{
  "schema": "adfactory.song-articulation/v1",
  "adaptationId": "targ-improved-b614aa3b3e-v01",
  "sourceSha256": "1ad8be404d1599942b378b8d5fb5322351684fe74b08f1fcc29502d59cfd4ee6",
  "original": {
    "path": "/workspaces/UGS/AdFactorySongFormat/trees/ce99390b3b/.runtime/video-dna-originals/targ.mp4",
    "sha256": "1ad8be404d1599942b378b8d5fb5322351684fe74b08f1fcc29502d59cfd4ee6"
  },
  "previousSong": {
    "path": "/workspaces/UGS/AdFactorySongFormat/trees/ce99390b3b/runs/targ-refined-ce99390b3b-v01/song/accepted-v01/gopure-targ-uk-master.wav",
    "sha256": "aec6bcd423f6b65a66ccf53af1a2ea6377a7b150cd2142d64b819622947296ae"
  },
  "sourceComparisonRuns": [
    {
      "path": "/workspaces/UGS/AdFactorySongFormat/trees/ce99390b3b/runs/targ-articulation-ce99390b3b-v01/reviews/source-shapes-v01/evidence-v01.json",
      "sha256": "4cce98e67493bf750b913085e6349cf1edd2d520010250314bf68500c6dbfd80"
    }
  ],
  "sourceAssessment": {
    "status": "accepted-by-agent",
    "reviewer": "Codex composition/context adjudication with actual Gemini3.8 source/previous audio audit",
    "method": "Read all60 rewritten clauses against39 original actions, all6 causal chains,4 returns and current product facts; maintain complete selling sequence while deliberately shortening lexical endings. Full source auditory evidence retained; new source/previous full plus local word-shape audit adjudicated. Prospective written review only.",
    "evidence": [
      {
        "path": "/workspaces/UGS/AdFactorySongFormat/trees/ce99390b3b/runs/targ-articulation-ce99390b3b-v01/song/phrase-draft-v01.tsv",
        "sha256": "d60446e303f7c474d0106ea9d31f31c8b6e30e392d9f120914b682fe77d71830"
      },
      {
        "path": "/workspaces/UGS/AdFactorySongFormat/trees/ce99390b3b/runs/targ-articulation-ce99390b3b-v01/song/context-stress-decisions-v01.json",
        "sha256": "94047ca464e328dfe883b420adae12f6fbc6e99bdc1993924487ea65c0643e76"
      },
      {
        "path": "/workspaces/UGS/AdFactorySongFormat/trees/ce99390b3b/runs/targ-articulation-ce99390b3b-v01/reviews/source-shapes-v01/adjudication-v01.json",
        "sha256": "ac1f8c005751fe504f94af2a8d6d2c053cb3082386ce8809cf17718045902b8f"
      },
      {
        "path": "/workspaces/UGS/AdFactorySongFormat/trees/ce99390b3b/runs/targ-articulation-ce99390b3b-v01/owner-feedback-v01.json",
        "sha256": "7c87f9fd618951ec69a6daf3536f3afef81ae353aa5df7e84b4db9b4b13f627e"
      },
      {
        "path": "/workspaces/UGS/AdFactorySongFormat/trees/ce99390b3b/runs/targ-articulation-ce99390b3b-v01/reviews/articulation01-adjudication-v01.json",
        "sha256": "53368f181d0034ecdb05a870c6bd0e27d31b57e1d0669809e2a0a285639eef75"
      }
    ],
    "limitations": [
      "No new candidate exists yet; prospective decisions are not audible results.",
      "Model full-track access does not establish continuous human listening; exact local/time claims require adjudication."
    ],
    "unresolved": []
  },
  "preserveCausalSequence": true,
  "retimePreviousMaster": false,
  "phraseWork": [
    {
      "phraseId": "p01",
      "text": "Зустрі́ла в крамни́ці дружи́ну коли́шнього.",
      "attackAnchor": "Зустріла",
      "releaseAnchor": "колишнього",
      "sourceActionIds": [
        "a01"
      ],
      "sourceWordAnchor": "I ran into my ex husband's new wife at Target",
      "lexicalDecision": "Preserve these working words; change their attacked/released performance where the source calls for it.",
      "vowelAndReleaseIntent": "Sung encounter verb attacks immediately; name relationship clearly, close its last vowel without a decorative run.",
      "musicalReason": "collision / Sung encounter verb attacks immediately; name relationship clearly, close its last vowel without a decorative run.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p02",
      "text": "Ї́й — три́дцять чоти́ри.",
      "attackAnchor": "тридцять чотири",
      "releaseAnchor": "чотири",
      "sourceActionIds": [
        "a02"
      ],
      "sourceWordAnchor": "She was thirty four",
      "lexicalDecision": "Preserve these working words; change their attacked/released performance where the source calls for it.",
      "vowelAndReleaseIntent": "Separate age fact: accented number, short final ри and room for the chord to answer.",
      "musicalReason": "fact / Separate age fact: accented number, short final ри and room for the chord to answer.",
      "deliveryMode": "clipped-sung",
      "holds": []
    },
    {
      "phraseId": "p03",
      "text": "У по́гляді — жа́лість.",
      "attackAnchor": "жалість",
      "releaseAnchor": "жалість",
      "sourceActionIds": [
        "a03"
      ],
      "sourceWordAnchor": "She looked at me like she felt sorry for me",
      "lexicalDecision": "Short noun-based pity reading removes the unresolved мене stress trap without changing the wife gaze function.",
      "vowelAndReleaseIntent": "Short noun-based pity reading removes the unresolved мене stress trap without changing the wife gaze function.",
      "musicalReason": "Short noun-based pity reading removes the unresolved мене stress trap without changing the wife gaze function.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p04",
      "text": "Бу́в бе́резень.",
      "attackAnchor": "березень",
      "releaseAnchor": "березень",
      "sourceActionIds": [
        "a04"
      ],
      "sourceWordAnchor": "That was in March",
      "lexicalDecision": "Preserve these working words; change their attacked/released performance where the source calls for it.",
      "vowelAndReleaseIntent": "Dry time stamp on a small pitched gesture; consonant ending closes the aside.",
      "musicalReason": "time / Dry time stamp on a small pitched gesture; consonant ending closes the aside.",
      "deliveryMode": "clipped-sung",
      "holds": []
    },
    {
      "phraseId": "p05",
      "text": "Ми́ з Андрі́єм — шістна́дцять ро́ків у шлю́бі.",
      "attackAnchor": "шістнадцять",
      "releaseAnchor": "шлюбі",
      "sourceActionIds": [
        "a05"
      ],
      "sourceWordAnchor": "Mark and I were married sixteen years",
      "lexicalDecision": "Preserve these working words; change their attacked/released performance where the source calls for it.",
      "vowelAndReleaseIntent": "Keep the essential duration and named husband; release бі before the betrayal arrives, not a joined narrative run.",
      "musicalReason": "duration / Keep the essential duration and named husband; release бі before the betrayal arrives, not a joined narrative run.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p06",
      "text": "Ві́н пішо́в до коле́ги.",
      "attackAnchor": "пішов",
      "releaseAnchor": "колеги",
      "sourceActionIds": [
        "a06"
      ],
      "sourceWordAnchor": "Then he left for someone from his office Cliché,",
      "lexicalDecision": "Preserve these working words; change their attacked/released performance where the source calls for it.",
      "vowelAndReleaseIntent": "Direct action: punch пішов, release the destination lightly.",
      "musicalReason": "fact / Direct action: punch пішов, release the destination lightly.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p07",
      "text": "Бана́льно. Зна́ю.",
      "attackAnchor": "Банально",
      "releaseAnchor": "Знаю",
      "sourceActionIds": [
        "a06",
        "a07"
      ],
      "sourceWordAnchor": "Then he left for someone from his office Cliché,",
      "lexicalDecision": "Rewritten from: Банально, я знаю.",
      "vowelAndReleaseIntent": "Two dry sung asides with an audible pitch change, not a long apologetic line.",
      "musicalReason": "aside / Two dry sung asides with an audible pitch change, not a long apologetic line.",
      "deliveryMode": "clipped-sung",
      "holds": []
    },
    {
      "phraseId": "p08",
      "text": "Га́рна без зуси́ль. Ще́ ча́с не торкну́вся.",
      "attackAnchor": "без зусиль",
      "releaseAnchor": "торкнувся",
      "sourceActionIds": [
        "a07"
      ],
      "sourceWordAnchor": "I know She's the kind of pretty that doesn't have to try yet Because time hadn't shown up yet",
      "lexicalDecision": "Rewritten from: Вона гарна без зусиль — ще час не торкнувся.",
      "vowelAndReleaseIntent": "First clipped assessment closes on ль; the time aside follows separately and ends without a melisma.",
      "musicalReason": "observation / First clipped assessment closes on ль; the time aside follows separately and ends without a melisma.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p09",
      "text": "А я́ за пі́в ро́ку — на п'я́ть лі́т ста́рша.",
      "attackAnchor": "А я",
      "releaseAnchor": "старша",
      "sourceActionIds": [
