato wash.\", \"musicalReason\": \"gaze-return / Recall the earlier gaze/negation cell, but delayed resolution is confusion. Do not join the three interpretations into one legato wash.\", \"deliveryMode\": \"clipped-sung\", \"holds\": []}, {\"phraseId\": \"p51\", \"text\": \"Підійшла́ пі́сля конце́рту: «До ре́чі, ти́ чудо́во вигляда́єш».\", \"attackAnchor\": \"До речі\", \"releaseAnchor\": \"виглядаєш\", \"sourceActionIds\": [\"a34\"], \"sourceWordAnchor\": \"After the recital she walked up to me Said you look really good by the way\", \"lexicalDecision\": \"Rewritten from: Після концерту підійшла: «До речі, ти дуже гарно виглядаєш».\", \"vowelAndReleaseIntent\": \"Keep public-event aftermath and direct compliment. Conversational pitched aside changes into genuine surprise; the approach remains explicitly sung.\", \"musicalReason\": \"compliment / Keep public-event aftermath and direct compliment. Conversational pitched aside changes into genuine surprise; the approach remains explicitly sung.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p52\", \"text\": \"Та са́ма. Навесні́ пі́сля не́ї я́ сиді́ла в авто́.\", \"attackAnchor\": \"Та сама\", \"releaseAnchor\": \"авто\", \"sourceActionIds\": [\"a35\"], \"sourceWordAnchor\": \"same woman who made me sit in my car that day\", \"lexicalDecision\": \"Rewritten from: Та сама, після якої в машині сиділа я навесні.\", \"vowelAndReleaseIntent\": \"Short recognition hit then causal return to the car; retain the link, close авто without melismatic expansion.\", \"musicalReason\": \"memory-return / Short recognition hit then causal return to the car; retain the link, close авто without melismatic expansion.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p53\", \"text\": \"Я́ щи́ро: «Дя́кую». Та́к і відчува́ю.\", \"attackAnchor\": \"Дякую\", \"releaseAnchor\": \"відчуваю\", \"sourceActionIds\": [\"a36\"], \"sourceWordAnchor\": \"I said thank you And I meant it too\", \"lexicalDecision\": \"Rewritten from: Я щиро сказала: «Дякую». І справді так відчувала.\", \"vowelAndReleaseIntent\": \"Sincere thanks and internal agreement are two melodic gestures; the cadence starts settling rather than rushing to commerce.\", \"musicalReason\": \"sincere-response / Sincere thanks and internal agreement are two melodic gestures; the cadence starts settling rather than rushing to commerce.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p54\", \"text\": \"Не тому́, що її́ ду́мка важли́ва.\", \"attackAnchor\": \"її\", \"releaseAnchor\": \"важлива\", \"sourceActionIds\": [\"a37\"], \"sourceWordAnchor\": \"Not because her opinion mattered But because mine finally did\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Contrast HER judgment clearly; no need to invent missing її in preserved versions.\", \"musicalReason\": \"external-negation / Contrast HER judgment clearly; no need to invent missing її in preserved versions.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p55\", \"text\": \"А тому́, що свою́ я́ наре́шті ціну́ю.\", \"attackAnchor\": \"свою\", \"releaseAnchor\": \"ціную\", \"sourceActionIds\": [\"a37\"], \"sourceWordAnchor\": \"Not because her opinion mattered But because mine finally did\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"OWN judgment gets the answering contour and purposeful final melodic resolution; no compulsory softness, leave music to close the personal arc.\", \"musicalReason\": \"self-worth / OWN judgment gets the answering contour and purposeful final melodic resolution; no compulsory softness, leave music to close the personal arc.\", \"deliveryMode\": \"selective-hold\", \"holds\": [{\"word\": \"ціную\", \"purpose\": \"OWN judgment gets the answering contour and purposeful final melodic resolution; no compulsory softness, leave music to close the personal arc.\", \"releaseOrResponse\": \"Resolve the specified thought and hand space to accompaniment; not an arbitrary silence duration.