        "a08"
      ],
      "sourceWordAnchor": "By March I wasn't fine I looked like I had aged five years in six months Stress will do that Crying every night",
      "lexicalDecision": "Rewritten from: А я за пів року немов на п'ять літ постаріла.",
      "vowelAndReleaseIntent": "Contrast self with her; shortened syntax retains both numerical ages of change, close ша then let the groove reset.",
      "musicalReason": "contrast / Contrast self with her; shortened syntax retains both numerical ages of change, close ша then let the groove reset.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p10",
      "text": "Стре́с лиша́є слі́д.",
      "attackAnchor": "Стрес",
      "releaseAnchor": "слід",
      "sourceActionIds": [
        "a09"
      ],
      "sourceWordAnchor": "five years in six months Stress will do that Crying every night will do that Holding your kids together will do that",
      "lexicalDecision": "Preserve these working words; change their attacked/released performance where the source calls for it.",
      "vowelAndReleaseIntent": "Sharp стрес then recurring short descending слід cadence; accompaniment answers the completed consequence.",
      "musicalReason": "cell-one / Sharp стрес then recurring short descending слід cadence; accompaniment answers the completed consequence.",
      "deliveryMode": "clipped-sung",
      "holds": []
    },
    {
      "phraseId": "p11",
      "text": "Нічні́ сльо́зи лиша́ють слі́д.",
      "attackAnchor": "Нічні сльози",
      "releaseAnchor": "слід",
      "sourceActionIds": [
        "a09"
      ],
      "sourceWordAnchor": "five years in six months Stress will do that Crying every night will do that Holding your kids together will do that",
      "lexicalDecision": "Preserve these working words; change their attacked/released performance where the source calls for it.",
      "vowelAndReleaseIntent": "Keep the same recognizable consequence cell, vary the longer cause without stretching слід to fill a bar.",
      "musicalReason": "cell-two / Keep the same recognizable consequence cell, vary the longer cause without stretching слід to fill a bar.",
      "deliveryMode": "clipped-sung",
      "holds": []
    },
    {
      "phraseId": "p12",
      "text": "Ді́тям бу́ти опо́рою — те́ж лиша́є слі́д.",
      "attackAnchor": "опорою",
      "releaseAnchor": "слід",
      "sourceActionIds": [
        "a09"
      ],
      "sourceWordAnchor": "five years in six months Stress will do that Crying every night will do that Holding your kids together will do that",
      "lexicalDecision": "Rewritten from: Коли дітям ти опора — це теж лишає слід.",
      "vowelAndReleaseIntent": "Support for children stays explicit; the third return enlarges the cause, then ends firmly on the same слід.",
      "musicalReason": "cell-three / Support for children stays explicit; the third return enlarges the cause, then ends firmly on the same слід.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p13",
      "text": "Субо́та. Лоси́ни. Пучо́к. Без косме́тики.",
      "attackAnchor": "Без косметики",
      "releaseAnchor": "косметики",
      "sourceActionIds": [
        "a10"
      ],
      "sourceWordAnchor": "I was at Target that Saturday Leggings, no makeup, hair in a bun Staring at another cream",
      "lexicalDecision": "Rewritten from: У суботу: крамниця, лосини, пучок. Без косметики.",
      "vowelAndReleaseIntent": "Discrete wardrobe and vulnerability details, three small pitched attacks rather than a uniform legato chain.",
      "musicalReason": "scene / Discrete wardrobe and vulnerability details, three small pitched attacks rather than a uniform legato chain.",
      "deliveryMode": "clipped-sung",
      "holds": []
    },
    {
      "phraseId": "p14",
      "text": "Зно́в кре́м. Сті́льки про́б — усе́ ма́рно.",
      "attackAnchor": "марно",
      "releaseAnchor": "марно",
      "sourceActionIds": [
        "a11"
      ],
      "sourceWordAnchor": "no makeup, hair in a bun Staring at another cream that wouldn't work I had already tried every single one",
      "lexicalDecision": "Rewritten from: Знов дивлюсь на крем. Стільки проб — і все марно.",
      "vowelAndReleaseIntent": "New cream attempt then exhausted verdict; keep the final но short and let accompaniment expose frustration.",
      "musicalReason": "failed-search / New cream attempt then exhausted verdict; keep the final но short and let accompaniment expose frustration.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p15",
      "text": "З-за ря́ду — її́ го́лос. Впізна́ла.",
      "attackAnchor": "її голос",
      "releaseAnchor": "Впізнала",
      "sourceActionIds": [
        "a12"
      ],
      "sourceWordAnchor": "Then I heard her voice one aisle over Knew it was her before she came around She saw me",
      "lexicalDecision": "Rewritten from: Із сусіднього ряду її голос впізнала.",
      "vowelAndReleaseIntent": "Voice recognition comes before her appearance; separate the heard noun from the completed recognition verb.",
      "musicalReason": "recognition / Voice recognition comes before her appearance; separate the heard noun from the completed recognition verb.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p16",
      "text": "Вона́ ви́йшла. По́гляд ковзну́в по ши́ї.",
      "attackAnchor": "по шиї",
      "releaseAnchor": "шиї",
      "sourceActionIds": [
        "a13"
      ],
      "sourceWordAnchor": "it was her before she came around She saw me And I watched her face do the thing Forehead, cheeks, jaw Two second scan, that sting",
      "lexicalDecision": "Preserve these working words; change their attacked/released performance where the source calls for it.",
      "vowelAndReleaseIntent": "Two agent-bound actions; short вийшла release, then directional scan with a firm lexical accent шиї.",
      "musicalReason": "scan / Two agent-bound actions; short вийшла release, then directional scan with a firm lexical accent шиї.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p17",
      "text": "Дві́ секу́нди. Усмі́шка.",
      "attackAnchor": "Усмішка",
      "releaseAnchor": "Усмішка",
      "sourceActionIds": [
        "a13"
      ],
      "sourceWordAnchor": "it was her before she came around She saw me And I watched her face do the thing Forehead, cheeks, jaw Two second scan, that sting",
      "lexicalDecision": "Rewritten from: Дві секунди — і усмішка.",
      "vowelAndReleaseIntent": "The number describes her look, not mandatory audio silence. Let the smile word be a short reveal.",
      "musicalReason": "scan-result / The number describes her look, not mandatory audio silence. Let the smile word be a short reveal.",
      "deliveryMode": "clipped-sung",
      "holds": []
    },
    {
      "phraseId": "p18",
      "text": "Не злі́сть. Ні́, ще́ гі́рше. Жа́лість.",
      "attackAnchor": "Жалість",
      "releaseAnchor": "Жалість",
      "sourceActionIds": [
        "a14"
      ],
      "sourceWordAnchor": "Then she smiled And it wasn't mean, it was worse Sympathetic Like she was looking",
      "lexicalDecision": "Preserve these working words; change their attacked/released performance where the source calls for it.",
      "vowelAndReleaseIntent": "Three sharply different sung gestures; expectation, rejection, exposed pity. Give the final noun a deliberate release and band reply.",
      "musicalReason": "gaze-first / Three sharply different sung gestures; expectation, rejection, exposed pity. Give the final noun a deliberate release and band reply.",
      "deliveryMode": "clipped-sung",
      "holds": []
    },
    {
      "phraseId": "p19",
      "text": "На́че я́ — коли́шня ве́рсія тіє́ї, яку́ ві́н люби́в пе́ршою.",
      "attackAnchor": "колишня версія",
      "releaseAnchor": "першою",
      "sourceActionIds": [
        "a15"
      ],
      "sourceWordAnchor": "at the before version of the woman her husband loved first",
      "lexicalDecision": "Rewritten from: Наче я — колишня версія жінки, яку він любив першою.",
      "vowelAndReleaseIntent": "Keep the difficult inner comparison complete. One purposeful longer melodic thought earns its space after the clipped reveal.",
      "musicalReason": "identity-wound / Keep the difficult inner comparison complete. One purposeful longer melodic thought earns its space after the clipped reveal.",
      "deliveryMode": "selective-hold",
      "holds": [
        {
          "word": "першою",
          "purpose": "Keep the difficult inner comparison complete. One purposeful longer melodic thought earns its space after the clipped reveal.",
          "releaseOrResponse": "Resolve the specified thought and hand space to accompaniment; not an arbitrary silence duration."