\"}]}, {\"phraseId\": \"p56\", \"text\": \"Ґо́у П’ю́р — мі́й кре́м.\", \"attackAnchor\": \"Ґоу П’юр\", \"releaseAnchor\": \"крем\", \"sourceActionIds\": [\"a38\"], \"sourceWordAnchor\": \"The cream is called Seora\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Distinct voiced GOH PYUR sung name after the personal cadence, then brief cream identification. Clear, casual new coda entrance.\", \"musicalReason\": \"brand / Distinct voiced GOH PYUR sung name after the personal cadence, then brief cream identification. Clear, casual new coda entrance.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p57\", \"text\": \"Зали́ш ім'я́ й но́мер у фо́рмі.\", \"attackAnchor\": \"ім'я й номер\", \"releaseAnchor\": \"формі\", \"sourceActionIds\": [\"a39\"], \"sourceWordAnchor\": \"The link's below If you need it\", \"lexicalDecision\": \"Rewritten from: Ім'я й номер у формі внизу залиш.\", \"vowelAndReleaseIntent\": \"Keep the actual form instruction complete in one measured sung clause; do not rush a long end-of-song checklist.\", \"musicalReason\": \"order / Keep the actual form instruction complete in one measured sung clause; do not rush a long end-of-song checklist.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p58\", \"text\": \"О́гляд на по́шті. Опла́та — пі́сля о́гляду.\", \"attackAnchor\": \"після огляду\", \"releaseAnchor\": \"огляду\", \"sourceActionIds\": [\"a39\"], \"sourceWordAnchor\": \"The link's below If you need it\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Inspection then payment remain explicitly ordered, two released noun clauses, supported by spare accompaniment.\", \"musicalReason\": \"payment-condition / Inspection then payment remain explicitly ordered, two released noun clauses, supported by spare accompaniment.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p59\", \"text\": \"Шістдеся́т дні́в на пове́рнення.\", \"attackAnchor\": \"Шістдесят\", \"releaseAnchor\": \"повернення\", \"sourceActionIds\": [\"a39\"], \"sourceWordAnchor\": \"The link's below If you need it\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Keep the exact sixty-day return condition clear, then an instrumental breath before the final invitation.\", \"musicalReason\": \"return-condition / Keep the exact sixty-day return condition clear, then an instrumental breath before the final invitation.\", \"deliveryMode\": \"speech-shaped-sung\", \"holds\": []}, {\"phraseId\": \"p60\", \"text\": \"Якщо́ тобі́ потрі́бно — посила́ння внизу́.\", \"attackAnchor\": \"Якщо тобі потрібно\", \"releaseAnchor\": \"внизу\", \"sourceActionIds\": [\"a39\"], \"sourceWordAnchor\": \"The link's below If you need it\", \"lexicalDecision\": \"Preserve these working words; change their attacked/released performance where the source calls for it.\", \"vowelAndReleaseIntent\": \"Personal optional referral is the last sung thought. Intentional melody resolves the song; audible instrumental decay completes it without a rigid silence rule.\", \"musicalReason\": \"optional-coda / Personal optional referral is the last sung thought. Intentional melody resolves the song; audible instrumental decay completes it without a rigid silence rule.\", \"deliveryMode\": \"selective-hold\", \"holds\": [{\"word\": \"потрібно\", \"purpose\": \"Personal optional referral is the last sung thought. Intentional melody resolves the song; audible instrumental decay completes it without a rigid silence rule.\", \"releaseOrResponse\": \"Resolve the specified thought and hand space to accompaniment; not an arbitrary silence duration.\"}]}], \"intendedTransitions\": [{\"id\": \"tr1\", \"fromSection\": \"s1\", \"toSection\": \"s2\", \"afterPhraseId\": \"p09\", \"beforePhraseId\": \"p10\", \"voiceRelease\": \"Contrast self with her; shortened syntax retains both numerical ages of change, close ша then let the groove reset.\", \"musicalResponse\": \"Dry facts finish; bass/guitar sets the recurring cost cell.