        }
      ]
    },
    {
      "phraseId": "p20",
      "text": "Дійшла́ до авто́. П'ятна́дцять хвили́н сиджу́.",
      "attackAnchor": "П'ятнадцять хвилин",
      "releaseAnchor": "сиджу",
      "sourceActionIds": [
        "a16"
      ],
      "sourceWordAnchor": "I walked to my car and sat there for fifteen",
      "lexicalDecision": "Rewritten from: До авто дійшла. П'ятнадцять хвилин сиділа.",
      "vowelAndReleaseIntent": "Completed walk, then vivid present sitting. Release авто before the duration; do not turn сиджу into an ornamental climax.",
      "musicalReason": "consequence / Completed walk, then vivid present sitting. Release авто before the duration; do not turn сиджу into an ornamental climax.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p21",
      "text": "Злі́сть не на не́ї. На себе́ в дзе́ркалі.",
      "attackAnchor": "не на неї",
      "releaseAnchor": "дзеркалі",
      "sourceActionIds": [
        "a17"
      ],
      "sourceWordAnchor": "I wasn't angry at her I was angry at what",
      "lexicalDecision": "Rewritten from: Не на неї злилась — на те, що в дзеркалі бачила.",
      "vowelAndReleaseIntent": "Two contrasted targets of anger; no accelerating through the period.",
      "musicalReason": "anger-turn / Two contrasted targets of anger; no accelerating through the period.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p22",
      "text": "На ши́ї — су́хість, сму́ги та зало́ми.",
      "attackAnchor": "На шиї",
      "releaseAnchor": "заломи",
      "sourceActionIds": [
        "a18"
      ],
      "sourceWordAnchor": "I'd seen Melasma on my cheeks Patches on my forehead and lip Like the light had",
      "lexicalDecision": "Preserve these working words; change their attacked/released performance where the source calls for it.",
      "vowelAndReleaseIntent": "Concrete defined neck problem, three separately articulated nouns; preserve all symptoms.",
      "musicalReason": "problem / Concrete defined neck problem, three separately articulated nouns; preserve all symptoms.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p23",
      "text": "Ні́би сві́тло всере́дині зга́сло.",
      "attackAnchor": "згасло",
      "releaseAnchor": "згасло",
      "sourceActionIds": [
        "a19"
      ],
      "sourceWordAnchor": "and lip Like the light had gone out from inside",
      "lexicalDecision": "Rewritten from: Ніби світло моє погасло всередині.",
      "vowelAndReleaseIntent": "This image earns a selective melodic fall; complete the feeling and leave an instrumental hinge into the next scene.",
      "musicalReason": "inner-image / This image earns a selective melodic fall; complete the feeling and leave an instrumental hinge into the next scene.",
      "deliveryMode": "selective-hold",
      "holds": [
        {
          "word": "згасло",
          "purpose": "This image earns a selective melodic fall; complete the feeling and leave an instrumental hinge into the next scene.",
          "releaseOrResponse": "Resolve the specified thought and hand space to accompaniment; not an arbitrary silence duration."
        }
      ]
    },
    {
      "phraseId": "p24",
      "text": "Того́ ти́жня забра́ла до́ньку з та́нців.",
      "attackAnchor": "забрала",
      "releaseAnchor": "танців",
      "sourceActionIds": [
        "a20"
      ],
      "sourceWordAnchor": "That week at my daughter's dance pickup There's this Korean woman I'd see every day",
      "lexicalDecision": "Rewritten from: Того тижня з танців доньку забирала.",
      "vowelAndReleaseIntent": "Shorter completed забрала sits inside the clause; finish on consonantal танців, no stretching рала as the destination. Groove answer before the peer.",
      "musicalReason": "new-scene / Shorter completed забрала sits inside the clause; finish on consonantal танців, no stretching рала as the destination. Groove answer before the peer.",
      "deliveryMode": "clipped-sung",
      "holds": []
    },
    {
      "phraseId": "p25",
      "text": "Лари́са. Ми́ ба́чились та́м щодня́.",
      "attackAnchor": "Лариса",
      "releaseAnchor": "щодня",
      "sourceActionIds": [
        "a20"
      ],
      "sourceWordAnchor": "That week at my daughter's dance pickup There's this Korean woman I'd see every day",
      "lexicalDecision": "Rewritten from: Ларису там щодня зустрічала.",
      "vowelAndReleaseIntent": "Name first, then recurring relationship as a second small gesture; avoid the previous rhyming забирала/зустрічала tails.",
      "musicalReason": "familiar-person / Name first, then recurring relationship as a second small gesture; avoid the previous rhyming забирала/зустрічала tails.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p26",
      "text": "Ї́й п'ятдеся́т п'я́ть. А ши́я — гладе́нька.",
      "attackAnchor": "А шия",
      "releaseAnchor": "гладенька",
      "sourceActionIds": [
        "a21"
      ],
      "sourceWordAnchor": "Mid fifties with flawless skin I had to say What do you use, your skin is a dream",
      "lexicalDecision": "Preserve these working words; change their attacked/released performance where the source calls for it.",
      "vowelAndReleaseIntent": "Separate age fact and visible contrast; preserve full age and resolved neck, short final ка.",
      "musicalReason": "credible-contrast / Separate age fact and visible contrast; preserve full age and resolved neck, short final ка.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p27",
      "text": "Пита́ю: «Що за до́гляд?»",
      "attackAnchor": "Що за догляд",
      "releaseAnchor": "догляд",
      "sourceActionIds": [
        "a21"
      ],
      "sourceWordAnchor": "Mid fifties with flawless skin I had to say What do you use, your skin is a dream",
      "lexicalDecision": "Rewritten from: Питаю: «Чим ти користуєшся?»",
      "vowelAndReleaseIntent": "Short direct sung inquiry opens a playful rising contour and stops on д; not a monotone spoken question.",
      "musicalReason": "question / Short direct sung inquiry opens a playful rising contour and stops on д; not a monotone spoken question.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p28",
      "text": "Засмія́лась. Гля́нула на ши́ю: «А ти́ що нано́сиш?»",
      "attackAnchor": "А ти",
      "releaseAnchor": "наносиш",
      "sourceActionIds": [
        "a22"
      ],
      "sourceWordAnchor": "She laughed then looked at my face Said honey, what are you using I told her Tri-Luma,",
      "lexicalDecision": "Rewritten from: Вона засміялась, на шию глянула: «А ти що наносиш?»",
      "vowelAndReleaseIntent": "Three changing gestures: light laugh lift, lower inspecting aside, elastic pitched counter-question. Selective melody is the point here; release шиш cleanly.",
      "musicalReason": "counter-question / Three changing gestures: light laugh lift, lower inspecting aside, elastic pitched counter-question. Selective melody is the point here; release шиш cleanly.",
      "deliveryMode": "selective-hold",
      "holds": [
        {
          "word": "А ти",
          "purpose": "Three changing gestures: light laugh lift, lower inspecting aside, elastic pitched counter-question. Selective melody is the point here; release шиш cleanly.",
          "releaseOrResponse": "Resolve the specified thought and hand space to accompaniment; not an arbitrary silence duration."
        }
      ]
    },
    {
      "phraseId": "p29",
      "text": "«Кисло́ти. Сиро́ватки. Кре́ми. Все́ міня́ю».",
      "attackAnchor": "Все міняю",
      "releaseAnchor": "міняю",
      "sourceActionIds": [
        "a23"
      ],
      "sourceWordAnchor": "what are you using I told her Tri-Luma, vitamin C, retinol, all the rest She said stop,",
      "lexicalDecision": "Rewritten from: «Кислоти, сироватки, креми — усе міняю».",
      "vowelAndReleaseIntent": "Local percussive catalogue only; each item is distinct, changing everything is audible, no continuous rap outside this contrast.",
      "musicalReason": "confession / Local percussive catalogue only; each item is distinct, changing everything is audible, no continuous rap outside this contrast.",
      "deliveryMode": "clipped-sung",
      "holds": []
    },
    {
      "phraseId": "p30",
      "text": "«Сті́й. Не все́ підря́д. Догляда́й щодня́».",
      "attackAnchor": "Стій",
      "releaseAnchor": "щодня",
      "sourceActionIds": [
        "a24"
      ],
      "sourceWordAnchor": "vitamin C, retinol, all the rest She said stop, all of that is making it worse",
      "lexicalDecision": "Preserve these working words; change their attacked/released performance where the source calls for it.",
      "vowelAndReleaseIntent": "Sung command hits with the band, its decay remains audible. Advice restarts after the interruption as a different action, not a crossfaded vocal line.",
      "musicalReason": "advice-pivot / Sung command hits with the band, its decay remains audible. Advice restarts after the interruption as a different action, not a crossfaded vocal line.",
      "deliveryMode": "clipped-sung",
      "holds": []
    },
    {
      "phraseId": "p31",
      "text": "Насту́пного дня́ Лари́са дала́ мені́ ба́нку.",
      "attackAnchor": "Лариса дала мені",
      "releaseAnchor": "банку",
      "sourceActionIds": [
        "a25"
      ],
      "sourceWordAnchor": "Next day she put a pink tube in my hand Korean writing, something I'd never tried Use this every night",
      "lexicalDecision": "Preserve these working words; change their attacked/released performance where the source calls for it.",
      "vowelAndReleaseIntent": "Keep named donor, completed transfer and recipient; land банку then release, no loss of actor for shorter phrasing.",
      "musicalReason": "handoff / Keep named donor, completed transfer and recipient; land банку then release, no loss of actor for shorter phrasing.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p32",
      "text": "Фіоле́тову. Про це́й кре́м ще́ не чу́ла.",
      "attackAnchor": "ще не чула",
      "releaseAnchor": "чула",
      "sourceActionIds": [
        "a25"
      ],
      "sourceWordAnchor": "Next day she put a pink tube in my hand Korean writing, something I'd never tried Use this every night",
      "lexicalDecision": "Preserve these working words; change their attacked/released performance where the source calls for it.",
      "vowelAndReleaseIntent": "Color fact and unfamiliarity aside are separate sung gestures. Keep supported packaging and product discovery.",
      "musicalReason": "unfamiliar-object / Color fact and unfamiliarity aside are separate sung gestures. Keep supported packaging and product discovery.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p33",
      "text": "«На чи́сту ши́ю — то́нко, вго́ру. Щове́чора.",
      "attackAnchor": "тонко, вгору",
      "releaseAnchor": "Щовечора",
      "sourceActionIds": [
        "a26"
      ],
      "sourceWordAnchor": "something I'd never tried Use this every night Throw the rest aside",
      "lexicalDecision": "Preserve these working words; change their attacked/released performance where the source calls for it.",
      "vowelAndReleaseIntent": "Action instructions in short comprehensible pulses, then distinct daily schedule. No compressed checklist over a crowded band.",
      "musicalReason": "ritual / Action instructions in short comprehensible pulses, then distinct daily schedule. No compressed checklist over a crowded band.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p34",
      "text": "Не міня́й кре́м.",
      "attackAnchor": "Не міняй",
      "releaseAnchor": "крем",
      "sourceActionIds": [
        "a26"
      ],
      "sourceWordAnchor": "something I'd never tried Use this every night Throw the rest aside",
      "lexicalDecision": "Keep direct advice to stop changing products; final cream noun separates imperative й from the following thought instead of ambiguous міняй усе coarticulation.",
      "vowelAndReleaseIntent": "Keep direct advice to stop changing products; final cream noun separates imperative й from the following thought instead of ambiguous міняй усе coarticulation.",
      "musicalReason": "Keep direct advice to stop changing products; final cream noun separates imperative й from the following thought instead of ambiguous міняй усе coarticulation.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p35",
      "text": "Купуасу́. Гіалуро́н. Жи́влення і воло́га.",
      "attackAnchor": "Купуасу",
      "releaseAnchor": "волога",
      "sourceActionIds": [
        "a26"
      ],
      "sourceWordAnchor": "something I'd never tried Use this every night Throw the rest aside",
      "lexicalDecision": "Complete ingredient names enter separately with short instrumental replies; general nourishment/moisture nouns follow. Do not squeeze this block into the old take clock.",
      "vowelAndReleaseIntent": "Complete ingredient names enter separately with short instrumental replies; general nourishment/moisture nouns follow. Do not squeeze this block into the old take clock.",
      "musicalReason": "Complete ingredient names enter separately with short instrumental replies; general nourishment/moisture nouns follow. Do not squeeze this block into the old take clock.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p36",
      "text": "Оли́вні ліпі́ди. Кофеї́н. Мі́й до́гляд.",
      "attackAnchor": "Оливні ліпіди",
      "releaseAnchor": "догляд",
      "sourceActionIds": [
        "a26"
      ],
      "sourceWordAnchor": "something I'd never tried Use this every night Throw the rest aside",
      "lexicalDecision": "Rewritten from: Оливні ліпіди й кофеїн — у моєму догляді.",
      "vowelAndReleaseIntent": "Three compact sung units replace the long continuous list ending; claim is care only, close догляд firmly.",
      "musicalReason": "ingredient-list / Three compact sung units replace the long continuous list ending; claim is care only, close догляд firmly.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p37",
      "text": "Кри́шку зняла́. Кре́м на па́лець. По ши́ї — вго́ру.",
      "attackAnchor": "По шиї",
      "releaseAnchor": "вгору",
      "sourceActionIds": [
        "a27"
      ],
      "sourceWordAnchor": "I squeezed some out and it felt right No peeling, no sting",
      "lexicalDecision": "Rewritten from: Кришку відкрила. На пальці — крем, по шиї вгору.",
      "vowelAndReleaseIntent": "Three concrete enacted actions with short releases; the last direction has an intentional upward contour, not an extra lyric run.",
      "musicalReason": "application / Three concrete enacted actions with short releases; the last direction has an intentional upward contour, not an extra lyric run.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p38",
      "text": "Без печі́ння. Без лу́щення. Комфо́ртно.",
      "attackAnchor": "Комфортно",
      "releaseAnchor": "Комфортно",
      "sourceActionIds": [
        "a27"
      ],
      "sourceWordAnchor": "I squeezed some out and it felt right No peeling, no sting",
      "lexicalDecision": "Preserve these working words; change their attacked/released performance where the source calls for it.",
      "vowelAndReleaseIntent": "Paired negative sensations then positive personal experience; answer musically before the weeks jump, no universal tolerance guarantee.",
      "musicalReason": "felt-result / Paired negative sensations then positive personal experience; answer musically before the weeks jump, no universal tolerance guarantee.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p39",
      "text": "Три́ ти́жні. Спини́лась бі́ля дзе́ркала.",
      "attackAnchor": "Три тижні",
      "releaseAnchor": "дзеркала",
      "sourceActionIds": [
        "a28"
      ],
      "sourceWordAnchor": "Three weeks later I looked in the mirror and stopped The patches on my cheeks were lighter",
      "lexicalDecision": "Rewritten from: За три тижні спинилась біля дзеркала.",
      "vowelAndReleaseIntent": "Time jump and sudden stop separated; preserve mirror inspection without adding filler syllables to the lead-in.",