\", \"newEntry\": \"Sharp стрес then recurring short descending слід cadence; accompaniment answers the completed consequence.\", \"reasonNotSmoothed\": \"Dry facts finish; bass/guitar sets the recurring cost cell.\", \"sourceActionIds\": [\"a08\", \"a09\"]}, {\"id\": \"tr2\", \"fromSection\": \"s2\", \"toSection\": \"s3\", \"afterPhraseId\": \"p17\", \"beforePhraseId\": \"p18\", \"voiceRelease\": \"The number describes her look, not mandatory audio silence. Let the smile word be a short reveal.\", \"musicalResponse\": \"The superficial smile finishes; expose the delayed pity reveal with a changed band accent.\", \"newEntry\": \"Three sharply different sung gestures; expectation, rejection, exposed pity. Give the final noun a deliberate release and band reply.\", \"reasonNotSmoothed\": \"The superficial smile finishes; expose the delayed pity reveal with a changed band accent.\", \"sourceActionIds\": [\"a13\", \"a14\"]}, {\"id\": \"tr3\", \"fromSection\": \"s3\", \"toSection\": \"s4\", \"afterPhraseId\": \"p23\", \"beforePhraseId\": \"p24\", \"voiceRelease\": \"This image earns a selective melodic fall; complete the feeling and leave an instrumental hinge into the next scene.\", \"musicalResponse\": \"Inner light metaphor resolves; a perceptible rhythmic pickup starts the practical dance scene.\", \"newEntry\": \"Shorter completed забрала sits inside the clause; finish on consonantal танців, no stretching рала as the destination. Groove answer before the peer.\", \"reasonNotSmoothed\": \"Inner light metaphor resolves; a perceptible rhythmic pickup starts the practical dance scene.\", \"sourceActionIds\": [\"a19\", \"a20\"]}, {\"id\": \"tr4\", \"fromSection\": \"s4\", \"toSection\": \"s5\", \"afterPhraseId\": \"p30\", \"beforePhraseId\": \"p31\", \"voiceRelease\": \"Sung command hits with the band, its decay remains audible. Advice restarts after the interruption as a different action, not a crossfaded vocal line.\", \"musicalResponse\": \"Command/advice ends; accompaniment answers before the next-day handoff.\", \"newEntry\": \"Keep named donor, completed transfer and recipient; land банку then release, no loss of actor for shorter phrasing.\", \"reasonNotSmoothed\": \"Command/advice ends; accompaniment answers before the next-day handoff.\", \"sourceActionIds\": [\"a24\", \"a25\"]}, {\"id\": \"tr5\", \"fromSection\": \"s5\", \"toSection\": \"s6\", \"afterPhraseId\": \"p38\", \"beforePhraseId\": \"p39\", \"voiceRelease\": \"Paired negative sensations then positive personal experience; answer musically before the weeks jump, no universal tolerance guarantee.\", \"musicalResponse\": \"Comfort statement releases; music carries elapsed weeks before mirror surprise.\", \"newEntry\": \"Time jump and sudden stop separated; preserve mirror inspection without adding filler syllables to the lead-in.\", \"reasonNotSmoothed\": \"Comfort statement releases; music carries elapsed weeks before mirror surprise.\", \"sourceActionIds\": [\"a27\", \"a28\"]}, {\"id\": \"tr6\", \"fromSection\": \"s6\", \"toSection\": \"s7\", \"afterPhraseId\": \"p46\", \"beforePhraseId\": \"p47\", \"voiceRelease\": \"The practical payoff explicitly concerns the neck. A modest expressive contour can resolve here before the return scene.\", \"musicalResponse\": \"Exposed neck payoff lands; new instrumental entry signals the public return in June.\", \"newEntry\": \"New time stamp and public setting with separate attacks; a changed accompaniment entry marks the return.\", \"reasonNotSmoothed\": \"Exposed neck payoff lands; new instrumental entry signals the public return in June.\", \"sourceActionIds\": [\"a31\", \"a32\"]}, {\"id\": \"tr7\", \"fromSection\": \"s7\", \"toSection\": \"s8\", \"afterPhraseId\": \"p52\", \"beforePhraseId\": \"p53\", \"voiceRelease\": \"Short recognition hit then causal return to the car; retain the link, close авто without melismatic expansion.