      "musicalReason": "partial-surprise / Time jump and sudden stop separated; preserve mirror inspection without adding filler syllables to the lead-in.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p40",
      "text": "Сму́ги вже́ ме́нш помі́тні.",
      "attackAnchor": "менш помітні",
      "releaseAnchor": "помітні",
      "sourceActionIds": [
        "a28"
      ],
      "sourceWordAnchor": "Three weeks later I looked in the mirror and stopped The patches on my cheeks were lighter",
      "lexicalDecision": "Preserve these working words; change their attacked/released performance where the source calls for it.",
      "vowelAndReleaseIntent": "Partial result stays partial, one clear descending phrase rather than a premature complete-resolution climax.",
      "musicalReason": "partial-result / Partial result stays partial, one clear descending phrase rather than a premature complete-resolution climax.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p41",
      "text": "До́нька: «Ма́мо, ти́ іна́кша.",
      "attackAnchor": "Мамо",
      "releaseAnchor": "інакша",
      "sourceActionIds": [
        "a29"
      ],
      "sourceWordAnchor": "My daughter came home and said Mom you look different, good different, brighter",
      "lexicalDecision": "Rewritten from: Донька каже: «Мамо, ти інакша.",
      "vowelAndReleaseIntent": "Daughter addresses mother directly, short tender melodic surprise, not narration over her dialogue.",
      "musicalReason": "child-observation / Daughter addresses mother directly, short tender melodic surprise, not narration over her dialogue.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p42",
      "text": "Га́рно іна́кша. На́че світлі́ша».",
      "attackAnchor": "Гарно інакша",
      "releaseAnchor": "світліша",
      "sourceActionIds": [
        "a29"
      ],
      "sourceWordAnchor": "My daughter came home and said Mom you look different, good different, brighter",
      "lexicalDecision": "Preserve these working words; change their attacked/released performance where the source calls for it.",
      "vowelAndReleaseIntent": "Keep the corrective good-different turn and selective pitched brightness; do not flatten every word into staccato.",
      "musicalReason": "child-clarification / Keep the corrective good-different turn and selective pitched brightness; do not flatten every word into staccato.",
      "deliveryMode": "selective-hold",
      "holds": [
        {
          "word": "інакша",
          "purpose": "Keep the corrective good-different turn and selective pitched brightness; do not flatten every word into staccato.",
          "releaseOrResponse": "Resolve the specified thought and hand space to accompaniment; not an arbitrary silence duration."
        }
      ]
    },
    {
      "phraseId": "p43",
      "text": "А за ші́сть — не пові́рила!",
      "attackAnchor": "шість",
      "releaseAnchor": "повірила",
      "sourceActionIds": [
        "a30"
      ],
      "sourceWordAnchor": "By week six I was in shock The melasma was almost gone",
      "lexicalDecision": "Preserve these working words; change their attacked/released performance where the source calls for it.",
      "vowelAndReleaseIntent": "Meaningful hold on stressed шість earns expectancy, release into disbelief then breathe; held vowel is not empty silence.",
      "musicalReason": "wait-and-reveal / Meaningful hold on stressed шість earns expectancy, release into disbelief then breathe; held vowel is not empty silence.",
      "deliveryMode": "selective-hold",
      "holds": [
        {
          "word": "шість",
          "purpose": "Meaningful hold on stressed шість earns expectancy, release into disbelief then breathe; held vowel is not empty silence.",
          "releaseOrResponse": "Resolve the specified thought and hand space to accompaniment; not an arbitrary silence duration."
        }
      ]
    },
    {
      "phraseId": "p44",
      "text": "Ши́я гладе́нька. Ні́ сму́г, ні́ зало́мів.",
      "attackAnchor": "Ні смуг",
      "releaseAnchor": "заломів",
      "sourceActionIds": [
        "a30"
      ],
      "sourceWordAnchor": "By week six I was in shock The melasma was almost gone",
      "lexicalDecision": "Preserve these working words; change their attacked/released performance where the source calls for it.",
      "vowelAndReleaseIntent": "Complete defined cosmetic resolution in this fictional story, with two distinct clear clauses. Do not trade words for a high note.",
      "musicalReason": "complete-result / Complete defined cosmetic resolution in this fictional story, with two distinct clear clauses. Do not trade words for a high note.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p45",
      "text": "Де́сять ро́ків тако́ї рі́вної шкі́ри не було́.",
      "attackAnchor": "Десять років",
      "releaseAnchor": "було",
      "sourceActionIds": [
        "a31"
      ],
      "sourceWordAnchor": "My skin more even than it had in a decade No foundation on",
      "lexicalDecision": "Rewritten from: Десять років шкіра такою рівною не була.",
      "vowelAndReleaseIntent": "Retain ten-year comparison; reorder so було can close briefly instead of a long feminine ending была-like drift.",
      "musicalReason": "comparison / Retain ten-year comparison; reorder so було can close briefly instead of a long feminine ending была-like drift.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p46",
      "text": "Я́ ви́йшла з відкри́тою ши́єю.",
      "attackAnchor": "відкритою шиєю",
      "releaseAnchor": "шиєю",
      "sourceActionIds": [
        "a31"
      ],
      "sourceWordAnchor": "My skin more even than it had in a decade No foundation on",
      "lexicalDecision": "Preserve these working words; change their attacked/released performance where the source calls for it.",
      "vowelAndReleaseIntent": "The practical payoff explicitly concerns the neck. A modest expressive contour can resolve here before the return scene.",
      "musicalReason": "neck-payoff / The practical payoff explicitly concerns the neck. A modest expressive contour can resolve here before the return scene.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p47",
      "text": "Че́рвень. Конце́рт до́ньчиного кла́су.",
      "attackAnchor": "Червень",
      "releaseAnchor": "класу",
      "sourceActionIds": [
        "a32"
      ],
      "sourceWordAnchor": "Then June happened Piano recital for my daughter's class",
      "lexicalDecision": "Preserve these working words; change their attacked/released performance where the source calls for it.",
      "vowelAndReleaseIntent": "New time stamp and public setting with separate attacks; a changed accompaniment entry marks the return.",
      "musicalReason": "return-time / New time stamp and public setting with separate attacks; a changed accompaniment entry marks the return.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p48",
      "text": "До́нька гра́ла на піані́но.",
      "attackAnchor": "піаніно",
      "releaseAnchor": "піаніно",
      "sourceActionIds": [
        "a32"
      ],
      "sourceWordAnchor": "Then June happened Piano recital for my daughter's class",
      "lexicalDecision": "Preserve these working words; change their attacked/released performance where the source calls for it.",
      "vowelAndReleaseIntent": "Concrete child action, simple sung fact. Complete the noun without swallowing syllables or adding a decorative run.",
      "musicalReason": "recital / Concrete child action, simple sung fact. Complete the noun without swallowing syllables or adding a decorative run.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p49",
      "text": "Дружи́на Андрі́я сі́ла по́руч.",
      "attackAnchor": "поруч",
      "releaseAnchor": "поруч",
      "sourceActionIds": [
        "a33"
      ],
      "sourceWordAnchor": "Mark's wife sat down a few seats from me She looked at me Not pity, not sympathy Just confused",
      "lexicalDecision": "Rewritten from: Дружина Андрія сіла неподалік.",
      "vowelAndReleaseIntent": "Shorter spatial destination closes on ч; same recurring wife returns near the narrator.",
      "musicalReason": "return-encounter / Shorter spatial destination closes on ч; same recurring wife returns near the narrator.",
      "deliveryMode": "clipped-sung",
      "holds": []
    },
    {
      "phraseId": "p50",
      "text": "Гля́нула зно́в. Не жа́лість. Не співчуття́. Розгу́блена.",
      "attackAnchor": "Розгублена",
      "releaseAnchor": "Розгублена",
      "sourceActionIds": [
        "a33"
      ],
      "sourceWordAnchor": "Mark's wife sat down a few seats from me She looked at me Not pity, not sympathy Just confused",
      "lexicalDecision": "Preserve these working words; change their attacked/released performance where the source calls for it.",
      "vowelAndReleaseIntent": "Recall the earlier gaze/negation cell, but delayed resolution is confusion. Do not join the three interpretations into one legato wash.",
      "musicalReason": "gaze-return / Recall the earlier gaze/negation cell, but delayed resolution is confusion. Do not join the three interpretations into one legato wash.",
      "deliveryMode": "clipped-sung",
      "holds": []
    },
    {
      "phraseId": "p51",
      "text": "Підійшла́ пі́сля конце́рту: «До ре́чі, ти́ чудо́во вигляда́єш».",
      "attackAnchor": "До речі",
      "releaseAnchor": "виглядаєш",
      "sourceActionIds": [
        "a34"
      ],
      "sourceWordAnchor": "After the recital she walked up to me Said you look really good by the way",
      "lexicalDecision": "Rewritten from: Після концерту підійшла: «До речі, ти дуже гарно виглядаєш».",
      "vowelAndReleaseIntent": "Keep public-event aftermath and direct compliment. Conversational pitched aside changes into genuine surprise; the approach remains explicitly sung.",
      "musicalReason": "compliment / Keep public-event aftermath and direct compliment. Conversational pitched aside changes into genuine surprise; the approach remains explicitly sung.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p52",
      "text": "Та са́ма. Навесні́ пі́сля не́ї я́ сиді́ла в авто́.",
      "attackAnchor": "Та сама",
      "releaseAnchor": "авто",
      "sourceActionIds": [
        "a35"
      ],
      "sourceWordAnchor": "same woman who made me sit in my car that day",
      "lexicalDecision": "Rewritten from: Та сама, після якої в машині сиділа я навесні.",
      "vowelAndReleaseIntent": "Short recognition hit then causal return to the car; retain the link, close авто without melismatic expansion.",
      "musicalReason": "memory-return / Short recognition hit then causal return to the car; retain the link, close авто without melismatic expansion.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p53",
      "text": "Я́ щи́ро: «Дя́кую». Та́к і відчува́ю.",
      "attackAnchor": "Дякую",
      "releaseAnchor": "відчуваю",
      "sourceActionIds": [
        "a36"
      ],
      "sourceWordAnchor": "I said thank you And I meant it too",
      "lexicalDecision": "Rewritten from: Я щиро сказала: «Дякую». І справді так відчувала.",
      "vowelAndReleaseIntent": "Sincere thanks and internal agreement are two melodic gestures; the cadence starts settling rather than rushing to commerce.",
      "musicalReason": "sincere-response / Sincere thanks and internal agreement are two melodic gestures; the cadence starts settling rather than rushing to commerce.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p54",
      "text": "Не тому́, що її́ ду́мка важли́ва.",
      "attackAnchor": "її",
      "releaseAnchor": "важлива",
      "sourceActionIds": [
        "a37"
      ],
      "sourceWordAnchor": "Not because her opinion mattered But because mine finally did",
      "lexicalDecision": "Preserve these working words; change their attacked/released performance where the source calls for it.",
      "vowelAndReleaseIntent": "Contrast HER judgment clearly; no need to invent missing її in preserved versions.",
      "musicalReason": "external-negation / Contrast HER judgment clearly; no need to invent missing її in preserved versions.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p55",
      "text": "А тому́, що свою́ я́ наре́шті ціну́ю.",
      "attackAnchor": "свою",
      "releaseAnchor": "ціную",
      "sourceActionIds": [
        "a37"
      ],
      "sourceWordAnchor": "Not because her opinion mattered But because mine finally did",
      "lexicalDecision": "Preserve these working words; change their attacked/released performance where the source calls for it.",
      "vowelAndReleaseIntent": "OWN judgment gets the answering contour and purposeful final melodic resolution; no compulsory softness, leave music to close the personal arc.",
      "musicalReason": "self-worth / OWN judgment gets the answering contour and purposeful final melodic resolution; no compulsory softness, leave music to close the personal arc.",
      "deliveryMode": "selective-hold",
      "holds": [
        {
          "word": "ціную",
          "purpose": "OWN judgment gets the answering contour and purposeful final melodic resolution; no compulsory softness, leave music to close the personal arc.",
          "releaseOrResponse": "Resolve the specified thought and hand space to accompaniment; not an arbitrary silence duration."
        }
      ]
    },
    {
      "phraseId": "p56",
      "text": "Ґо́у П’ю́р — мі́й кре́м.",
      "attackAnchor": "Ґоу П’юр",
      "releaseAnchor": "крем",
      "sourceActionIds": [
        "a38"
      ],
      "sourceWordAnchor": "The cream is called Seora",
      "lexicalDecision": "Preserve these working words; change their attacked/released performance where the source calls for it.",
      "vowelAndReleaseIntent": "Distinct voiced GOH PYUR sung name after the personal cadence, then brief cream identification. Clear, casual new coda entrance.",
      "musicalReason": "brand / Distinct voiced GOH PYUR sung name after the personal cadence, then brief cream identification. Clear, casual new coda entrance.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p57",
      "text": "Зали́ш ім'я́ й но́мер у фо́рмі.",
      "attackAnchor": "ім'я й номер",
      "releaseAnchor": "формі",
      "sourceActionIds": [
        "a39"
      ],
      "sourceWordAnchor": "The link's below If you need it",
      "lexicalDecision": "Rewritten from: Ім'я й номер у формі внизу залиш.",
      "vowelAndReleaseIntent": "Keep the actual form instruction complete in one measured sung clause; do not rush a long end-of-song checklist.",
      "musicalReason": "order / Keep the actual form instruction complete in one measured sung clause; do not rush a long end-of-song checklist.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p58",
      "text": "О́гляд на по́шті. Опла́та — пі́сля о́гляду.",
      "attackAnchor": "після огляду",
      "releaseAnchor": "огляду",
      "sourceActionIds": [
        "a39"
      ],
      "sourceWordAnchor": "The link's below If you need it",
      "lexicalDecision": "Preserve these working words; change their attacked/released performance where the source calls for it.",
      "vowelAndReleaseIntent": "Inspection then payment remain explicitly ordered, two released noun clauses, supported by spare accompaniment.",
      "musicalReason": "payment-condition / Inspection then payment remain explicitly ordered, two released noun clauses, supported by spare accompaniment.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p59",
      "text": "Шістдеся́т дні́в на пове́рнення.",
      "attackAnchor": "Шістдесят",
      "releaseAnchor": "повернення",
      "sourceActionIds": [
        "a39"
      ],
      "sourceWordAnchor": "The link's below If you need it",
      "lexicalDecision": "Preserve these working words; change their attacked/released performance where the source calls for it.",
      "vowelAndReleaseIntent": "Keep the exact sixty-day return condition clear, then an instrumental breath before the final invitation.",
      "musicalReason": "return-condition / Keep the exact sixty-day return condition clear, then an instrumental breath before the final invitation.",
      "deliveryMode": "speech-shaped-sung",
      "holds": []
    },
    {
      "phraseId": "p60",
      "text": "Якщо́ тобі́ потрі́бно — посила́ння внизу́.",
      "attackAnchor": "Якщо тобі потрібно",
      "releaseAnchor": "внизу",
      "sourceActionIds": [
        "a39"
      ],
      "sourceWordAnchor": "The link's below If you need it",
      "lexicalDecision": "Preserve these working words; change their attacked/released performance where the source calls for it.",
      "vowelAndReleaseIntent": "Personal optional referral is the last sung thought. Intentional melody resolves the song; audible instrumental decay completes it without a rigid silence rule.",
      "musicalReason": "optional-coda / Personal optional referral is the last sung thought. Intentional melody resolves the song; audible instrumental decay completes it without a rigid silence rule.",
      "deliveryMode": "selective-hold",
      "holds": [
        {
          "word": "потрібно",
          "purpose": "Personal optional referral is the last sung thought. Intentional melody resolves the song; audible instrumental decay completes it without a rigid silence rule.",
          "releaseOrResponse": "Resolve the specified thought and hand space to accompaniment; not an arbitrary silence duration."