\", \"musicalResponse\": \"Recognition of the same woman resolves; accompaniment clears for sincere thanks and self-worth.\", \"newEntry\": \"Sincere thanks and internal agreement are two melodic gestures; the cadence starts settling rather than rushing to commerce.\", \"reasonNotSmoothed\": \"Recognition of the same woman resolves; accompaniment clears for sincere thanks and self-worth.\", \"sourceActionIds\": [\"a35\", \"a36\"]}, {\"id\": \"tr8\", \"fromSection\": \"s8\", \"toSection\": \"s9\", \"afterPhraseId\": \"p55\", \"beforePhraseId\": \"p56\", \"voiceRelease\": \"OWN judgment gets the answering contour and purposeful final melodic resolution; no compulsory softness, leave music to close the personal arc.\", \"musicalResponse\": \"Complete personal cadence and instrumental answer, then distinct casual sung brand referral.\", \"newEntry\": \"Distinct voiced GOH PYUR sung name after the personal cadence, then brief cream identification. Clear, casual new coda entrance.\", \"reasonNotSmoothed\": \"Complete personal cadence and instrumental answer, then distinct casual sung brand referral.\", \"sourceActionIds\": [\"a37\", \"a38\"]}], \"intendedMusicAnswers\": [{\"id\": \"breath1\", \"afterPhraseId\": \"p10\", \"beforePhraseId\": \"p11\", \"response\": \"Bass/guitar answers the first causal conclusion; next cause returns the same cell.\", \"reason\": \"Bass/guitar answers the first causal conclusion; next cause returns the same cell.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath2\", \"afterPhraseId\": \"p11\", \"beforePhraseId\": \"p12\", \"response\": \"Second answer, then increased caregiving cause; no repeated-line blur.\", \"reason\": \"Second answer, then increased caregiving cause; no repeated-line blur.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath3\", \"afterPhraseId\": \"p18\", \"beforePhraseId\": \"p19\", \"response\": \"Let revealed pity land over ensemble decay before the longer inner metaphor.\", \"reason\": \"Let revealed pity land over ensemble decay before the longer inner metaphor.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath4\", \"afterPhraseId\": \"p24\", \"beforePhraseId\": \"p25\", \"response\": \"Release танців and hear the groove before naming the peer.\", \"reason\": \"Release танців and hear the groove before naming the peer.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath5\", \"afterPhraseId\": \"p30\", \"beforePhraseId\": \"p31\", \"response\": \"Advice has changed action; instrumental response precedes the next-day jar transfer.\", \"reason\": \"Advice has changed action; instrumental response precedes the next-day jar transfer.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath6\", \"afterPhraseId\": \"p38\", \"beforePhraseId\": \"p39\", \"response\": \"Care experience ends; accompaniment marks the jump into weeks of waiting.\", \"reason\": \"Care experience ends; accompaniment marks the jump into weeks of waiting.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath7\", \"afterPhraseId\": \"p43\", \"beforePhraseId\": \"p44\", \"response\": \"Held six/disbelief resolves into a breath before the complete neck result.\", \"reason\": \"Held six/disbelief resolves into a breath before the complete neck result.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath8\", \"afterPhraseId\": \"p55\", \"beforePhraseId\": \"p56\", \"response\": \"Finish self-worth cadence and musical answer before changing to a product referral.\", \"reason\": \"Finish self-worth cadence and musical answer before changing to a product referral.\", \"timingIntent\": \"flexible-until-heard\"}, {\"id\": \"breath9\", \"afterPhraseId\": \"p59\", \"beforePhraseId\": \"p60\", \"response\": \"Return condition ends; music makes room for the final personal invitation.\", \"reason\": \"Return condition ends; music makes room for the final personal invitation.\", \"timingIntent\": \"flexible-until-heard\"}]}"
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