        }
      ]
    }
  ],
  "blockWork": [
    {
      "sectionId": "s1",
      "orthographicVowelCount": 75,
      "intendedSeconds": 27,
      "densityDecision": "Encounter and divorce backstory: fewer rewritten words, complete causal facts; local fast listing only in s4, no full-song rapid text bed.",
      "timeFlexibilityReason": "Allow 27s as a nonbinding composing budget including responses; actual song can change it without losing order or forcing the203.241s preserved clock.",
      "spaceForMusic": "Instant SUNG hook; crisp short facts; dry aside; guitar replies after finished clauses"
    },
    {
      "sectionId": "s2",
      "orthographicVowelCount": 76,
      "intendedSeconds": 27,
      "densityDecision": "Accumulated cost, store vulnerability and scan: fewer rewritten words, complete causal facts; local fast listing only in s4, no full-song rapid text bed.",
      "timeFlexibilityReason": "Allow 27s as a nonbinding composing budget including responses; actual song can change it without losing order or forcing the203.241s preserved clock.",
      "spaceForMusic": "Same short causal cadence three times; bass answers each; separated store facts"
    },
    {
      "sectionId": "s3",
      "orthographicVowelCount": 72,
      "intendedSeconds": 29,
      "densityDecision": "Pity reveal, car consequence, precise neck problem: fewer rewritten words, complete causal facts; local fast listing only in s4, no full-song rapid text bed.",
      "timeFlexibilityReason": "Allow 29s as a nonbinding composing budget including responses; actual song can change it without losing order or forcing the203.241s preserved clock.",
      "spaceForMusic": "Not anger. Worse. Pity; distinct sung attacks; inner thought opens then band hinge"
    },
    {
      "sectionId": "s4",
      "orthographicVowelCount": 78,
      "intendedSeconds": 28,
      "densityDecision": "Reciprocal dialogue and advice changes behavior: fewer rewritten words, complete causal facts; local fast listing only in s4, no full-song rapid text bed.",
      "timeFlexibilityReason": "Allow 28s as a nonbinding composing budget including responses; actual song can change it without losing order or forcing the203.241s preserved clock.",
      "spaceForMusic": "Clipped dance pickup; playful PITCHED questions; short list; SUNG Stop and band decay"
    },
    {
      "sectionId": "s5",
      "orthographicVowelCount": 94,
      "intendedSeconds": 40,
      "densityDecision": "Same ingredient facts; separate audible names with instrumental replies and extra local allowance, never rapid continuous text.",
      "timeFlexibilityReason": "Retain all product names/action/benefits; expand local block for audible complete names and musical replies, no fixed previous clock.",
      "spaceForMusic": "Sung care; spacious separate ingredient entrances with guitar replies; never cram names; full ku-pu-a-SU; extend this block as needed"
    },
    {
      "sectionId": "s6",
      "orthographicVowelCount": 80,
      "intendedSeconds": 28,
      "densityDecision": "Partial change, child observation, complete neck result: fewer rewritten words, complete causal facts; local fast listing only in s4, no full-song rapid text bed.",
      "timeFlexibilityReason": "Allow 28s as a nonbinding composing budget including responses; actual song can change it without losing order or forcing the203.241s preserved clock.",
      "spaceForMusic": "Time jumps; child melodic surprise; hold six purposefully then release; exposed neck payoff"
    },
    {
      "sectionId": "s7",
      "orthographicVowelCount": 79,
      "intendedSeconds": 27,
      "densityDecision": "Return encounter and changed reading of gaze: fewer rewritten words, complete causal facts; local fast listing only in s4, no full-song rapid text bed.",
      "timeFlexibilityReason": "Allow 27s as a nonbinding composing budget including responses; actual song can change it without losing order or forcing the203.241s preserved clock.",
      "spaceForMusic": "New entry; earlier gaze cell returns as confusion; separate negations; direct compliment"
    },
    {
      "sectionId": "s8",
      "orthographicVowelCount": 36,
      "intendedSeconds": 15,
      "densityDecision": "Sincere thanks and own judgment finally matters: fewer rewritten words, complete causal facts; local fast listing only in s4, no full-song rapid text bed.",
      "timeFlexibilityReason": "Allow 15s as a nonbinding composing budget including responses; actual song can change it without losing order or forcing the203.241s preserved clock.",
      "spaceForMusic": "Sung HER versus OWN; complete personal cadence; let instruments answer before coda"
    },
    {
      "sectionId": "s9",
      "orthographicVowelCount": 49,
      "intendedSeconds": 22,
      "densityDecision": "Compact complete ordering coda with optional personal invitation: fewer rewritten words, complete causal facts; local fast listing only in s4, no full-song rapid text bed.",
      "timeFlexibilityReason": "Allow 22s as a nonbinding composing budget including responses; actual song can change it without losing order or forcing the203.241s preserved clock.",
      "spaceForMusic": "New SUNG coda; voiced GOH PYUR; measured conditions with releases; optional invitation; resolved ending"
    }
  ],
  "transitions": [
    {
      "id": "tr1",
      "fromSection": "s1",
      "toSection": "s2",
      "afterPhraseId": "p09",
      "beforePhraseId": "p10",
      "voiceRelease": "Contrast self with her; shortened syntax retains both numerical ages of change, close ша then let the groove reset.",
      "musicalResponse": "Dry facts finish; bass/guitar sets the recurring cost cell.",
      "newEntry": "Sharp стрес then recurring short descending слід cadence; accompaniment answers the completed consequence.",
      "reasonNotSmoothed": "Dry facts finish; bass/guitar sets the recurring cost cell.",
      "sourceActionIds": [
        "a08",
        "a09"
      ]
    },
    {
      "id": "tr2",
      "fromSection": "s2",
      "toSection": "s3",
      "afterPhraseId": "p17",
      "beforePhraseId": "p18",
      "voiceRelease": "The number describes her look, not mandatory audio silence. Let the smile word be a short reveal.",
      "musicalResponse": "The superficial smile finishes; expose the delayed pity reveal with a changed band accent.",
      "newEntry": "Three sharply different sung gestures; expectation, rejection, exposed pity. Give the final noun a deliberate release and band reply.",
      "reasonNotSmoothed": "The superficial smile finishes; expose the delayed pity reveal with a changed band accent.",
      "sourceActionIds": [
        "a13",
        "a14"
      ]
    },
    {
      "id": "tr3",
      "fromSection": "s3",
      "toSection": "s4",
      "afterPhraseId": "p23",
      "beforePhraseId": "p24",
      "voiceRelease": "This image earns a selective melodic fall; complete the feeling and leave an instrumental hinge into the next scene.",
      "musicalResponse": "Inner light metaphor resolves; a perceptible rhythmic pickup starts the practical dance scene.",
      "newEntry": "Shorter completed забрала sits inside the clause; finish on consonantal танців, no stretching рала as the destination. Groove answer before the peer.",
      "reasonNotSmoothed": "Inner light metaphor resolves; a perceptible rhythmic pickup starts the practical dance scene.",
      "sourceActionIds": [
        "a19",
        "a20"
      ]
    },
    {
      "id": "tr4",
      "fromSection": "s4",
      "toSection": "s5",
      "afterPhraseId": "p30",
      "beforePhraseId": "p31",
      "voiceRelease": "Sung command hits with the band, its decay remains audible. Advice restarts after the interruption as a different action, not a crossfaded vocal line.",
      "musicalResponse": "Command/advice ends; accompaniment answers before the next-day handoff.",
      "newEntry": "Keep named donor, completed transfer and recipient; land банку then release, no loss of actor for shorter phrasing.",
      "reasonNotSmoothed": "Command/advice ends; accompaniment answers before the next-day handoff.",
      "sourceActionIds": [
        "a24",
        "a25"
      ]
    },
    {
      "id": "tr5",
      "fromSection": "s5",
      "toSection": "s6",
      "afterPhraseId": "p38",
      "beforePhraseId": "p39",
      "voiceRelease": "Paired negative sensations then positive personal experience; answer musically before the weeks jump, no universal tolerance guarantee.",
      "musicalResponse": "Comfort statement releases; music carries elapsed weeks before mirror surprise.",
      "newEntry": "Time jump and sudden stop separated; preserve mirror inspection without adding filler syllables to the lead-in.",
      "reasonNotSmoothed": "Comfort statement releases; music carries elapsed weeks before mirror surprise.",
      "sourceActionIds": [
        "a27",
        "a28"
      ]
    },
    {
      "id": "tr6",
      "fromSection": "s6",
      "toSection": "s7",
      "afterPhraseId": "p46",
      "beforePhraseId": "p47",
      "voiceRelease": "The practical payoff explicitly concerns the neck. A modest expressive contour can resolve here before the return scene.",
      "musicalResponse": "Exposed neck payoff lands; new instrumental entry signals the public return in June.",
      "newEntry": "New time stamp and public setting with separate attacks; a changed accompaniment entry marks the return.",
      "reasonNotSmoothed": "Exposed neck payoff lands; new instrumental entry signals the public return in June.",
      "sourceActionIds": [
        "a31",
        "a32"
      ]
    },
    {
      "id": "tr7",
      "fromSection": "s7",
      "toSection": "s8",
      "afterPhraseId": "p52",
      "beforePhraseId": "p53",
      "voiceRelease": "Short recognition hit then causal return to the car; retain the link, close авто without melismatic expansion.",
      "musicalResponse": "Recognition of the same woman resolves; accompaniment clears for sincere thanks and self-worth.",
      "newEntry": "Sincere thanks and internal agreement are two melodic gestures; the cadence starts settling rather than rushing to commerce.",
      "reasonNotSmoothed": "Recognition of the same woman resolves; accompaniment clears for sincere thanks and self-worth.",
      "sourceActionIds": [
        "a35",
        "a36"
      ]
    },
    {
      "id": "tr8",
      "fromSection": "s8",
      "toSection": "s9",
      "afterPhraseId": "p55",
      "beforePhraseId": "p56",
      "voiceRelease": "OWN judgment gets the answering contour and purposeful final melodic resolution; no compulsory softness, leave music to close the personal arc.",
      "musicalResponse": "Complete personal cadence and instrumental answer, then distinct casual sung brand referral.",
      "newEntry": "Distinct voiced GOH PYUR sung name after the personal cadence, then brief cream identification. Clear, casual new coda entrance.",
      "reasonNotSmoothed": "Complete personal cadence and instrumental answer, then distinct casual sung brand referral.",
      "sourceActionIds": [
        "a37",
        "a38"
      ]
    }
  ],
  "breathingWindows": [
    {
      "id": "breath1",
      "afterPhraseId": "p10",
      "beforePhraseId": "p11",
      "response": "Bass/guitar answers the first causal conclusion; next cause returns the same cell.",
      "reason": "Bass/guitar answers the first causal conclusion; next cause returns the same cell.",
      "timingIntent": "flexible-until-heard"
    },
    {
      "id": "breath2",
      "afterPhraseId": "p11",
      "beforePhraseId": "p12",
      "response": "Second answer, then increased caregiving cause; no repeated-line blur.",
      "reason": "Second answer, then increased caregiving cause; no repeated-line blur.",
      "timingIntent": "flexible-until-heard"
    },
    {
      "id": "breath3",
      "afterPhraseId": "p18",
      "beforePhraseId": "p19",
      "response": "Let revealed pity land over ensemble decay before the longer inner metaphor.",
      "reason": "Let revealed pity land over ensemble decay before the longer inner metaphor.",
      "timingIntent": "flexible-until-heard"
    },
    {
      "id": "breath4",
      "afterPhraseId": "p24",
      "beforePhraseId": "p25",
      "response": "Release танців and hear the groove before naming the peer.",
      "reason": "Release танців and hear the groove before naming the peer.",
      "timingIntent": "flexible-until-heard"
    },
    {
      "id": "breath5",
      "afterPhraseId": "p30",
      "beforePhraseId": "p31",
      "response": "Advice has changed action; instrumental response precedes the next-day jar transfer.",
      "reason": "Advice has changed action; instrumental response precedes the next-day jar transfer.",
      "timingIntent": "flexible-until-heard"
    },
    {
      "id": "breath6",
      "afterPhraseId": "p38",
      "beforePhraseId": "p39",
      "response": "Care experience ends; accompaniment marks the jump into weeks of waiting.",
      "reason": "Care experience ends; accompaniment marks the jump into weeks of waiting.",
      "timingIntent": "flexible-until-heard"
    },
    {
      "id": "breath7",
      "afterPhraseId": "p43",
      "beforePhraseId": "p44",
      "response": "Held six/disbelief resolves into a breath before the complete neck result.",
      "reason": "Held six/disbelief resolves into a breath before the complete neck result.",
      "timingIntent": "flexible-until-heard"
    },
    {
      "id": "breath8",
      "afterPhraseId": "p55",
      "beforePhraseId": "p56",
      "response": "Finish self-worth cadence and musical answer before changing to a product referral.",
      "reason": "Finish self-worth cadence and musical answer before changing to a product referral.",
      "timingIntent": "flexible-until-heard"
    },
    {
      "id": "breath9",
      "afterPhraseId": "p59",
      "beforePhraseId": "p60",
      "response": "Return condition ends; music makes room for the final personal invitation.",
      "reason": "Return condition ends; music makes room for the final personal invitation.",
      "timingIntent": "flexible-until-heard"
    },
    {
      "id": "breath10",
      "afterPhraseId": "p34",
      "beforePhraseId": "p35",
      "response": "Direct cream advice releases before first complete ingredient name.",
      "reason": "Direct cream advice releases before first complete ingredient name.",
      "timingIntent": "flexible-until-heard"
    },
    {
      "id": "breath11",
      "afterPhraseId": "p35",
      "beforePhraseId": "p36",
      "response": "Separate full names and general benefit before the olive/caffeine clause; internal name replies also explicit in provider lyric tags.",
      "reason": "Separate full names and general benefit before the olive/caffeine clause; internal name replies also explicit in provider lyric tags.",
      "timingIntent": "flexible-until-heard"
    }
  ],
  "revision": {
    "previous": {
      "path": "/workspaces/UGS/AdFactorySongFormat/trees/ce99390b3b/runs/targ-articulation-ce99390b3b-v01/song/articulation-plan-v01.json",
      "sha256": "6b6e0dbd085981169407c4dfe9ac1636dbb8a39072d456f4fb0e47461b9faad5"
    },
    "reason": "Three local text/spacing corrections after known experiment sound, preserve all other actions and sequence."
  }
}